In 1966, to the chagrin of his fans and the folk music community, Bob Dylan went electric. The five years leading up to this moment is the focus of A Complete Unknown, the new Bob Dylan biopic from James Mangold.
This indignation came at a time where folk was the language of protest, from the civil rights movement to the Vietnam war, but when did folk get left behind? What was Dylan’s lasting effect on the protest song?
Tom Gatti is joined by Kate Mossman, senior writer at the New Statesman, and Dorian Lynskey, writer and author of 33 Revolutions Per Minute: A History of Protest Songs.
You can read more from Kate and Dorian.
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