Artist Joe Sweeney's project +44... A Message for Europe invites us to contribute our feelings about Brexit and our EU neighbours to an audio archive.
Both artists choose everyday materials and irreverence over the sanctity of sculpture.
The painter’s Norwegian landscapes throb with an indefinable intensity.
John Ruskin led a crusade against Victorian rectitude and attacked capitalism. His mind was wild and unstable, but we need his utopian visions today as we find ourselves evermore distanced from the natural world.
Michelangelo and Bill Viola both set out to investigate the ineffable – but in a new double show at the Royal Academy, affinities between them are not enough to bridge the divide.
Audience defensiveness on the part of the accused isn’t really about the accused at all. It’s about protecting the work.
Pierre Bonnard painted what he remembered not what he saw, and his enigmatic pictures are ripe with the immanence of decline.
From 500 years of Leonardo to the Anglophile Van Gogh, 2019 promises an eye-opening year in painting and sculpture.
I left the Albers retrospective feeling a mixture of triumph and rage.
Beardsley’s exquisite line drawings opened my eyes to art.
The exhibition turned me from a grumpy old man into a weeping 15-year-old boy.