Othello is missing the tragedy
Tom Morris's production starring David Harewood makes the audience side with the wrong character
By
Reviewing politics
and culture since 1913
Tom Morris's production starring David Harewood makes the audience side with the wrong character
By
Abramović now sells "longevity drops" and NFTs of her art – promising a performance that will never end
By
The new theatre adaptation of Alan Hollinghurst's The Line of Beauty loses the beauty
By
The former Labour leader has signed up to play the Wizard of Oz-lington in a Wicked-inspired Christmas panto
By
Max Webster’s queer reimagining of the Oscar Wilde classic is an explosion of conflicting performances
By
Simon Stone’s contemporary take on the Victorian-era family drama is witty but struggles against its rain-soaked staging
By
Indhu Rubasingham’s debut as artistic director of the National Theatre tries to bring girlboss feminism to Euripides
By
We have reached a strange moment in human imagination
By