Turandot, the last canonical opera
The premiere of Puccini’s Turandot, a century ago, was also the wake for a venerated cultural tradition
By
Theatre
Latest in
Theatre
The message of A Doll’s House is unbound by time
A new adaptation of Henrik Ibsen’s renowned play emphasises the performance’s universality – but the characters leave much to be…
By
Does Inter Alia understand the manosphere?
Suzie Miller’s play takes the debate and turns it on its head – but the message is muddled
By
Les Liaisons Dangereuses brilliantly displays the power of emotions
While the novel focuses on the protagonists’ schemes, Christopher Hampton’s play examines the psychological impact of their torturous mind games
By
Romeo and Juliet have been let down
Sadie Sink and Noah Jupe deliver thrilling performances, but Robert Icke’s direction is an assault on the senses
By
Johannes Radebe makes Kinky Boots dazzle
The larger-than-life Strictly Come Dancing star is captivating as he injects life into the new production of the show
By
John Proctor is the Villain is a thrilling teenage-girl take on The Crucible
Kimberly Belflower’s play, at London’s Royal Court theatre, tears into misogyny and Arthur Miller
By
Summerfolk review: Maxim Gorky’s tragedy is as relevant as ever
The language is modern but the Russian dacha aesthetic gives the performance its timeless quality
By