Who’s afraid of a perfect revival?
Gillian Anderson is all hard angles and edges in an electric production of Who’s Afraid of Virginia Woolf?
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The Thelma and Louise musical has nothing on the film
The question one should always ask when a beloved film is reimagined as a musical is: why?
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Britain needed Bonnie Greer
My friend, the playwright, has died aged 77
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Tartuffe review: Mark Rylance is delightful in a new adaptation
The latest revival recontextualises Molière within a Jamaican-Nigerian family
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The wide chasm of Electra/Persona
The theatrical blend of Sophocles’s tragedy and Ingmar Bergman’s film proves that some works should be kept separate
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The best of the Edinburgh Fringe
One-man shows, historical adaptations and career revivals: the New Statesman ranks the Fringe’s unmissable performances
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Matthew Bourne’s The Car Man brings the heat
The sultry ballet adaptation of Carmen is wild with energy, betrayal and lust
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Sarah Kane’s Cleansed leaves you feeling anything but
The late playwright’s performances are always a hard watch – this one will make you sick
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