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While food in general has been a big part of film over the past two years, it’s feeding scenes that stand out: from Phantom Thread’s BDSM omelette to Moonlight’s diner meal.
The provocative auteur talks to Ryan Gilbey about sex at 71, her obsession with Juliette Binoche and why his questions are “maybe a little bit pretentious.”
Childbirth, a newborn’s cry, and volatile teenage emotions all become life-threatening: children are feared for their sheer vulnerability.
When I was 13, the awful “Mini-Me” hit our screens. When I was 31, I learned of Benjamin Lay.
It is unfortunate that nothing Maxine Peake’s stand-up comic says, either on or off stage, is remotely amusing.
The film, which tells the tale of two adventurers separated by half a century, falls to pieces in its second half.
Seeing new characters trespassing all over the footage means the new world of VR still looks suspiciously like same old, same old.
The typical movie vigilante shares traits with the Trump voter: a white, middle-aged, middle-class male who regards himself as endangered.
Punk’s inability to contain women, and their subsequent erasure, has been part of its hegemonic celebration by guys of a certain vintage.
A movie rich in diversity fails to match it in terms of imagination.
Steven Spielberg attended, with an acceptance speech applauding #TimesUp and celebrating the magic of the movie theatre.
