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Kate Winslet and Saoirse Ronan star as windswept lovers in a movie that is more than just “Portrait of a Lady with Fossils”.
Her sly, rich novels do not seem tailor-made for cinema – but 100 years after her birth, Highsmith’s compelling characters are indelible on screen.
This satire-cum-sex-comedy is a funny, sly rebuke to the enduring myth of free love.
A dearth of glossier and more extravagant “event” movies has given Nomadland and other small films a greater chance of winning.
The Golden Globe-winning drama follows a Korean-American family, telling a tender tale of rural struggle.
Set in the 1950s, the movie is a lesson in the suffocating domesticity that women of that time faced.
In this new biopic, the director Lee Daniels has followed the example of Lady Sings the Blues by casting an established music star as Holiday.
Jane Campion’s 2003 film is an ugly, frightening exploration of the danger that comes with being a woman attracted to men.
The plot of this unfortunate film is wince-inducingly familiar, the characters psychologically thin.
It is Hanks’s curiosity, his intentness as he watches and listens, which lends him definition.
The master of horror could write, direct and score his own films. So why did he give it all up?