The crimes of Claude Chabrol
The director, one of the leading French nouvelle vague filmmakers, made the subject of criminality his speciality
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Tony cannot make Bourdain cool
The new film leaves you baffled by what the Bourdain cult was ever about
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Ice Cream Man: a lactose-fuelled zombie apocalypse
Eli Roth’s new film worships violence – but can never explain it
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Who owns the Odyssey?
The original poem is not as straightforward as Elon Musk and the Online Right might hope
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Luton, mon amour
Ish, a coming-of-age story from the British Bangladeshi filmmaker Imran Perretta, is a love letter to a community on the…
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Ali G isn’t funny any more
Sacha Baron Cohen’s new film, Who Iz I?, will be released this year
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On the Sea: a romantic delirium
The director Helen Walsh has graduated from rapaciousness to tenderness
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Daniel Mendelsohn: “The Odyssey is a blueprint for all comedy”
The translator of Homer’s classic poem, now adapted for the big screen, explains the text’s enduring power
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