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If Quentin Tarantino's latest film falls a long way short of meaningful, it still deserves credit for groping towards profound ideas.
A lack of authenticity works against the evident chemistry of leads Holliday Grainger and Alia Shawkat.
Enough of the idealising – it's time we acknowledge the sexism at the heart of the myth of the male "genius".
Film companies continue rebooting old favourites. Are we so attached to the past that we can no longer imagine a future?
In a luxury hotel, we see a compartmentalised world where wealthy guests are oblivious to those who make their detritus, and their problems, disappear.
In 2019 Britain, this is what a cat looks like.
From Colette to The Favourite, Vita and Virginia to Gentleman Jack: why are filmmakers turning to the past to explore relationships between women?
Disney's photorealistic remake leaves the new cast with nothing to play with, no meat on the bone.
The 1969 moon landing has inspired countless films, books and TV shows – but on the 50th anniversary of Apollo 11, the mission’s cultural legacy is shadowed with a darker hue.
Ari Aster’s film Midsommar turns Swedish summer celebrations into a sinister cult. But at a real solstice gathering, a more banal nightmare awaited me.
The Dead Don’t Die has nothing to add to the accomplishments of Shaun of the Dead and Zombieland