Fight Club in the manosphere
Twenty-five years on, the film has become celebrated by lost young men who fail to grasp its subversive intent.
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Timestalker’s cycle of suffering
This “reincarnation spoof” sees a woman endure the same horrors lifetime after lifetime. Sadly, it’s also painful viewing.
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The Roman republic is a lazy shorthand for the modern political condition
Megalopolis’ use of the ancients as an allegory for modern America is more revealing than even Francis Ford Coppola realises.
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The Outrun almost makes a great success of an improbable adaptation
This tale of addiction and healing on Orkney is faithful to Amy Liptrot’s memoir – at the cost of narrative…
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Francis Ford Coppola’s new film may be his greatest delusion
The script of Megalopolis is unspeakable, its tone baffling and its world makes no sense.
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The Substance isn’t subtle or subversive – but it is entertaining
This satirical swipe at the beauty industry starring Demi Moore is comically grotesque.
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Beetlejuice Beetlejuice resurrects ancient material
Tim Burton’s sequel attempts to recapture the spirit of the original. Is he just cashing in on the past?
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Firebrand is an unhistorical and unforgettable Tudor drama
Alicia Vikander and Jude Law excel in this retelling of Henry VIII’s marriage to Catherine Parr.
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