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Diane Kruger is propulsive: but she has an instinct for subtlety that isn’t shared by her director.
A role like this presents a particular challenge for Everett.
Their scheme runs like Rolex clockwork. You never feel the shiver of risk.
Two new documentaries, about Alexander McQueen and Studio 54, are caught between rejoicing in excess and mourning its effects.
Martel’s adaptation of the Argentine novel is David Lynch meets Samuel Beckett.
The movie is now on release in an “unrestored” 70mm Cinerama roadshow version.
Filmmakers love Ian McEwan for his dramatic set-pieces – but ungainly flashbacks and ageing make-up ruin this adaptation.
A trailer for the Freddie Mercury biopic has caused a stir by avoiding references to the Queen singer’s bisexuality - how would we do the same to other famous queer figures?
In the world of breakneck blockbuster cinema, plot logic and characterisation falls through the cracks of emergency rewrites.
Plus, sadistic exploitation thriller Revenge.
One may conclude Raoul Peck’s biopic is so absorbing because Marx’s ideas remain so full of fire and so alive.
