The contested afterlife of Amy Winehouse
In her life and music, she was beyond confessional. Can Sam Taylor-Johnson’s biopic tell us more about her than she did?
ByKate Mossman is a senior writer at the New Statesman.
In her life and music, she was beyond confessional. Can Sam Taylor-Johnson’s biopic tell us more about her than she did?
By Kate MossmanThis Is Me... Now is a bizarre but poetic record of her rekindled love for Ben Affleck.
By Kate MossmanHer appearance at the Grammys in a wheelchair, walking stick in hand, could add 20 years to the shelf…
By Kate MossmanThe podcaster and sports broadcaster on what he’s learned from high achievers and why men need mental resilience.
By Kate MossmanThe actor has a manic, eye-rolling energy and a real bitchiness in this production. But do we need the…
By Kate MossmanThe Royal Ballet principal on embracing pain, bringing the unconscious to the stage, and the dance world after #MeToo.
By Kate MossmanFor 50 years, the “mean old daddy” immortalised in one of Mitchell’s best-loved songs has been an enigma. Now…
By Kate MossmanThe Tories decry his interventions; others say he's too conservative. Can the Archbishop of Canterbury unite a fraying Church?
By Kate MossmanEzra Collective is the first ever jazz band to win the Mercury Prize – lifting a curse on a…
By Kate Mossman