Helen Oyeyemi and Maddie Mortimer to judge the 2023 Goldsmiths Prize
Tom Lee and Ellen Peirson-Hagger complete the panel for the £10,000 prize for “literature at its most novel”.
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Tom Lee and Ellen Peirson-Hagger complete the panel for the £10,000 prize for “literature at its most novel”.
ByNatasha Soobramanien and Luke Williams’s collaboration is a restlessly inventive novel about colonial injustice and human connection.
ByThe 2022 Goldsmiths Prize-winning duo on Chagos, capitalism and collaborating on their mould-breaking novel Diego Garcia.
ByNatasha Soobramanien and Luke Williams’s politically charged novel has won the 2022 award for mould-breaking fiction.
ByThe author of the Goldsmiths Prize-shortlisted Seven Steeples on the pandemic, the death of her father and the role of…
ByThe author of the Goldsmiths Prize-shortlisted novel Maps of Our Spectacular Bodies on typesetting, A Clockwork Orange, and why the…
ByThe author of the Goldsmiths Prize-shortlisted novel “there are more things” on revolutionary politics, Margery Kempe and cannibalising colonisers.
ByAgainst the “imperialism of the absolute” – a personal manifesto on the art of fiction.
ByThe author of the Goldsmiths Prize-shortlisted novel Somebody Loves You discusses Antigone, Michaela Coel and putting language over a Bunsen…
ByThe author of the Goldsmiths Prize-shortlisted novel Peaces on mongooses, Korean drama and “discipline in the pursuit of chaos”.
ByIn its tenth year, the award for “fiction at its most novel” presents a politically charged shortlist dominated by female…
ByThe Norwegian author’s lecture on “why the novel matters” will mark a decade of the groundbreaking fiction prize.
ByIn Sterling Karat Gold the author writes with incandescent rage and surreal humour.
ByDescribed as “Kafka’s The Trial written for the era of gaslighting”, Waidner's third novel has won the £10,000 prize for…
ByThe author on her Goldsmiths Prize-shortlisted debut, health inequality, and the influence of bell hooks and Jane Austen.
ByThe Goldsmiths Prize-shortlisted novelist on style, the problem with “promise”, and why Garibaldi biscuits are the best in the world.
ByThe Goldsmiths Prize-shortlisted author on magic realism, language, and why This One Sky Day took 15 years to write.
ByThe Goldsmiths Prize-shortlisted author on Muriel Spark, south London and his fifth novel A Shock.
ByThe author on Virginia Woolf, forgetting the names of books, and her Goldsmiths Prize-shortlisted novel Little Scratch.
ByThe author on their Goldsmiths Prize-shortlisted book Sterling Karat Gold, humour, and why the novel has to change.
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