Charli XCX’s soundtrack is the only good thing about Wuthering Heights
Stream it today, and don’t see the film
ByReviewing politics
and culture since 1913
Stream it today, and don’t see the film
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Finely manicured talons reached out, clasping Trump’s bruised right hand in affectionate solidarity
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The Leader of the Opposition chose songs of simple ambition
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Her new album, Locket, is perfect pop music – which is part of the problem
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The singer’s new album is a tribute to the “golden era of music” – in which he never really belonged
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An anxiety underlies efforts by critics such as Maggie Nelson to justify liking Taylor Swift and Charli XCX
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The former Noughties boyband star has joined the musical world he always loved
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The latest cinematic offering from the global superstar is slow, shallow and dull
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Her new album Everybody Scream is shaped by the occult but portrays profoundly human experiences
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The new album trades her heart-thumping highs for soft-rock meanderings
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Chris Martin and his band have at last been vindicated
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The pop star will write and direct; Julia Garner will star. It won’t work
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Netflix’s most popular film conceals an unnerving, dark reality.
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Britney, Kylie and Madonna are grist to the new star’s mill.
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Her new studio album, Man’s Best Friend, may be muted. But she remains the only popstar with comic talent.
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The popstar is championing literary culture to a generation for whom reading has become passé.
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At her sold out Wembley show, the American star blended old hits with her new Southern belle persona.
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Her public persona is one of a starlet propped up by a Warholian cabal.
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The popstar’s country-music transformation is complete.
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In an age of genuine instability, do we still want to get our politics from pop music?
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