The search for queer cinema
Ryan Gilbey’s unconventional memoir It Used to Be Witches is wrapped in the film critic’s study of LGBTQ+ movie-making.
By
Yo Zushi
Yo Zushi is a contributing writer for the New Statesman.
Latest articles
All Articles
The martyring of Elliott Smith
The indie-rock artist’s posthumous status as a “torment saint” is an ill-fitting reputation.
By
The Born in the USA fallacy
Forty years ago Bruce Springsteen’s bleak portrait of America’s discarded working class was miscast as a patriotic anthem.
By
How Japan’s wartime history haunts its popular culture
In two new blockbusters – Godzilla Minus One and The Boy and the Heron – Japanese filmmakers grapple with…
By
REM’s soundtrack to the end of history
The album Up captured the dehumanisation and sexless ennui that defined the late Nineties.
By
Welcome 2 America is Prince’s best political work
Prince was always a political songwriter, even when he was detailing the 23 positions of a one-night stand. But…
By
Bob Dylan at 80: His world is mysterious – he says everything and nothing at once
Songwriters like Leonard Cohen articulately present their subjective world-view, but Dylan gives us whole worlds to explore.
By
Blutch’s graphic novel Mitchum revels in the power of mythic America
In the world of comics, which owes so much to the stateside masters, the American imagination looms large.
By
Why we must remember the reality of Hiroshima
Nuclear weapons are treated, like pandemics, as an abstract political debate until they become a very different reality.
By