TV How Succession created TV’s first irredeemable leading man In Logan Roy, Jesse Armstrong and Brian Cox took the archetypal anti-hero and replaced it with a moral black hole – a darker, unfathomable force sucking… By Fergal Kinney
Why Girls Aloud were the most inventive act in Noughties pop Twenty years since the release of their debut single, it’s clear that this talent show girl group rewrote the… By Fergal Kinney
How Peter Kay changed British comedy The beloved Bolton comic, now going on tour for the first time in over a decade, became a national… By Fergal Kinney
The male, pale Haçienda myth A new BBC documentary cements the dull cult of nostalgia around Manchester’s acid house scene and neglects the black… By Fergal Kinney
The battle of the Dylanologists As Bob Dylan tours the UK, his work is being embraced and interrogated by younger critics impatient with the… By Fergal Kinney
How Morrissey became irrelevant At a gig in south London, the singer seemed trapped by nostalgia for his early career – and a… By Fergal Kinney
Why we shouldn’t sanctify David Bowie The new Bowie documentary, Moonage Daydream, is a hagiography that diminishes rather than enhances our understanding of the man… By Fergal Kinney