Colin Greenwood’s tour diary: checking in with Radiohead and suiting up for Nick Cave
The bassist on becoming a Bad Seed, reconvening with old friends, and how life on the road has changed.
ByReviewing politics
and culture since 1913
The bassist on becoming a Bad Seed, reconvening with old friends, and how life on the road has changed.
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It was exhilarating for a while, but there is power in knowing a moment has passed.
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Like her peer Charli XCX, the pop star of the moment wants to free artists from a “creepy” culture of…
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This imaginative orchestral reworking of her debut album Lungs was part film score, part pop song, and totally euphoric.
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The pop star has hit the mainstream thanks to a playful sense of humour that brings her smart, elliptical songs…
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On a street in Vienna, the star’s fans are building a sanctuary in defiance against the threat of terror and…
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The meme has transcended culture and taken over politics. Why has everyone misunderstood it?
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The Fleetwood Mac singer is 76 years old – but she doesn’t sound it.
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Denied an audience with frontman Kevin Rowland, the author Nige Tassell asks the band’s army of musicians to tell its…
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At Wembley Stadium, the pop star presented a kaleidoscopic, whiplash-inducing spectacle that passed by in a blur.
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An old album and a Pet Shop Boys gig remind me of music’s power to refresh memories and forge new…
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Forty years ago Bruce Springsteen’s bleak portrait of America’s discarded working class was miscast as a patriotic anthem.
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Seeing Gary, Howard and Mark perform in Manchester revealed how friendships, freedom and fun evolve through life.
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The pop duo on Keir Starmer, the royals, Marvel and the word “queer”.
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The legendary post-punk bassist and singer on teleportation, Tube trains, and living with the paranormal.
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The all-female band shone briefly in Sixties Hamburg, but were prevented from flourishing in a male-dominated scene.
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A close encounter with the legendary bassist leaves me giddy and unsteady on my feet.
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In the Sixties, the Canadian musician defined Americana. On his score for Killers of the Flower Moon, he blew it…
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The Chinese-Icelandic singer mixes classical and jazz influences in her old-fashioned take on pop.
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This self-congratulatory country club of popular music is outdated and irrelevant – resigned to playing catch-up with our culture.
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