The right note to end on
In my columns for the New Statesman, I’ve recorded more than a decade of my life. But now it’s time to say goodbye.
By
Reviewing politics
and culture since 1913
In my columns for the New Statesman, I’ve recorded more than a decade of my life. But now it’s time to say goodbye.
By Tracey Thorn
Sly Lives! presents an unflinching portrait of the artist – and the main quandary of the creative process.
By Tracey Thorn
I think of how I grew up in a village where everyone knew me, and how I couldn’t wait…
By Tracey Thorn
I saw the documentary in a spirit of curiosity rather than fandom – and was won over by the…
By Tracey Thorn
When the pizza arrived mid sex scene, I didn’t know whether to laugh or cry.
By Tracey Thorn
The pictures make me smile. The people in them seem real and alive.
By Tracey Thorn
If there’s one thing I’ve learned over the years, it’s that there’s no point in making aspirational resolutions.
By Tracey Thorn
A recent London show proved Brat is the album of the year, and she is the artist of the…
By Tracey Thorn
The concentration required for me to fumble through Beethoven leaves no room in my brain for anything else, apart…
By Tracey Thorn