New Times,
New Thinking.

  1. Culture
30 April 2014updated 24 Jun 2021 1:01pm

Bob Hoskins’s finest film moments, from Mona Lisa to Roger Rabbit

The British actor died yesterday of pneumonia following several years with Parkinson’s. We look back at some of his most memorable film roles over five decades.

By Thomas Calvocoressi

Bob Hoskins retired from acting in 2012 after being diagnosed with Parkinson’s disease the year before. He died yesterday of pneumonia in hospital, surrounded by his family. He was 71. 

Hoskins, son of a nursery school teacher and a communist, atheist lorry driver and with one Romani gypsy grandmother, was born in Suffolk, but grew up in Finsbury Park in London. And it was as the archetypal Cockney geezer that he became known. His diminutive height (5 ft 5) also lent itself to a string of comedy roles and character parts but he could do deeply menacing too, playing gangsters both British and Italian-American. 

Here are clips from some of his best or most memorable big-screen roles:

As Harold Shand, the British gangster attempting to become a legit businessman in The Long Good Friday (1980). Here the final, fatal scene:

Select and enter your email address Your weekly guide to the best writing on ideas, politics, books and culture every Saturday. The best way to sign up for The Saturday Read is via saturdayread.substack.com The New Statesman's quick and essential guide to the news and politics of the day. The best way to sign up for Morning Call is via morningcall.substack.com
  • Administration / Office
  • Arts and Culture
  • Board Member
  • Business / Corporate Services
  • Client / Customer Services
  • Communications
  • Construction, Works, Engineering
  • Education, Curriculum and Teaching
  • Environment, Conservation and NRM
  • Facility / Grounds Management and Maintenance
  • Finance Management
  • Health - Medical and Nursing Management
  • HR, Training and Organisational Development
  • Information and Communications Technology
  • Information Services, Statistics, Records, Archives
  • Infrastructure Management - Transport, Utilities
  • Legal Officers and Practitioners
  • Librarians and Library Management
  • Management
  • Marketing
  • OH&S, Risk Management
  • Operations Management
  • Planning, Policy, Strategy
  • Printing, Design, Publishing, Web
  • Projects, Programs and Advisors
  • Property, Assets and Fleet Management
  • Public Relations and Media
  • Purchasing and Procurement
  • Quality Management
  • Science and Technical Research and Development
  • Security and Law Enforcement
  • Service Delivery
  • Sport and Recreation
  • Travel, Accommodation, Tourism
  • Wellbeing, Community / Social Services
Visit our privacy Policy for more information about our services, how Progressive Media Investments may use, process and share your personal data, including information on your rights in respect of your personal data and how you can unsubscribe from future marketing communications.
THANK YOU

 

As the US club-owning mobster Owney Madden in 1984 crime drama The Cotton Club:

 

The darkly comic repairman Spoor in Terry Gilliam’s steampunk dytopia Brazil (at 3 mins)

 

In perhaps his most iconic role, George the ex-con and driver for prostitute Simone (Cathy Dyson) in Mona Lisa (1986)

 

As Eddie Valiant, an alcoholic private investigator who holds a grudge against the Toons in Who Framed Roger Rabbit? (1988)

 

As Cher’s lover Lou in Mermaids (1990)

 

As the eponymous plumber Mario Mario in the so bad it’s… still bad videogame-to-big-screen Super Mario Bros (1993)

 

As Verloc in the under-the-radar adaptation of  Joseph Conrad’s The Secret Agent (1996)

 

As the boxing impresario Alan Darcy in Shane Meadows’s Twenty-Four Seven (1997); here in a famous dancing scene:

 

Going romcom with J-Lo in Maid in Manhattan (2002), as wise hotel head butler Lionel Bloch:

 

 

As the Windmill Theatre manager with Judi Dench in Mrs Henderson Presents (2005)

 

And as the sympathetic factory boss Albert in Made in Dagenham (2010)

 

And finally…  

A little bit more Bob in this classic shower scene, also from The Long Good Friday

.

Content from our partners
An innovative approach to regional equity
ADHD in the criminal justice system: a case for change – with Takeda
The power of place in tackling climate change