Glengarry Glen Ross is pulling its punches
The all-female cast of David Mamet’s Pulitzer-winning play is a confusing attempt at timelessness and modern social commentary
By
Reviewing politics
and culture since 1913
Luke O’Reilly is the news editor of the New Statesman. He has previously covered crime, the royal family, and the Labour Party
The all-female cast of David Mamet’s Pulitzer-winning play is a confusing attempt at timelessness and modern social commentary
By Luke O’Reilly
How no 32 Portland Place became the city’s most notorious venue
By Luke O’Reilly
The Iran war is part of a wider contest between the US and China
By Luke O’Reilly
The country is a minor power and a major symbol
By Luke O’Reilly
Looksmaxxing has codified the anxieties of male teenagers into a belief system
By Luke O’Reilly
The latest revival refuses to dumb the famously difficult play down
By Luke O’Reilly
The former home secretary believes the only solution to leadership speculation is success
By Luke O’Reilly
The Unite the Kingdom Christmas service showed a new kind of British Christianity
By Luke O’Reilly
A private firm is finding and training a network of political influencers
By Luke O’Reilly