The best of the Edinburgh Fringe
One-man shows, historical adaptations and career revivals: the New Statesman ranks the Fringe’s unmissable performances
By
Reviewing politics
and culture since 1913
Luke O’Reilly is the news editor of the New Statesman. He has previously covered crime, the royal family, and the Labour Party
One-man shows, historical adaptations and career revivals: the New Statesman ranks the Fringe’s unmissable performances
By Luke O’Reilly
Inside the stadium, punters recall the greyhounds’ former glory
By Luke O’Reilly
Farmers, hauliers and small contractors have brought parts of the country to a standstill
By Luke O’Reilly
How no 32 Portland Place became the city’s most notorious venue
By Luke O’Reilly
The Iran war is part of a wider contest between the US and China
By Luke O’Reilly
The country is a minor power and a major symbol
By Luke O’Reilly
Looksmaxxing has codified the anxieties of male teenagers into a belief system
By Luke O’Reilly
The latest revival refuses to dumb the famously difficult play down
By Luke O’Reilly
The former home secretary believes the only solution to leadership speculation is success
By Luke O’Reilly