Radio 4’s Red Lines is a heavy-handed attempt to pin today’s crisis in Ukraine on squeamish MPs in 2013
The message is unsubtle and simplistic, and the only moment of wit is when David Davis is called a wanker.
ByThe message is unsubtle and simplistic, and the only moment of wit is when David Davis is called a wanker.
ByA delightful mix of science, history and feminism, BBC Radio 4’s Political Animals explores what animal sexuality reveals about the…
ByThis agenda-free agony aunt podcast doesn’t set out to change the world – and therein lies its charm.
ByThe shadow of Sarah Everard’s murder looms over this catalogue of women’s experiences of walking at night.
ByAcross ten episodes, Lynsey Hanley speaks to people who are shut out of the housing market. The picture is bleak.
ByPerhaps the most futile of all questions is why some things make us laugh, which doesn’t bode well for BBC…
ByListening to musicians discuss their best travel experiences is both magical and otherworldly.
ByThe tenth series of Rufus Hound’s hit show opens with Jane Horrocks and an adventurous “coming of age” holiday to Sorrento.
ByIn this episode, authors Sarah Perry and Sinéad Gleeson reflect on how their relationships with their bodies have changed over lockdown.
ByDoes it move more slowly when we experience pain? Do we really see things “in slow motion” during a sudden…
ByEpisodes can be heavy in subject matter or dovetail with broader topical issues – the Windrush scandal, Brexit and Covid-19…
ByPhil Tinline digs through history, journalism, fiction and film to try to understand why the idea of being “in on”…
ByThis four-episode series mixes winking chats between Keyes and Tara Flynn, with readings from Keyes’s non-fiction work.
ByAlthough it covers important and sensitive issues, Chloe Combi’s “You Don’t Know Me” can feel exploitative in its approach.
ByIn this three-part adaptation of Tess of the D’Urbervilles, Tess relates her own story in a series of first-person monologues.…
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