The great cliché of having “blood on your hands”
David Dimbleby explores America’s metamorphosis into a superpower
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Faye Curran
Faye Curran is a commissioning editor at the New Statesman. She previously worked at The Week
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Romeo and Juliet have been let down
Sadie Sink and Noah Jupe deliver thrilling performances, but Robert Icke’s direction is an assault on the senses
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Alfreda Bikowsky led the CIA unit that tortured suspected terrorists and caught Bin Laden. Now, she is a life…
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Zoe Strimpel’s orgy of contradictions
Good Slut, her new book, is somehow outrageous and boring at once
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No one’s getting off to Bridgerton anymore
The new series is all thrust and no cut
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Gisèle Pelicot is not your hero
In her new memoir, Pelicot rejects the pedestal she has been put on
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Why does Emerald Fennell keep killing women off?
The director charges towards whatever cultural argument is burning hottest
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How Nicki Minaj became Maga’s queen
Finely manicured talons reached out, clasping Trump’s bruised right hand in affectionate solidarity
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London misunderstands The Playboy of the Western World
The new National Theatre production is an uproarious and haunting portrait of rural Irish life
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