Why make another Mean Girls?
The musical update of the popular high-school movie is entertaining, but bewildering.
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and culture since 1913
Explore the world of cinema with our selection of film reviews, providing in-depth analysis, thoughtful critiques, and captivating insights into the latest releases and timeless classics.
The musical update of the popular high-school movie is entertaining, but bewildering.
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The thrill of this ensemble series about brutish kitchen culture, winner of six Emmys at last night’s awards, lies in…
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In a brilliant comic fable, Emma Stone is a rude, punky and modern Frankenstein’s monster that puts Barbie to shame.
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In two new blockbusters – Godzilla Minus One and The Boy and the Heron – Japanese filmmakers grapple with atomic…
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Our choice of the year’s essential screen entertainment.
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Featuring Muppets, gremlins, elves and an assassin.
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Sofia Coppola’s Priscilla Presley biopic shows how the singer groomed his teenage wife – but his obsession with young girls…
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The Warner Bros origin story for the chocolatier adds songs and removes nastiness from Roald Dahl’s tale – for the…
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In Maestro, Cooper emphasises the composer’s ambition and hedonism. But Carey Mulligan is the film’s roaring heart.
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In this ruthlessly efficient and entertaining epic, starring Joaquin Phoenix, facts are beside the point.
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Todd Haynes’s sophisticated melodrama pits Julianne Moore against Natalie Portman in a bitingly funny duel.
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A protean Tilda Swinton completely inhabits the roles of both mother and daughter.
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Emerald Fennell’s story of an Oxford student who infiltrates the aristocracy values style over depth.
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This provocative, insightful film blows up a particular adolescent experience to better see its nuances.
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Justine Triet’s superb work of psychological suspense elevates the genre.
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This film about the great Irish playwright will mystify those not familiar with his life and work – and irritate…
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Susanna Fogel’s take on the viral New Yorker story reveals the dangers of lazy adaptation.
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This late, great Western is a powerful study of greed, betrayal and evil.
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In Matt Johnson’s film about the vanished electronic device, we all know what’s to come: the iPhone.
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In the 87-year-old director’s new film The Old Oak, wishful liberal thinking comes at the cost of plausibility.
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