Disclosure Day’s earnest hokum
Steven Spielberg’s return to extraterrestrials is as brilliantly filmed as anything he has made
ByFilm reviews
Explore the world of cinema with our selection of film reviews, providing in-depth analysis, thoughtful critiques, and captivating insights into the latest releases and timeless classics.
The British aristocracy has never been so wretched
Savage House is a perfect satire of upper-class social climbers, fraudsters and wannabes
By
Backrooms: How 4chan “creepypasta” became Hollywood horror
Chiwetel Ejiofor and Renate Reinsve star in an unforgettable exploration of soulless cityscapes
By
Eagles of the Republic is an audacious exposé of the Egyptian state
Tarik Saleh’s film depicts a much-loved Egyptian actor drawn into the deadly world of the El-Sisi regime
By
Ian McKellen thrills in The Christophers
The actor’s performance as a jaded painter is among his career-best
By
When Steven Spielberg predicted AI
Steven Spielberg’s AI has been re-released 25 years on – and it offers a surprising perspective on today’s dystopian fears
By
The Devil Wears Prada 2 is pure guilty pleasure
Twenty years since the original film, Meryl Streep and Anne Hathaway are back, facing off in a changed fashion world
By
Rose of Nevada: a hypnotic Cornish Back to the Future
Mark Jenkin’s new film is beautifully made. But does it make any deeper sense?
By
The Wizard of the Kremlin has no magic
This earnest adaptation of a bestselling book on the rise of Putin has too much hectoring and not enough drama
By
Albert Camus, estranged
François Ozon subtly updates The Stranger and its author’s attitudes to French colonialism
By
Jim Jarmusch and the parental pleasure principle
In Father Mother Sister Brother, the director turns the incomprehension between family members into a film of pure pleasure
By
La Grazia is Paolo Sorrentino’s best film in years
The lauded Italian director’s latest film poignantly explores the ethical dilemmas of power
By
The perils of adapting Kazuo Ishiguro
A new adaptation of the Nobel-winning writer’s first novel is too faithful to the book – and to its flaws
By
Sound of Falling is an intricate ghost story about trauma across time
In this extraordinary film, four girls confront death through the decades
By
Sirāt makes raving sacred
But be warned: the film is savage and uncomfortable
By
In Vegas, Elvis performed for himself alone
Baz Luhrmann’s concert film blazes new light on the King’s notorious Sin City years
By
The Secret Agent is a thrill ride through Brazil’s dictatorship
Garlanded at Cannes and tipped for glory at the Oscars, The Secret Agent is a thrilling ride into Brazil’s autocratic…
By
Why does Emerald Fennell keep killing women off?
The director charges towards whatever cultural argument is burning hottest
By
Emerald Fennell’s Wuthering Heights is porn
The blockbuster reveals more about the psyche of the director than of Brontë
By
Melania has nothing to tell us
The First Lady’s documentary gestures lamely toward the American dream
By