Why I hate end-of-year lists
We think of them as a glimpse into a person’s taste, but they’re more revealing of how that person wants to be seen.
By
We think of them as a glimpse into a person’s taste, but they’re more revealing of how that person wants to be seen.
By Simran HansThe Public Order Bill is a worrying assault on basic freedoms.
By Adrian Bradley, Rachel Cunliffe and NS PodcastsNicole Holofcener’s 2013 romantic comedy captures Gandolfini’s spirit and irrepressible charm.
By Simran HansSet in the 1950s, the movie is a lesson in the suffocating domesticity that women of that time faced.
By Simran HansIt’s a tragedy that, at the time of its release, the film – quiet and old-fashioned in its ambitions…
By Simran HansBowie was 36 when he starred in Scott's 1983 erotic horror. Five years after his death, it feels strange…
By Simran HansGina Prince-Bythewood’s 2000 debut film is clear-eyed and serious about female ambition and gender roles.
By Simran HansThe joy is in watching the vulnerable Erica Benton (Jill Clayburgh) build herself back up.
By Simran HansThe floating city of Venice and its winding canals serve as the backdrop to a dark tale in The Comfort…
By Simran HansNominated for seven Oscars, the film is considered James L Brooks's masterpiece. But another force also moulded the movie.
By Simran Hans