Ari Wegner: “There’s an assumption that a proper cinematographer is a dude”
The first woman to be nominated for a Bafta for cinematography discusses the female gaze in The Power of the Dog, and whether “the world’s ready…
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Simran Hans
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Why Two Lovers is more than just another entry in Joaquin Phoenix’s “isolated eccentric” canon
It’s a tragedy that, at the time of its release, the film – quiet and old-fashioned in its ambitions…
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Why Tony Scott’s The Hunger is more than just a footnote in David Bowie’s acting career
Bowie was 36 when he starred in Scott's 1983 erotic horror. Five years after his death, it feels strange…
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Love & Basketball is more than a chick flick
Gina Prince-Bythewood’s 2000 debut film is clear-eyed and serious about female ambition and gender roles.
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Paul Mazursky’s 1978 romcom An Unmarried Woman captures the thrill of reinvention
The joy is in watching the vulnerable Erica Benton (Jill Clayburgh) build herself back up.
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Revisiting Paul Schrader’s languorous, late-summer erotic thriller from the Nineties
The floating city of Venice and its winding canals serve as the backdrop to a dark tale in The Comfort…
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How producer Polly Platt shaped Broadcast News
Nominated for seven Oscars, the film is considered James L Brooks's masterpiece. But another force also moulded the movie.
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Carl Franklin’s 1995 film Devil in a Blue Dress is a sexy, rich take on neo-noir
Why Devil in a Blue Dress should’ve been a hit.
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In lockdown, I’m craving romcoms – and 2003’s Down With Love is a pure sugar high
The early Noughties film, starring Renée Zellweger and Ewan McGregor, left me so giddy I watched it twice.
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