Michael Prodger

Michael Prodger is associate editor at the New Statesman.

The nostalgic American winters of Dale Nichols

For the Nebraskan painter, the soul of the nation lay in the Midwest of his boyhood.

By Michael Prodger

By Michael Prodger, Sophie McBain, Lola Seaton and Ellen Peirson-Hagger

By Michael Prodger

By Michael Prodger, Katherine Cowles, Emily Bootle and Elliot Hoste

By Michael Prodger

All Articles

The painter made a career that melded the oriental and occidental styles.

By Michael Prodger

Eric Slater was an unassuming man, but his Japanese art-inspired woodcut prints show his brilliance.

By Michael Prodger

A sumptuous exhibition shows how the austere classicist found revelry, sex, drunkenness and abandon.

By Michael Prodger

Conclave 1559 by Mary Hollingsworth, The End of Bias by Jessica Nordell, Misfits by Michaela Coel and Souvenir by…

By Michael Prodger, Harry Clarke-Ezzidio, Sarah Manavis and Leo Robson

For the 20th century painter, landscapes were less real places than elusive moods.

By Michael Prodger

Generations: Does When You’re Born Shape Who You Are? by Duffy, Children of the Night: The Strange and Epic…

By Michael Prodger, Pippa Bailey, Ido Vock and Ellen Peirson-Hagger

The 18th-century artist revealed the possibilities of both watercolour and the British landscape.

By Michael Prodger

For the mid-century “image-maker”, there was no dividing line between the deep past and the present.

By Michael Prodger