Michael Prodger

Michael Prodger is associate editor at the New Statesman.

Cornelia Parker exposes the hidden meanings of everyday objects

A new exhibition of the artist’s work at the Tate Britain reveals her skill at turning mundanity into profundity.

By Michael Prodger

By Michael Prodger

By Sophie McBain, Jeremy Cliffe, Michael Prodger and Gavin Jacobson

By India Bourke, Ellys Woodhouse, Michael Prodger and Matthew Gilley

By Michael Prodger

All Articles

A new exhibition presents the artist as a highly complex man whose unsettling work had innumerable narrative interpretations.

By Michael Prodger

A New Formation edited by Calum Jacobs, The Odyssey by Lara Williams, The Young Alexander by Alex Rowson and…

By Harry Clarke-Ezzidio, Sarah Manavis, Michael Prodger and Pippa Bailey

His 1905 painting Red Sunset on the Dnieper shows a Ukrainian village illuminated, something which today carries inescapably dark…

By Michael Prodger

No Excuses by Colwell, Straits by Fernández-Armesto, Bless the Daughter Raised By a Voice In Her Head by Shire…

By Anoosh Chakelian, Michael Prodger, Ellen Peirson-Hagger and Eleanor Peake

Young Mungo by Stuart, The Barefoot Woman by Mukasonga, Made in China by Qu and In the Shadow of…

By Ellen Peirson-Hagger, Sophie McBain, Christiana Bishop and Michael Prodger

He showed succeeding generations not just how art should be made but how an artist should live.

By Michael Prodger

Paradais by Melchor, Magic in Merlin's Realm by Young, Homesickness by Barrett and Get Rich or Lie Trying by…

By Lola Seaton, Michael Prodger, Tom Gatti and Ellys Woodhouse

The artist neither chased fame nor tired of his small patch of England.

By Michael Prodger