David Hockney was as serious as he was fun
Behind the uncomplicated joy was an artist who always pushed boundaries
By
Reviewing politics
and culture since 1913
Michael Prodger is associate editor at the New Statesman.
Behind the uncomplicated joy was an artist who always pushed boundaries
By Michael Prodger

The artist on China, censorship and valuing ideas over physical work
By Michael Prodger
Alongside Turner and Constable, female artists contributed to this very British genre
By Michael Prodger
A large contingent of female artists – including Tracey Emin and Frida Kahlo – takes to the walls alongside…
By Michael Prodger
How the painter dropped a sliver of ice into his light-hearted tapestry designs for the Spanish royal family
By Michael Prodger
Serious photographs, disguised as entertainment
By Michael Prodger
The artist’s refusal to swim with the currents of his times cost him the reputation he deserves
By Michael Prodger
Capturing the age of scientific discovery, the painter also explored its unknowns
By Michael Prodger
The Mona Lisa won fame by being stolen, but returned, will the same happen to the Louvre jewels?
By Michael Prodger