When Europe went Angelica Kauffman mad
How the first female painter admitted into the Royal Academy became one of the great celebrities of her age.
ByMichael Prodger is associate editor at the New Statesman.
How the first female painter admitted into the Royal Academy became one of the great celebrities of her age.
By Michael ProdgerIn “Soulscapes”, contemporary artists of the African diaspora depict the lands that shaped them.
By Michael ProdgerThese portraits have a haunted quality, the spectres of all the deleted images that went before.
By Michael ProdgerAlso featuring Spent Light by Lara Pawson and Moral AI And How We Get There.
By Barney Horner, Will Dunn, Michael Prodger and Tom GattiThe painter’s immaculate pictures of an off-kilter world are works of concentration and contemplation.
By Michael ProdgerAlso featuring Parasol Against the Axe by Helen Oyeyemi and James and John by Chris Bryant.
By Michael Prodger, Ellen Peirson-Hagger, Pippa Bailey and Anoosh ChakelianAlso featuring Pity by Andrew McMillan and Breaking Through by Katalin Karikó.
By Sophie McBain, Ellen Peirson-Hagger, Sarah Dawood and Michael ProdgerAlso featuring My Friends by Hisham Matar and Veiled Threat by Nadeine Asbal.
By Michael Prodger, Ellen Peirson-Hagger, Megan Gibson and Barney HornerAlso featuring Deterring Armageddon by Peter Apps and Missing Persons, or My Grandmother's Secrets by Clair Wills.
By Michael Prodger, Pippa Bailey, Tom Gatti and Megan Kenyon