Decoding the Bayeux Tapestry
The Tapestry forms a bande dessinée of the first great Anglo-French crisis
By
Reviewing politics
and culture since 1913
Michael Prodger is associate editor at the New Statesman.
The Tapestry forms a bande dessinée of the first great Anglo-French crisis
By Michael Prodger
A new exhibition reveals how the 17th-century painter captured Spain’s spiritual imagination
By Michael Prodger
Konrad Mägi mined various early-20th-century styles to create a restless national vision for Estonia
By Michael Prodger
The architect and playwright, who died 300 years ago, left his imaginative stamp on the nation
By Michael Prodger
A major retrospective at the Tate Modern shows how the artist became the queen of the confessional – but…
By Michael Prodger
The artist on China, censorship and valuing ideas over physical work
By Michael Prodger
Alongside Turner and Constable, female artists contributed to this very British genre
By Michael Prodger
A large contingent of female artists – including Tracey Emin and Frida Kahlo – takes to the walls alongside…
By Michael Prodger
How the painter dropped a sliver of ice into his light-hearted tapestry designs for the Spanish royal family
By Michael Prodger