The last time I saw Wynton Marsalis perform was in 2009, when he brought his Jazz at Lincoln Centre Orchestra to the Barbican. I wrote about the show on this blog: “It’s a wonderful band, and they come off like a glassily perfect facsimile of Duke Ellington’s Strayhorn-era ensemble. Which, of course, is part of the problem, since Marsalis’s life-project is to preserve the ‘classical music’ of America in the aspic of his own genius.”
Wynton Marsalis: A kind of homecoming
You can take the boy out of New Orleans, but you can't take New Orleans out of the boy.