Zuzanna Lachendro

Zuzanna Lachendro is editorial assistant at the New Statesman.

From André Aciman to Vanessa Kisuule: new books reviewed in short

Also featuring Four Points of the Compass by Jerry Brotton and The Invention of Good and Evil by Hanno Sauer.

By Michael Prodger, Zuzanna Lachendro, Zoë Huxford and Finn McRedmond

By Michael Prodger, Zoë Huxford, Zuzanna Lachendro and Nicholas Harris

By Michael Prodger, Megan Gibson, Sarah Dawood and Zuzanna Lachendro

By Michael Prodger, Tom Gatti and Zuzanna Lachendro

By Anna Leszkiewicz, Michael Prodger and Zuzanna Lachendro

All Articles

This stage adaptation turns the film into a dazzling theatrical production.

By Zuzanna Lachendro

The Southbank Centre dance production is a paean to Englishness, blending Purcell with rock and electronics.

By Zuzanna Lachendro

Also featuring Language City by Ross Perlin and The Observable Universe by Heather McCalden.

By Megan Gibson, Zuzanna Lachendro, Ellen Peirson-Hagger and Michael Prodger

Tchaikovsky’s celebrated ballet is an aesthetic movement in the West – but in Vladimir Putin’s Russia, it has become…

By Zuzanna Lachendro

The collective’s eclectic, unconventional productions somehow work.

By Zuzanna Lachendro

In this Royal Opera House revival, Kenneth MacMillan’s masterful ballet still has the power to bring audiences to their…

By Zuzanna Lachendro

The Southbank Centre puts a refreshing new twist on the most established of theatrical traditions.

By Zuzanna Lachendro

Carlos Acosta’s playful and fiery take on the 1869 ballet is a joyful marriage of movement and music.

By Zuzanna Lachendro