Ethel Cain’s American Gothic
The singer found fame with her debut album in 2022 – but Perverts, a subversive horror movie of a record, shows she is uninterested in courting…
By
New Times,
New Thinking.
The singer found fame with her debut album in 2022 – but Perverts, a subversive horror movie of a record, shows she is uninterested in courting…
By Emily BootleThe band’s new album is full of their signature contradictions. It is uplifting and ironic; ultra-modern yet nostalgic. Take…
By Emily BootleAlso featuring essays by Mia Mercado and After the Romanovs by Helen Rappaport.
By Michael Prodger, Ellen Peirson-Hagger, Emily Bootle and Ellys WoodhouseThe thrill of the genre is that it lends a factual story a dramatic twist. In fact, it is…
By Emily BootleFrom Green Man to Glastonbury, the best festivals are UK festivals.
By Emily BootleAnother World Is Possible by Mulgan, The Crane Wife by Hauser, Original Sins by Rowland Hill and Lilly and…
By Rachel Cunliffe, Emily Bootle, Lola Seaton and Michael ProdgerFrom the trumpet blasts in “Sweet Caroline” to the many chants based on the tune of “Vindaloo” – sports…
By Emily BootleIn Either/Or, Batuman’s sequel to The Idiot, the protagonist is bewildered by the mundane and fixated on the profound.
By Emily BootleRebekah Vardy has lost her libel case against Coleen Rooney. This irresistible feud will entertain scholars of British culture…
By Emily Bootle