The dramas exposing the horror of restaurant kitchens
Boiling Point, The Bear and The Menu find their tension in the gruelling, claustrophobic world of fine dining.
By
Ellys Woodhouse is an editorial assistant at the New Statesman.
Boiling Point, The Bear and The Menu find their tension in the gruelling, claustrophobic world of fine dining.
By Ellys WoodhouseThe Blue Commons by Standing, Ghost Signs by Hennigan, Milk Teeth by Andrews and The Arctic by Paterson.
By India Bourke, Harry Clarke-Ezzidio, Ellys Woodhouse and Matthew GilleyWarning: this article contains discussion of an imperfect woman.
By Ellys WoodhouseWho watches TV these days anyway?
By Ellys WoodhouseThe Poseidon Project by Bosco, Portable Magic by Smith, Edith and Kim by Philby and Border Zone by Agard.
By India Bourke, Ellys Woodhouse, Michael Prodger and Matthew GilleyParadais by Melchor, Magic in Merlin's Realm by Young, Homesickness by Barrett and Get Rich or Lie Trying by…
By Lola Seaton, Michael Prodger, Tom Gatti and Ellys WoodhouseAccidental Gods by Della Subin, Everything is True by Farooki, No One Round Here Reads Tolstoy by Hodkinson and…
By Lola Seaton, Anoosh Chakelian, Ellen Peirson-Hagger and Ellys WoodhouseNotes From Deep Time by Gordon, Solid Ivory by Ivory, We Don't Know Ourselves by O’Toole and Sour Grapes…
By India Bourke, Ellys Woodhouse, Tom Gatti and Lola Seaton