Eva Green.
Beaten to a pulp: Why the hyper-stylised Sin City is in need of Raymond Chandler
By Ryan Gilbey - 29 August 10:00

Sin City: A Dame to Kill For imagines what 1940s cinema might have looked like with CGI and no Hays Code - but it falls short of that era’s crackling dialogue, smoky characters and emotional pull.

Dogfight proves that a famous name is not the only reason to adapt a film for the stage
By Ryan Gilbey - 28 August 15:15

Dogfight at the Southwark Playhouse shows that a musical using an existing film as its springboard is no more or less likely to succeed than an entirely original work. And rightly so.

Night Moves.
Night Moves: an environmental thriller with an intractable problem at its core
By Ryan Gilbey - 26 August 10:30

Jesse Eisenberg and Dakota Fanning star as eco-warriors in Kelly Reichardt’s tense new film, two radicals who plan to blow up a hydroelectric dam.

It's only a movie: horror films may claim cultural relevance but their main appeal is shock or terror
Blood money: how the market affects what horror makes it to Hollywood
By Yo Zushi - 22 August 12:13

Recent torture pornographers such as Eli Roth arguably have aligned themselves with 1970s American horror auteurs not only to legitimise their work but to cash in on their rebel credibility.

Hocus pocus: props on the Harry Potter set at the Warner Bros Studio Tour London. Photo: Gettty
Magic effect: how Harry Potter has influenced the political values of the Millennial generation
By Anthony Gierzynski - 19 August 10:56

Reading the books correlated with higher political tolerance, less predisposition to authoritarianism, greater support for equality, and greater opposition to the use of violence and torture.

Get your geek on: crowds on the way into San Diego Comic-Con 2013. Photo: Getty
Where’s Wonder Woman? How comic book diversity has failed to translate to the big screen
By Karen Yossman - 18 August 16:38

With over 75 years of history, comics boast a multitude of inspirational female, black and even disabled characters. Superman is, at its heart, an immigrant tale, while X-Men is an allegory of the fight against fascism. 

The Rover.
Sun, sand and sadism: The Rover by David Michôd
By Ryan Gilbey - 15 August 11:00

Guy Pearce and Robert Pattinson star in David Michôd’s distopian thriller The Rover: a film with an uncertain mission at its core, like a post-apocalyptic Dude, Where’s My Car?

Lauren Bacall in 1951.
Lauren Bacall, leading lady of Hollywood’s Golden age, has died
By Caroline Crampton - 13 August 13:16

The star of To Have and Have Not and The Big Sleep has had a stroke aged 89. But did she always get the roles she deserved?

Robin Williams as Tom Keating in Dead Poets Society
Remembering Robin Williams (1951-2014)
By New Statesman - 12 August 12:27

The American actor and comedian has been found dead at his home in California, aged 63.

Life after death: Christie and Whishaw in Lilting
Lilting shows how language is not always a barrier to intimacy
By Ryan Gilbey - 08 August 16:15

Ben Whishaw stars as a grieving lover in this tale of cross-generational, Anglo-Chinese friendship. 

The Deer Hunter.
After 36 years, The Deer Hunter remains one of the most fascinating films on Vietnam
By Ryan Gilbey - 05 August 12:42

Though the notorious Russian roulette scene looms large, The Deer Hunter is a tender – and even optimistic – depiction of the human capacity to endure.

Comedy in locomotion: Marilyn Monroe in Some Like it Hot (1959)
Sax and spats: The Culture Studio reviews Some Like it Hot
By Antonia Quirke - 05 August 10:19

There’s such pleasure for the listener in hearing something you know being chewed over properly.

Beast of Eden: Dore Strauch and Friedrich Ritter set up camp in the Galapagos Islands in 1929
Death in paradise: Ryan Gilbey on The Galapagos Affair
By Ryan Gilbey - 28 July 16:13

Drawing largely on home movies shot by the subjects in the 1930s, the picture pieces together the circumstances that led to several unexplained deaths. 

Snowpiercer.
It's some kind of miracle that Snowpiercer was ever released - and it was worth the wait
By Ryan Gilbey - 25 July 12:34

Despite its occasional longeurs and lapses of logic, post-global-freeze thriller Snowpiercer is an intoxicating mishmash of stunts and ideas which deserves to be seen in UK cinemas.

The 50 Shades film trailer shows us Grey's decor is almost as bad as his BDSM rope-work
By Zoe Margolis - 24 July 17:58

Not only does the film look like a bunch of sexist tropes strung out in a row, but if Christian Grey's knots are anything to go by he's rubbish at kink as well.

Award winning director Sofia Coppola at the Cannes Film Festival, May 14, 2014. Photo: Antonin Thuillier, Getty Images
The unspoken glass ceiling of the film industry
By Beth Lambert - 24 July 12:57

A new report uncovers the gender imbalance in the film industry, made worse by the issue of class.

Why publishers should embrace the film world's enthusiasm for releasing a director's cut
By Andrew Ladd - 18 July 12:56

The film world is keen on releasing a director's cut, which differs from the final version of the movie; publishers should do the same with books.

Andy Serkis as the ape-leader Ceasar.
Monkey business: Dawn of the Planet of the Apes is smart, ravishing and bleak
By Ryan Gilbey - 18 July 12:50

The latest addition to the Planet of the Apes franchise is the toughest yet - the transition from playful ape and human interaction to bloody horror comes across as scarily plausible.

Steven Soderberg.
Steven Soderbergh's strange retirement: off-Broadway, brandy and television
By Ryan Gilbey - 16 July 17:58

“Nobody’s talking about movies the way they’re talking about their favourite TV shows,” says veteran director Steven Soderbergh, whose retirement, which isn’t really a retirement, has been stirring up controvesy this week.

The Rutles.
A selection of the best Python projects outside of Monty Python
By Ryan Gilbey - 14 July 13:01

Ryan Gilbey celebrates the best work by individual Pythons outside of their famous collaborations, from John Cleese’s slick Brit-flick A Fish Called Wanda to Eric Idle’s Beatles pastiche The Rutles.

Mason (Ellar Coltrane) and his father (Ethan Hawke) in Linklater’s family drama.
In Richard Linklater’s Boyhood, time fades away
By Ryan Gilbey - 10 July 16:29

Made over more than a decade, this is a film that reminds us life is seen by children from a different angle.

Goltzius and the Pelican Company.
The play’s the thing: Peter Greenaway’s Goltzius and the Pelican Company
By Ryan Gilbey - 08 July 13:00

Critics and audiences may have long given up on British painter-turned-director Peter Greenaway, but his sensuous, smart, arty films are asking questions few others would dare to contemplate.

Dystopian future: a still from Bladerunner (1982)
The Bladerunner book: Do Androids Dream of Electric Sheep on Radio 4
By Antonia Quirke - 04 July 16:00

Jonathan Holloway’s adaptation rightly cherished many things that the film ultimately minimised, in particular the novel’s mourning of the extinction of various animal species.

Darth Vader.
Jon Spira's Elstree 1976: memorialising the unseen performers in the first Star Wars
By Ryan Gilbey - 03 July 13:06

Jon Spira's forthcoming documentary Elstree 1976 focuses on the Star Wars cast members time forgot: from voice-artists to extras and wookiees.

The Golden Dream.
The Golden Dream by Diego Quemada-Díez: Freedom pass
By Ryan Gilbey - 26 June 15:30

Four young teenagers face violence and desperation on the road to California in this modern road movie with clear echoes of John Ford’s The Grapes of Wrath and Michael Winterbottom’s In This World.

Mrs Brown's Boys.
Why wasn’t “Mrs Brown’s Boys D’Movie” shown to critics ahead of its release?
By Ryan Gilbey - 26 June 12:34

The trend for distributors to refuse advanced previews for critics speaks volumes about their attitude to the press - but it’s a risky strategy, and doesn’t always mean the film is a dud.

Poet and provocateur: Pasolini on location in Italy, 1970s. Photo: Mondadori via Getty
St Paul, Caravaggio and the agonised Catholicism of Pasolini
By Ian Thomson - 26 June 10:00

San Paolo, published posthumously in 1977 and presented here for the first time in English as St Paul, is Pasolini’s screenplay for the life of the apostle. 

Cinema Paradiso is perhaps the ultimate cinema-nostalgia film.
At the movies: the cultural history of cinemas on the big screen
By Oliver Farry - 25 June 12:48

Films that feature actual cinemas in them often combine them with a sense of nostalgia for lost youth, for the picture houses of a bygone era.

Jonah Hill and Channing Tatum in "22 Jump Street".
22 Jump Street isn’t just homofriendly – it’s homolovely
By Ryan Gilbey - 19 June 13:21

Time and again this smart sequel turns down the opportunity to make homosexuality the butt of the joke. Instead, it provides a welcome mainstream attack on homophobia.

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