Beautiful comic illustrates ugliness of capitalism

John Riordan's "Capital City" reads like a child's fairytale, but looks like a fever dream.

Artist (and, full disclosure, friend) John Riordan has produced a fantastic comic, inspired by Blake's Prophetic Books, which tackles the ugliness of modern capitalism.

John writes about the project (with some pictures of his process at the link) that:

In the same way as Blake explored the big issues of his day, eg the American Revolution, I decided to try to tackle the big, ugly mess of our current economic cock-up in a phantasmagorical, pseudo-mythological narrative. This involved reading and trying to understand some books on economics, writing poetry (bring me my flouncy blouse) and figuring out a new aesthetic, less indebted to my previous comicsy-style and more rooted in messy paint, pastels and ink.

I've wanted to see the finished work since I first saw the watercolour originals, and with his permission, I'm reposting the whole comic here. Click on each image to see it full size, and if you want to read it in print (John uses the physicality of the page very nicely) it's for sale here.

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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Katy Perry just saved the Brits with a parody of Donald Trump and Theresa May

Our sincerest thanks to the pop star for bringing one fleeting moment of edge to a very boring awards show.

Now, your mole cannot claim to be an expert on the cutting edge of culture, but if there’s one thing we can all agree on in 2017, it’s that the Brit Awards are more old hat than my press cap. 

Repeatedly excluding the genres and artists that make British music genuinely innovative, the Brits instead likes to spend its time rewarding such dangerous up-and-coming acts as Robbie Williams. And it’s hosted by Dermot O’Leary.

Which is why the regular audience must have been genuinely baffled to see a hint of political edge entering the ceremony this year. Following an extremely #makeuthink music video released earlier this week, Katy Perry took to the stage to perform her single “Chained to the Rhythm” amongst a sea of suburban houses. Your mole, for one, doesn’t think there are enough model villages at popular award ceremonies these days.

But while Katy sang of “stumbling around like a wasted zombie”, and her house-clad dancers fell off the edge of the stage, two enormous skeleton puppets entered the performance in... familiar outfits.

As our Prime Minister likes to ask, remind you of anyone?

How about now?

Wow. Satire.

The mole would like to extend its sincerest lukewarm thanks to Katy Perry for bringing one fleeting moment of edge to one of the most vanilla, status-quo-preserving awards ceremonies in existence. 

I'm a mole, innit.