Live Aid musical Just For One Day: sanctimony and second-rate songs
Here are pop stars as cherubim and seraphim. Here is Ultravox belted out as if it was the Hallelulah chorus.
ByHere are pop stars as cherubim and seraphim. Here is Ultravox belted out as if it was the Hallelulah chorus.
ByIn this Royal Opera House revival, Kenneth MacMillan’s masterful ballet still has the power to bring audiences to their feet.
ByThe actor has a manic, eye-rolling energy and a real bitchiness in this production. But do we need the headphones?
ByThe Southbank Centre puts a refreshing new twist on the most established of theatrical traditions.
ByRarely have I been less touched by a production than this one – when Gloucester was blinded, the audience laughed.
ByCarlos Acosta’s playful and fiery take on the 1869 ballet is a joyful marriage of movement and music.
ByFree Your Mind is a spectacle – but for a show about man and machine, it lacks the human touch.
ByPlaying eight roles in this one-man Chekhov adaptation, the actor is utterly convincing.
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