Florence and the Machine’s season of the witch
Her new album Everybody Scream is shaped by the occult but portrays profoundly human experiences
By
Reviewing politics
and culture since 1913
Zoë Huxford is a sub-editor at the New Statesman. As such, she knows a little about a lot. zoe.huxford@newstatesman.co.uk
Her new album Everybody Scream is shaped by the occult but portrays profoundly human experiences
By Zoë Huxford
Chris Martin and his band have at last been vindicated
By Zoë Huxford
The second series of the Addams Family spin-off is an elegant anomaly in the streamer’s line-up.
By Zoë Huxford
Penny Mordaunt’s suffering should serve as a national call to arms.
By Zoë Huxford
Also featuring The Manifesto House by Owen Hopkins and Water in the Desert, Fire in the Night by Gethan Dick.
By Michael Prodger, Zoë Huxford, Zuzanna Lachendro and George Monaghan
The magazine and the woman cannot be unstitched; they are symbiotic, an incredibly chic ouroboros.
By Zoë Huxford
The designer saw the skull beneath the skin of a Britain slipping into paranoia and distrust.
By Zoë Huxford
The company couldn’t keep up with the new landscape created by Ozempic, but the diet industry is as exclusive…
By Zoë Huxford
Also featuring Cooking in the Wrong Century by Teresa Präauer and The Lost Orchid by Sarah Bilston.
By Zoë Huxford, Zuzanna Lachendro, Michael Prodger and Barney Horner