Trans role models: Janet Mock, Paris Lees, CN Lester and Luke Anderson

You may not have heard of them, but popular culture has its fair share of trans people in public life braving the slurs - living examples of what trans people can achieve.

Historically, there have always been trans people, and in the past hundred and twenty years it is easy to notice them blasting their way through popular culture – from Billy Tipton, a jazz musician from the 1930s-1970s, through Calpernia Addams, a transgender author, actress and musician from the 1990s onwards, to cultural icons such as Eddie Izzard. Even now, we know about plenty of trans people making their way onto the big stage of popular culture, with the awareness that there are probably several more remaining stealth.

If you’re not involved in the trans community you might not have heard of these people, or you might not have heard of all of them, but they’re a collection of just a few of the trans people from all ages, cultures and backgrounds, who are part of the "media glitterati" – people who are living their lives in the public eye, and using their history of transition to help others. Sometimes this is done through visibility, being open about their trans status alongside their media career. Other times, activism comes into it as well – whether this is through working with television companies to improve their trans coverage (like Paris Lees), or designing the trans program at a high school for LGBT students (like Janet Mock).

Last year, for the second time, a trans person won Big Brother in the UK – this time a trans man called Luke Anderson, last time a trans woman called Nadia Almada, who won in 2004. When Luke went into the house he didn’t mention that he had transitioned to male, and over time he chose to share his history. The courage that this took him won him many friends both inside and outside the house, and when he won Big Brother, in a nationwide vote, the viewers were saying “we stand behind him, we want him to have the prize money” – a statement of support for a trans man from a significant swathe of the population.

Janet Mock, the former staff editor of People magazine’s website, came out as trans in 2011, disclosing her history in an article in Marie Claire. This set her up as an inspirational figure for a whole new generation of younger trans people. Her career had always been relatively prominent, and as a result, seeing a beautiful, accomplished woman in a position of relative power who had a history similar to theirs was a seminal moment for many younger trans women of my acquaintance. Last year, she also began the Twitter hashtag #GirlsLikeUs, designed to empower trans women of colour, a group of people living at the challenging intersection of transphobia, misogyny, and racism.

Equally stunning, Paris Lees is a UK journalist, and winner of the LGBT positive role model award at the National Diversity Awards 2012 – following her work with Trans Media Watch – most notably persuading Channel Four to commit to trying to remove all transphobic material from broadcast. Her appearances on television have, so far, primarily been brief, but nonetheless her incredible writing skill and untouchable confidence have won her quite a cult following, and in her newer positions of Editor (and founder) of META magazine, a glossy magazine aimed at the trans community, and channel four consultant, as well as her columns in Gay Times and Diva, she is the absolute definition of a rising star.

Finally, the unmatchable CN Lester. CN is a classically trained singer, who navigates the music world as an out genderqueer pianist and singer. Finding people who identify as genderqueer and are able to be open about that in every part of their life is rare, due to the oppressive and binarist culture in which we live, and finding one in popular culture would be expected to be even harder, but in reality CN has managed to combine their identity and their career remarkably, and has just released their first classical album – following their debut indie album in 2012.

Celebrities who try to make the world a better place are often lauded for that, and these people are certainly doing so – whether through the direct activism of Paris and Janet, or the openness about their history and identities, despite the costs and risks this could impose, of CN and Luke. By being out in popular culture, you will always be labelled “the trans one”. Slurs will be levelled at you the second you misstep, or simply because someone dislikes you. These four people have made the decision that that risk is worth it, to continue their careers, and to place their lives out there as examples of what trans people can achieve.
To all the people mentioned, and to all the trans people who live their lives with that level of honesty, integrity, and confidence - you are role models.

Matthew Reuben is a disability and trans rights activist, and a languages student.

Janet Mock, a journalist who came out as trans in 2011. Photograph: Getty Images

Matthew Reuben is a disability and trans rights activist, and a languages student.

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The decline of the north's sporting powerhouse

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Now, things are different.

On a drive between Sheffield and Barnsley, I spotted a striking painting of the Kes poster. Billy Casper’s two-fingered salute covered the wall of a once-popular pub that is now boarded up.

It is almost 50 years since the late Barry Hines wrote A Kestrel for a Knave, the novel that inspired Ken Loach’s 1969 film, and it seems that the defiant, us-against-the-world, stick-it-to-the-man Yorkshireness he commemorated still resonates here. Almost two-thirds of the people of south Yorkshire voted to leave the EU, flicking two fingers up at what they saw as a London-based establishment, detached from life beyond the capital.

But whatever happened to Billy the unlikely lad, and the myriad other northern characters who were once the stars of stage and screen? Like the pitheads that dominated Casper’s tightly knit neighbourhood, they have disappeared from the landscape. The rot set in during the 1980s, when industries were destroyed and communities collapsed, a point eloquently made in Melvyn Bragg’s excellent radio series The Matter of the North.

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Yet today, we rarely get to hear the voices of Barnsley, Sheffield, Doncaster and Rotherham. And the Yorkshire sporting powerhouse is no more – at least, not as we once knew it.

This should be a matter of national concern. The White Rose county is, after all, the home of the world’s oldest registered football club – Sheffield FC, formed in 1857 – and the first English team to win three successive League titles, Huddersfield Town, in the mid-1920s. Hull City are now Yorkshire’s lone representative in the Premier League.

Howard Wilkinson, the manager of Leeds United when they were crowned champions in 1992, the season before the Premier League was founded, lamented the passing of a less money-obsessed era. “My dad worked at Orgreave,” he said, “the scene of Mrs Thatcher’s greatest hour, bless her. You paid for putting an axe through what is a very strong culture of community and joint responsibility.”

The best-known scene in Loach’s film shows a football match in which Mr Sugden, the PE teacher, played by Brian Glover, comically assumes the role of Bobby Charlton. It was played out on the muddy school fields of Barnsley’s run-down Athersley estate. On a visit to his alma mater a few years ago, David Bradley, who played the scrawny 15-year-old Billy, showed me the goalposts that he had swung from as a reluctant goalkeeper. “You can still see the dint in the crossbar,” he said. When I spoke to him recently, Bradley enthused about his lifelong support for Barnsley FC. “But I’ve not been to the ground over the last season and a half,” he said. “I can’t afford it.”

Bradley is not alone. Many long-standing fans have been priced out. Barnsley is only a Championship side, but for their home encounter with Newcastle last October, their fans had to pay £30 for a ticket.

The English game is rooted in the northern, working-class communities that have borne the brunt of austerity over the past six years. The top leagues – like the EU – are perceived to be out of touch and skewed in favour of the moneyed elites.

Bradley, an ardent Remainer, despaired after the Brexit vote. “They did not know what they were doing. But I can understand why. There’s still a lot of neglect, a lot of deprivation in parts of Barnsley. They feel left behind because they have been left behind.”

It is true that there has been a feel-good factor in Yorkshire following the Rio Olympics; if the county were a country, it would have finished 17th in the international medals table. Yet while millions have been invested in “podium-level athletes”, in the team games that are most relevant to the lives of most Yorkshire folk – football, cricket and rugby league – there is a clear division between sport’s elites and its grass roots. While lucrative TV deals have enriched ruling bodies and top clubs, there has been a large decrease in the number of adults playing any sport in the four years since London staged the Games.

According to figures from Sport England, there are now 67,000 fewer people in Yorkshire involved in sport than there were in 2012. In Doncaster, to take a typical post-industrial White Rose town, there has been a 13 per cent drop in participation – compared with a 0.4 per cent decline nationally.

Attendances at rugby league, the region’s “national sport”, are falling. But cricket, in theory, is thriving, with Yorkshire winning the County Championship in 2014 and 2015. Yet Joe Root, the batsman and poster boy for this renaissance, plays far more games for his country than for his county and was rested from Yorkshire’s 2016 title decider against Middlesex.

“Root’s almost not a Yorkshire player nowadays,” said Stuart Rayner, whose book The War of the White Roses chronicles the club’s fortunes between 1968 and 1986. As a fan back then, I frequently watched Geoffrey Boycott and other local stars at Headingley. My favourite was the England bowler Chris Old, a gritty, defiant, unsung anti-hero in the Billy Casper mould.

When Old made his debut, 13 of the 17-strong Yorkshire squad were registered as working-class professionals. Half a century later, three of the five Yorkshiremen selec­ted for the last Ashes series – Root, Jonny Bairstow and Gary Ballance – were privately educated. “The game of cricket now is played in public schools,” Old told me. “Top players are getting huge amounts of money, but the grass-roots game doesn’t seem to have benefited in any way.”

“In ten years’ time you won’t get a Joe Root,” Rayner said. “If you haven’t seen these top Yorkshire cricketers playing in your backyard and you haven’t got Sky, it will be difficult to get the whole cricket bug. So where is the next generation of Roots going to come from?” Or the next generation of Jessica Ennis-Hills? Three years ago, the Sheffield stadium where she trained and first discovered athletics was closed after cuts to local services.

This article first appeared in the 19 January 2017 issue of the New Statesman, The Trump era