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‘‘You want to free the world from oppression? "

Ariel Dorfman on the life and work of Harold Pinter (1930-2008)

The email came to me a few days after Harold Pinter’s death. It was from Farouq Homar, who was in the process of translating three of the great dramatist’s plays into Kurdish and who lamented: “I am unlucky that I will be unable to send the great playwright a volume of three of his works about to appear in Kurdish, as a gift, because he wrote Mountain Language for us, the Kurds.

”With all the homages from actors and directors and politicians, it would be easy to overlook what the life and works of Harold Pinter meant to remote people in the forgotten corners of the earth.

Men like Farouq Homar. Men like myself.

It was in Chile, some time in the early 1960s, that I saw my first Pinter play. That is where and when something in my work and life changed for ever. The play was The Dumb Waiter and it was immediately recognisable to me, almost Latin American in its familiarity, despite having been originally written in elliptical English by an author from Hackney, London. In the years that followed, Pinter's plays showed me how dramatic art can be poetic merely by delving into the buried rhythms of everyday speech. He whispered to me that we often speak in order to hide, and perhaps avoid, what we are really feeling and thinking.

He understood that if you push reality hard enough, it will end up exposing under its surface another dimension - fantastic, absurd, delirious. He suggested that the worst hallucinations of fear are not immune to the pendulum of humour.

But all of these lessons in dramatic craftsmanship pale next to what he taught me about human existence and about politics. Though the characters in those first works were uninterested in changing the world for better or for worse, sad citizens of intimacy obsessed only with their own survival, the lives of those men and women revealed to audiences everywhere the many gradations and degradations of power with a starkness absent from other authors, even those supposedly dedicated to examining or denouncing politics.

All power, all domination and liberation started there, he seemed to be saying, in those claustrophobic rooms where each word counts, each slight utterance needs to be accounted for, is paid for in some secret currency of hope or suffering. You want to free the world, free humanity, from oppression? Look inside, look sideways, look at the hidden violence of language. Never forget that language is where the other, parallel violence, the cruelty exercised on the body, originates.

Two men waiting in a basement to kill somebody. An old tramp laying claim to a derelict room. A birthday celebration interrupted by intruders. A woman afraid of being evicted. A son who comes home to his dysfunctional family accompanied by an enigmatic wife. Primal scenes of betrayal that could be happening anywhere on our planet, embodiments of a vast and disquieting landscape of dread, the precarious condition inhabited by most of contemporary humanity, the neglected narrative of the 20th century.

So it was natural that I projected on to those stories born in England the disturbing shadows of my own Latin America. How many men like Davies [from The Caretaker] crossed our Santiago streets? How many killers took their time in the Buenos Aires cellars of yesterday? How many would await us in the São Paulo cellars of tomorrow? And how to tell those stories, respecting the uncertainty of those existences on the rim of extinction, mercilessly stripping the masks forged out of the lives we made for ourselves, and yet also be gentle, oh so tender, with these victims of their own delusions?

Pinter knew how.

I was haunted by his knowledge, so obsessed that my first book was an examination of his plays. Many years later, when I began to write for the theatre, his aesthetics guided me, made my loneliness bearable. By the time I dedicated Death and the Maiden to him, we had already become close, he and I and our wives, Antonia and Angélica, but all our dinners and outings were really a continuation of a conversation I had started before I had been honoured with his friendship.

Now he is gone, and I must face a world where I can no longer dial his number and hear his dry voice, or sit down with this older brother of mine and denounce the penultimate human rights abuse, or find his latest poem in the mail. Now I am left with what I discovered when I was first enraptured by his play more than 45 years ago, left with that mysterious heart and mind of his with which he will continue to help me and the countless Farouq Homars of this world make sense of the glories and miseries of our time.

Ariel Dorfman is professor of literature at Duke University. His latest book is "Other Septembers, Many Americas" (Seven Stories Press, $16.95)

This article first appeared in the 12 January 2009 issue of the New Statesman, The destruction of Gaza

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The war on poaching

More than 1,100 rhinos were killed for their horns in Africa in 2016. Quasi-military conservation units are trying to stop the slaughter.

The Savé Valley Conservancy, 900 square miles of pristine wilderness in the Lowveld of south-eastern Zimbabwe, seems like a paradise.

Drive along its dirt tracks, past flat-topped acacias and vast-trunked baobab trees, and you scatter zebras and warthogs, impalas and wildebeest, kudus and waterbuck. Elephants lumber through the bush, leaving destruction in their wake. Giraffes placidly return your stares. Baboons cavort in the trees. A crowned eagle flies overhead with a rock rabbit in its talons. A pack of exquisitely patterned wild dogs lie on the warm red earth. There are lions and leopards, too, but out of sight.

My guide and I meet Bryce Clemence, the stocky, bearded outdoorsman who heads the conservancy’s Special Species Protection Unit (SSPU), by a muddy waterhole so that he can show us the most special of those species. He and a couple of his armed men lead us a few hundred yards into the bush before silently motioning us to stop. We wait, move on, stop again. Clemence points. Thirty yards away stands a two-tonne rhinoceros, a 15-year-old bull. It cannot see us, for rhinos have poor eyesight. It cannot smell us because we are downwind. But it senses our presence. Its ears revolve like miniature satellite dishes.

As we study this magnificent, primeval beast through our binoculars, one thing quickly becomes apparent. It has no horns. Normally it would have two, weighing seven kilos or more, but they have been removed in an effort to protect it. Rhino horn fetches around $60,000 a kilo in China and other east Asian countries, where it is considered an aphrodisiac and a cure for diverse ailments. This animal’s horns would have been worth more than $400,000 – a fortune in Zimbabwe, where the average household income is $62 a month and unemployment exceeds 90 per cent.

Sadly, not even de-horning works. Poachers will kill de-horned rhinos for any residual horn. In February 2015 they shot a six-month-old calf for just 30 grams of horn, Clemence tells me.

Savé Valley may look idyllic, but it is a front line in a war against rhino-poaching. More than 1,100 of the animals were killed across Africa in 2016, leaving barely 20,000 white rhinos, classified as “near threatened” by the International Union for Conservation of Nature, and 5,000 “critically endangered” black rhinos. What distinguishes Savé Valley is that it has begun to turn the tide, but only because it has access to the sort of funding that most African national parks can only dream of.

Clemence’s quasi-military operation consists of 35 highly trained men, all expert trackers, supremely fit and equipped with semi-automatic rifles and radios. Working in pairs, they do ten-day stints in the bush, monitoring the conservancy’s 168 rhinos from dawn to dark and endlessly searching for human tracks – or “spoor”.

They are supported by a canine unit whose two Belgian Malinois dogs can track at night and over rocks; a substantial network of paid informants in the surrounding communities and beyond; four 4x4 vehicles and 12 motorbikes; and nearly 100 armed scouts employed by the two-dozen private ranches that make up the conservancy.

Even that force is insufficient, Clemence says. The poaching gangs are growing more sophisticated. They now use high-powered hunting rifles with silencers to shoot the rhinos, and AK-47s to ward off the rangers. Sometimes the poachers use AK-47s against rhinos too: in 2014 one was hit 23 times.

They have begun using poison. One poacher was caught after laying oranges and cabbages laced with the pesticide Temik in the path of a rhino – Temik is nicknamed “Two-step” because that is how many steps an animal takes before dying. Another poacher planned to poison a waterhole, but was thwarted by an informer. “Poisoning is disgusting because it’s totally indiscriminate and has the potential to do massive harm,” Clemence says.

He has also caught poachers preparing to use the sedatives ketamine and xylazine. Having darted a rhino, they would then hack off its horns before it woke. They once hacked off the horns of a rhino that had been knocked out by a bullet and it woke with half its head missing. The creature survived for a week before Clemence’s unit found it. Vets had to put it down. “When you catch a poacher you want to beat him to death with a pick handle and very slowly break his bones, but you have to be professional,” says David Goosen, manager of the 230-square-mile Sango ranch, which forms part of the conservancy.

The odds are stacked against the SSPU in other ways, too. The poachers are paid well by the syndicates that run them – perhaps $5,000 each for a kilo of rhino horn. And even if caught, their chances of escaping punishment are high. Thanks to bribery or incompetence, just 3 per cent of prosecutions for rhino poaching in Zimbabwe end in convictions.

“You have to virtually catch them in the field red-handed, and even then they often get away with it,” Goosen says. “As soon as they get to the police station, a well-connected lawyer turns up, which means someone higher up is looking after their interests.” The maximum sentence for intent to kill a rhino is nine years for a first offence – less than for stealing cattle.

The SSPU is prevailing nonetheless. In the first three months of 2012, when Clemence arrived, the conservancy lost 14 rhinos. In 2015 it lost 12, last year three. It has also defeated Zimbabwe’s most notorious rhino-poaching gang.

Tavengwa Mazhongwe learned his craft from his older brother, “Big Sam”, who was killed poaching in 2009. Mazhongwe was responsible for at least 150 rhino killings, including many in Savé Valley. In December 2015 Clemence learned he was planning another attack and put his rangers on alert.

They found the gang’s spoor at 6.30 one morning, and tracked the four armed men in intense heat for nine hours. The gang took great care to cover their tracks, but late in the afternoon the rangers found them resting in a river bed. The rangers opened fire, killing one and seriously wounding a second. Mazhongwe and one other man escaped, but he was arrested near Harare two weeks later and given a record 35-year sentence for multiple offences. A judge had to acquit an officer in Zimbabwe’s Central Intelligence Organisation who drove the gang to the conservancy in a government vehicle because, he complained, the police did not dare investigate govenment officials. The rangers recovered an AK-47, a Mauser rifle with silencer, an axe, rubber gloves, a medical kit, tinned food and a phone-charger pack.

“You’ll never get to where you say ‘we’ve won’, but we have won in the sense that we’ve brought poaching down to a manageable level,” Clemence says. “We’ve taken out some of the most notorious syndicates. Victory will simply be breeding more than we’re losing and having sustainable numbers to pass to the next generation.” He hopes that the conservancy’s rhino population will reach 200 within two years, enabling it to relocate some animals to other parts of Zimbabwe where the battle is going less well.

The SSPU’s success comes down to skill, motivation, organisation and – above all – resources. The unit costs $400,000 a year, and is funded mainly by foreign NGOs such as Britain’s Tusk Trust. It receives practical support from the conservancy’s private ranches, some of whom – given the dearth of tourism – have to generate the necessary funds by permitting limited elephant and lion hunting for $20,000 an animal.

Zimbabwe’s national parks have no such resources. That is why private conservancies have 80 per cent of the country’s rhinos but 1.5 per cent of its land, while the parks have 15 per cent of the land but 20 per cent of the rhinos. Within a few years most of those parks will have no rhinos at all.

Martin Fletcher’s assignment in Zimbabwe was financed by the Pulitzer Center on Crisis Reporting

This article first appeared in the 12 January 2009 issue of the New Statesman, The destruction of Gaza