Syria spill-over threatens to engulf Lebanon

Outbreaks of sectarian violence expose Lebanon’s vulnerability to outside forces.

Lebanon lives in a tricky neighbourhood. Wedged between Israel to its South and Syria to its East, its people have long found themselves at the mercy of the region's internal dynamics. 

Surprisingly, it has so far managed to evade the rising wave of civil unrest that has consumed the Middle East. Lebanon had become an citadel of calm amidst the turbulence of the Arab Spring.

However, Friday’s assassination of Wissam al-Hassan – the country’s intelligence chief – has shattered this façade to unleash the very same forces that devoured the country during its many years of civil war.

Whilst these sectarian rifts have long characterised Lebanese society, they have been increasingly sharpened by the deepening conflict in neighbouring Syria. Lebanon’s Shia community, which includes Hezbollah, has backed the Alawite regime of Bashar al-Assad, whereas the country’s Sunni minority has supported the predominantly Sunni Syrian rebels. 

Even though the Syrian army ended its 29-year occupation in 2005, Lebanon has nonetheless remained hostage to political machinations in Syria, with its weak government and fractious society providing a vehicle through which the Assad regime can wield influence.

As a leading Sunni figurehead, al-Hassan was widely hailed as a bastion of influence for Lebanon’s Sunni minority. A fierce critic of Syria, he represented an essential bulwark for the Sunni minority against the subversive reach of Damascus.

In 2005, he ruffled feathers by spearheading an investigation that implicated Syria and their Lebanese allies Hezbollah in the murder of five-time Sunni prime minister Rafik Hariri. The revelations sparked the Cedar Revolution, which effectively ousted Syrian forces from the country.

In August, he exposed the involvement of Michel Samaha – a key pro-Assad Lebanese minister – in a plot to plant explosives in the Sunni  district of Akkar, a hotbed of support for the Free Syrian Army. Bombs were found in the back of Samaha’s car and he was promptly arrested.

Naturally, his staunch anti-Syrian agenda had made him persona non grata with both Damascus and Lebanon’s pro-Syria Shia factions, particularly Hezbollah, to whom the survival of the Assad regime is essential.

It comes as no surprise then, that his assassination has been met with furios accussions of foul-play from Sunni opposition leaders, who have laid the blame squarely with the Assad regime:

“We accuse Bashar al-Assad of the assassination of Wissam al-Hassan, the guarantor of the security of the Lebanese”, said Saad Harir, leader of the Sunni Future Party and son of former prime minister Rafik Hariri.

“We blame Bashar al-Assad, the president of Syria”, a demonstrator told the Associated Press at Hassan’s funeral on Sunday. “He is responsible for everything – in the past, now, and if we don’t stand up to him, the future”.

The sentiment was shared by numerous Sunni protesters demanding the resignation of Prime Minister Najib Mikati, whose cabinet is dominated by Shia politicians believed to be in cahoots with Assad.

At Sunday’s funeral, demonstrators vented their rage by throwing volleys of stones, pipes, and bottles at police, with hundreds breaking away from the ceremony to storm Mikati’s offices at the government palace.

That night, the crack of gunfire rang out through central Beirut. Likewise, running battles between anti-Assad Sunni neighbourhoods and pro-Assad Shia communities rocked the coastal city of Tripoli, killing 7 and wounding dozens.

On Monday, Lebanese forces fanned out across the country, flanking major thoroughfares and dismantling roadblocks.  

“We will take decisive measures to prevent Lebanon being transformed again into a place for regional settling of scores, and to prevent the assassination of the martyr Wissam al-Hassan being used to assassinate a whole country”, said an army statement.

Lebanon is a country on the precipice. Whilst the country has pulled itself back from the brink numerous times since the end of its 15-year civil war, the fallout from Syria’s revolution threatens to exacerbate the sectarian divides that have plagued Lebanon throughout its history.

Whilst it would be naive to say the country is plunging headfirst into certain civil war, the current situation in Lebanon is a veritable powder keg; a tinderbox being licked by the flames of the Syrian uprising.

The death of Wissam al-Hassan has upended Lebanon’s fragile political balance, aggravating its historically embedded sectarian divide; a widening split that threatens to condemn Lebanon to a future much like its gloomy past.

A Sunni woman mourns the death of Lebanese intelligence chief Wissam al-Hassan, who was assassinated in a car-bomb on Friday. Photo: Reuters

Alex Ward is a London-based freelance journalist who has previously worked for the Times & the Press Association. Twitter: @alexward3000

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Indie band The 1975 want to “sue the government” over the Electoral Commission’s latest advert

Frontman Matt Healy perhaps isn’t aware that the Electoral Commission is not, in fact, the government (or believes that this is part of a wider conspiracy).

How do you make registering to vote in the EU Referendum cool? It sounds like something  from The Thick of It, but judging by the Electoral Commission’s latest TV ad for their new voting guide, this was a genuine question posed in their meetings this month. The finished product seems inspired by teen Tumblrs with its killer combination of secluded woodlands, vintage laundrettes and bright pink neon lighting.

But indie-pop band The 1975 saw a different inspiration for the advert: the campaign for their latest album, I Like It When You Sleep For You Are So Beautiful Yet So Unaware Of It (Yes, a title perhaps even more cumbersome than “The EU Referendum - You Can’t Miss It (Phase One)”).

Lead singer Matt Healy posted a picture of the guide with the caption “LOOK OUT KIDZ THE GOVERNMENT ARE STEALING OUR THOUGHTS!!” back on 17 May. The release of the TV spot only furthered Healy’s suspicions:

Healy perhaps isn’t aware that the Electoral Commission is not, in fact, the government (or believes that this is part of a wider conspiracy).

The 1975’s manager, Jamie Oborne, was similarly outraged.

Oborne added that he was particularly “disappointed” that the director for the band’s video for their song “Settle Down”, Nadia Marquard Otzen, also directed the Electoral Commission’s ad. But Otzen also directed the Electoral Commission’s visually similar Scottish Referendum campaign video, released back in September 2014: almost a year before The 1975 released the first promotional image for their album on Instagram on 2 June 2015.

Many were quick to point out that the band “didn’t invent neon lights”. The band know this. Their visual identity draws on an array of artists working with neon: Dan Flavin’s florescent lights, James Turrell’s “Raemar pink white”, Nathan Coley’s esoteric, and oddly-placed, Turner-shortlisted work, Bruce Nauman’s aphoristic signs, Chris Bracey’s neon pink colour palette, to just name a few – never mind the thousands of Tumblrs that undoubtedly inspired Healy’s aesthetics (their neon signs were exhibited at a show called Tumblr IRL). I see no reason why Otzen might not be similarly influenced by this artistic tradition.

Of course, The 1975 may be right: they have helped to popularise this particular vibe, moving it out of aesthetic corners of the internet and onto leaflets dropped through every letterbox in the country. But if mainstream organisations weren’t making vaguely cringeworthy attempts to jump on board a particular moment, how would we know it was cool at all?

Anna Leszkiewicz is a pop culture writer at the New Statesman.