A bit of Kinnock at Christmas. Photo: Getty
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Christmas dinner comes early this year, with goulash, Kinnock and serious plotting

Everything went a bit hazy after that. It had got a bit hazy before, to be perfectly honest, because I had drunk about six bottles of wine and several shot glasses of slivovitz.

The last thing I remember is having an arm around Neil Kinnock, giving him some tips about how he should help Ed Miliband win the next election. I also, for what it was worth, put in a good word for the nearest thing I have to a Labour MP, Hammersmith’s very own Andy Slaughter, who has, as far as I can see – and I have been keeping an eye on him – been doing a very good job. (He’s the nearest thing I have to an MP because my children live in his constituency. The area I live in has never returned anything other than a Tory candidate, and never will.)

However, as I said, everything went a bit hazy after that. It had got a bit hazy before, to be perfectly honest, because I had drunk about six bottles of wine and several shot glasses of slivovitz. The wine was, though not entirely my fault as I will explain in a minute, rather a matter of personal indulgence, as it so often is; but the slivovitz was in the line of duty, as it was being poured for us in order to toast the hard-working staff of the Gay Hussar. And they deserved these toasts, for the restaurant was completely packed out with members of the Goulash Co-operative (look it up), formed by the likes of Martin Rowson in order to buy out and therefore save the restaurant, which will otherwise be sold and turned into a Starbucks or something equally boring.

For those who do not know the Gay Hussar (although I would imagine that this magazine’s core readership has a pretty good idea), it is a restaurant that has been going for 60-odd years, nestling in the armpit of Soho Square and Greek Street, serving an unchanging menu of Hungarian food to a clientele largely composed of Old Labour politicians. The walls are adorned with caricatures of various luminaries; the downstairs dining room alone has some 60 of these, all drawn by Martin Rowson. I suspect the idea was to pay for his meal in kind; that’s a lot of free dinners. Not that I am censorious. I was, after all, his guest; the people on his table had bowed out and Martin, asking himself the question “Whom do I know who would accept an invitation to a free lunch at almost the last possible minute?” came up with my name, for some reason.

It was, however, a happy choice. I have a fondness for Hungary and Hungarians, ever since I worked on a film in Budapest in the mid-1980s (with, let me boast, the actor Marcello Mastroianni, writing additional dialogue for him in English, a language he did not speak. The greatest gentleman Italy has ever produced, he treated me with a courtesy that few have ever treated me with since). I can count to ten in Hungarian still; I can read sentences aloud with such a good accent that few would realise I can’t understand what I’m reading; and I still have some phrases, along with a few ripe expletives that used to come in handy when the kids were young and I wanted to express frustration at some immediate outrage.

Also, my politics are as red and peppery as the restaurant’s goulash. It is telling that Tony Blair never ate there; its old-world atmosphere and menu would have repelled him and he hatched his conspiracies in more intimate surroundings. The Gay Hussar may have been a place for off-the-record conversations, but there is a kind of honesty in having a rendezvous somewhere open to the public, so that even if you’re going to be in a private room, people will have seen you and your co-plotter entering about the same time.

In short, history has been made there, and it is a sign of the end of a certain kind of politics that the restaurant is thinking of giving up.

I also blame the end of a certain kind of lunch. That is, a phenomenally alcoholic one that you don’t pay for. Publishers and agents used to do them very well; now a combination of austerity and prissiness has produced a nation that sits at its desk, dyspeptically nibbling on a Pret sandwich while worrying about being fired. This was one of the grand lunches: between me, Martin, his agent and the Moose (the other last-minute guest), we got through a lake of wine and a pondful of duck and smoked goose. And I’ll pass on the thought that – what with the bill of fare tending as it does towards the robust, and the national colours of Hungary being red, white and green, and the heavily oaked decor of the interior – the Gay Hussar is the kind of place that feels permanently Yule-ish; but in a good way. Let this not be its last year.

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 19 December 2014 issue of the New Statesman, Christmas Issue 2014

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Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times