On Solid Ground: Photographing the displaced

A new exhibition captures the trauma of those forced to flee to survive.

Rachel stands, hands at her waist, in front of her home – a makeshift shelter built of stones and straw and grey tarpaulin. She looks into the camera. Behind her stretches a small valley full of similar structures; beyond them, green hills and a spare vista of trees.

This is the Bulengo displacement camp in North Kivu, Eastern Congo, where Rachel fled after her village was attacked.  She recalls: “I was bathing the children when I heard gunfire. We left half an hour after hearing the first shots, the children still naked. The houses had already been burnt down and people killed. Some were beaten on the road as we fled and pregnant women had their bellies torn open. I hid while other women were raped.”

Inside this small hold, Rachel keeps a few possessions: a toothbrush, water bottles, a few metal cups and plates beside a basket, the blanket she uses for a sleeping matt on the bare pebble floor.

Rachel’s portrait and those of her home are among many featured in a new multimedia exhibition, On Solid Ground, which comprises images and interviews taken by seven photographers who visited communities in Congo, Kenya, Pakistan, Croatia, Mali, Burundi and Jordan, speaking to and photographing refugees and survivors of humanitarian crises.

In the pictures we meet Marjee, a teacher in Sindh province, Pakistan, rebuilding his home ravaged by flooding two years before. Mathieu, in Barundi, bears deep scars from a machete assault in his own compound, the product of violent land disputes.  Milos, in Croatia, was dislocated to Serbia for six years during the Balkan war. Milos poses with him tamburica, the traditional instrument he played to remind himself of home during the years in exile.  

Humanitarian aid charity International Rescue Committee (IRC) joined with the European Commission’s Humanitarian Aid and Civil Protection department (ECHO) and Panos Pictures to produce the project.  Kristalina Georgieva, European Commissioner for International Cooperation, Humanitarian Aid and Crisis Response, launches the exhibition today, 20 June, which is also World Refugee Day.

Carolyn Makinson, International Rescue Committee UK’s Executive Director, says of the show: “Whether caused by war or natural catastrophe, displacement shakes the foundations of life. These images portray the common need of all people to have a place of safety and comfort they can call home.”

The free exhibition will be on display at St Martin in the Fields, London until 31 July before touring Europe. An accompanying website showcases the project online with short films documenting how European Union funding supports the IRC’s work.

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Shugna, holding their daughter Kawila, and Marjee sit in their house in Pakistan. The house was completely destroyed by floods and had to be rebuilt in 2012. © Shiho Fukada/Panos Pictures/The IRC

 

Mathieu fled Burundi in 1972 and returned in 2008. “About two years ago I as attacked. I was coming back from the toilets outside at night when they started hitting me with a machete. I spent a year in hospital.” © Chris de Bode/Panos Pictures/The IRC

 

Muna, a Syrian refugee living in Mafraq, Jordan. She fled her home in Hamidiyeh in Homs province with her children in the summer of 2012. Her husband, a former civil servant turned member of the Free Syrian Army, stayed. “In Syria I was afraid and here I am hungry. I can stand the hunger but not the fear.”  © Abbie Trayler-Smith/Panos Pictures/The IRC

 

Milos Bastajic, 63 years old, from Prkos village in Croatia. The tamburica pictured was one of the few items he brought with him when he and his family were forced to flee Prkos in 1995. He returned in 2001. “Six years to be away was a long time. When we got back the electric wiring had been stripped out of our house, along with the ceramic tiles from the bathroom and the kitchen’s wooden fittings. It was a sad sight. But I was also very happy to be home.” © Adam Patterson/Panos Pictures/The IRC

Rachel in Bulengo displacement camp, Congo. (Sven Torfinn/Panos Pictures/The IRC)

Charlotte Simmonds is a writer and blogger living in London. She was formerly an editorial assistant at the New Statesman. You can follow her on Twitter @thesmallgalleon.

Photo: Getty
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The big problem for the NHS? Local government cuts

Even a U-Turn on planned cuts to the service itself will still leave the NHS under heavy pressure. 

38Degrees has uncovered a series of grisly plans for the NHS over the coming years. Among the highlights: severe cuts to frontline services at the Midland Metropolitan Hospital, including but limited to the closure of its Accident and Emergency department. Elsewhere, one of three hospitals in Leicester, Leicestershire and Rutland are to be shuttered, while there will be cuts to acute services in Suffolk and North East Essex.

These cuts come despite an additional £8bn annual cash injection into the NHS, characterised as the bare minimum needed by Simon Stevens, the head of NHS England.

The cuts are outlined in draft sustainability and transformation plans (STP) that will be approved in October before kicking off a period of wider consultation.

The problem for the NHS is twofold: although its funding remains ringfenced, healthcare inflation means that in reality, the health service requires above-inflation increases to stand still. But the second, bigger problem aren’t cuts to the NHS but to the rest of government spending, particularly local government cuts.

That has seen more pressure on hospital beds as outpatients who require further non-emergency care have nowhere to go, increasing lifestyle problems as cash-strapped councils either close or increase prices at subsidised local authority gyms, build on green space to make the best out of Britain’s booming property market, and cut other corners to manage the growing backlog of devolved cuts.

All of which means even a bigger supply of cash for the NHS than the £8bn promised at the last election – even the bonanza pledged by Vote Leave in the referendum, in fact – will still find itself disappearing down the cracks left by cuts elsewhere. 

Stephen Bush is special correspondent at the New Statesman. He usually writes about politics.