The Spirit of '45 reminds us of the importance of political myths

Tales of what might have been and what may be to come are a powerful and resonant part of the left's appeal.

In his book Election ’45: Reflections on the revolution in Britain, which marked the 50th anniversary of the 1945 Labour government, Austin Mitchell recounts an anecdote about a 20 year-old Tony Benn. Too young to actually vote, he instead spent the campaign driving a Labour candidate around central London. On bumping into a taxi one day, Benn, never knowingly without something to say, took to the loudhailer. "You have just been struck by the Labour candidate," he announced, "and everybody cheered – they were so excited."

Such are the tales, myths even, surrounding Labour and 1945, as a grateful Britain apparently flocked to the polls to vote for socialism. Ken Loach is the latest teller of this tale in his new film, The Spirit of ‘45, recounting the massive achievements of the post-war Labour government, which included the creation of the NHS, welfare stateand full employment.

However, the polemical documentary has come in for criticism over Loach’s tendency to be economical with the facts. The historian Steven Fielding upbraided him in the Guardian last week for offering a rose-tinted version of history: "Described as a 'celebration', Loach uses his vision of the past to make blatantly contemporary political points…I fear that Loach's version of 1945 is more imagined than real: it is, for want of a better word, propaganda", he wrote.

Elected on a wave of popular enthusiasm for social and economic change, 1945 was always a chimera. In as much as it was a call for Labour measures (heavily influenced, of course, by the work of avowed liberals John Maynard Keynes and Sir William Beveridge) it was also a call for Tory men, with many hoping Churchill would remain as Prime Minister after the war.

The timeline is also instructive here. Swept to power with a majority of 145 in 1945, Labour only just held on in 1950 with a majority of five, before succumbing to the Tories just a year later. The spirit of ‘45 might have seen lasting social and economic changes, but it certainly did not usher in an age of political dominance for Labour and the left: the party was out of office for the next 13 years.

As Fielding puts it: "Loach's film should therefore be better called The Myth of '45, for it peddles a fantasy, albeit one that provides comfort during these hard times for some on the left."

None of this is to deprecate Loach’s fine film, far less the massive achievements of the Labour government, both real and embellished. Myths play an important part in our politics, serving as shorthand for big, ungainly ideas; helping inspire, provoke and, crucially, motivate voters. The promise of a better tomorrow remains essential in galvanising the voting public behind a cause.

And the left likes it myths; from the Attlee government’s pledge to build a "New Jerusalem" through to Tony Blair’s promise of "New Labour, New Britain". Grandiose claims abound, whether it was Harold Wilson boasting in 1965 that Labour had become "the natural party of government" or Gordon Brown’s oft-repeated promise of "no more boom and bust". Myths can also serve as powerful warnings too. How may variants have there been on the "1000 days/ one month/ 24 hours to save the NHS" theme?

But it’s the governing bit that usually causes problems for the left’s myth-makers."You campaign in poetry, you govern in prose" as former New York Governor Mario Cuomo famously put it. When things don’t quite live up to the romantic billing, the left has a problem sustaining itself in power, as even the sainted Attlee found out.

Labour’s 1974 manifesto, which pledged to enact a "fundamental and irreversible shift in the balance of power and wealth in favour of working people and their families" was abandoned after just two years when IMF-imposed austerity measures, (amid the chaos of 1970’s economic stagflation) scuttled the government’s lofty ambitions. But the killing of a political dream quickly darkens into cries of betrayal. A sense that Labour had capitulated in the face of economic orthodoxy led directly to the fratricidal mayhem of the early 1980s when the party’s myth-making soared to stratospheric heights of implausibility.

It’s not just the preserve of the left though. Scottish, Welsh and Irish nationalism hold to their enduring myths too. Tales of what might have been and what may be to come are a powerful and resonant part of their appeal to voters’ emotions. As, indeed, is UKIP’s retro island myth of sepia-toned Great Britain bestriding the globe as a sovereign power. Chancellor George Osborne’s own myth-making prowess was on display in the Budget as he breezily accounted for the continued failure of his 'expansionary fiscal contraction' model.

For Ed Miliband, the risk in meeting the public’s desire for a better tomorrow is that it becomes a casual promise that it will be delivered. The most dangerous mythfor him is that a Labour government would not be taking an axe to public spending right now. It would - although the party’s framing of its own approach remains a work in (painfully slow) progress. However the big problem for Labour begins after it wins in 2015; with another three years of austerity already pencilled in. Ambiguity now may lead to howls of anguish later as dreams go unfulfilled.

Governing in prose, it turns out, is not much fun.

Clement Attlee waves to well-wishers outside Transport House in London after the Labour Party's victory in the 1945 general election. Photograph: Getty Images.

Kevin Meagher is associate editor of Labour Uncut and a former special adviser at the Northern Ireland office. 

Photo: Getty
Show Hide image

The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

0800 7318496