The politics of black hair

Mainstream conversations about feminism usually proceed from the standpoint of middle-class white women - but they need to know their experiences aren't universal, including when it comes to hair.

White people: The texture of hair that grows from our heads is different to yours. The implications of how we wear our hair, and the meanings invested in whatever styles we rock, might differ from yours too.

And I’m sorry to be the one to break it to you, but when you see a black woman with a huge glossy mane of blonde hair she is usually wearing a weave or a wig. And yes, my hair does grow, and no, I don’t wear it naturally because I can “get away with a bit of frizz”, but because I like it.

However, lack of awareness about our hair is standard across both society and mainstream media platforms, exemplified here by Hadley “I was astonished when Beyoncé was revealed as a wig wearer” Freeman. What is astonishing is how little you seem to know about our hair, even after all these years of us living in close proximity to each other. Not to mention all the (unacknowledged of course) innovations that have been borrowed from black hair culture and are now considered mainstream.

During the Twitter backlash sparked by Laurie Penny’s recent article on short hair, critics pointed out the way in which mainstream conversations about feminism usually proceed from the standpoint of a middle-class white woman. The temptation then is to conflate the experiences of black and white women - in this instance in their relationship to their hair - and not acknowledge their own very particular position positions itself as universal.

Erykah Badu and Janelle Monáe.

It can feel pretty frustrating that white supremacy has bequeathed a legacy in which, for many black women, simply wearing our hair in its own natural state can become a complex and politicised act. At the same time - despite the connection between said supremacy and the relationship that many black women have to our hair - most white people demonstrate absolutely no idea about the everyday maintenance of Afro hair, let alone its politics.

Allow me to reverse the situation for a moment. Imagine we live in a world that is dominated by Black Africans. Imagine your great great-grandparents were colonised and enslaved by ours. Imagine that while those sorry times have passed, and it's all post-racial bonhomie now, the transmission of wealth and power never really shifted. Both are still largely concentrated in black hands. Imagine we dominate the media and beauty industries. Imagine that in order for the beauty of black women to be truly appreciated there must be an ugly, and inferior other, with whom she is compared. This other is the white woman. Her hair is vastly different to the dominant beauty standard. It is thin, lank, stringy and greasy.

All the successful women in society have full resplendent, Afro hair, even the minority white ones.

Their hair is beautiful, it is huge, it makes them taller.

It’s almost as though the Gods, looking favourably upon this chosen race, anointed each and every one of them with a little piece of the heavens - in the form of the cloud of hair- that has been placed lovingly upon their adorable heads. But, in this counter narrative, white people have a long-standing tradition of innovation and experimentation with hair (of course, we black people are largely unaware of it, but it exists) and some of them invest that expertise and knowledge into making their hair look like the hair of the good, the pretty, the successful. In fact when we black women cut off our gorgeous tightly coiled kinks, white women sometimes weave the hair on to their own heads.

Beyoncé.

And after this is done the women with the naturally Afro hair might exhibit surprise that underneath all that gorgeous hair that is just like theirs, there lies a lie.

“Why would they do this?” they might ask. You mean this isn’t really your real hair? “Can I touch it?”

OK, you see where I’m going. Did you bristle a little at hearing your hair described as essentially ugly and bad? Did it seem as though I was being needlessly insulting to make my point?

That was not my intention. It was more a little exercise walking in my shoes. Because, you see, my hair is routinely described in pejoratives. 

Frizzy. Coarse. A problem to be managed. Until the rather wonderful natural hair movement, facilitated in many ways by social networking, this message has been pretty much communicated to me at all times from all angles.

How did you feel when white hair was routinely described as lank and greasy? But sometimes my hair is described as lank and greasy, I hear you cry.

Sometimes is the key word here. It’s also just as common to hear white hair described in highly complimentary language. Think about it; long, silky, shiny, glossy. Don’t even get me started on blonde hair, with all its adjacent connotations of goodness and beauty.

Where are the common phrases used to describe idealised tightly coiled Afro hair? Certainly none come to mind with the ease of the words used to conjure images of idealised Caucasian hair. If there is a beauty standard I should aspire to it is the same as yours apparently; silky and glossy. The expectation is that my own hair must be hidden or transformed in some dramatic way.

About three years ago, I finally quit the whole ‘relaxing’ jive, and stopped straightening my hair. When I was transitioning, I let a white friend feel the new growth. I was excited, as I hadn’t properly felt my own texture in over a decade. However, her response - “Oh my God, it feels like pubes” - brought me slap-bang back to being an eight year old who used to cry themselves to sleep because they were so ugly, and who prayed every night to wake up and have ‘normal’ hair like white people.

Well, those tears were a long time ago. That little girl is now a grown woman who loves her hair (incidentally she has great hair, she always did!) But the journey that led me to the relationship I have with my hair today is likely different to yours. So I urge you to remember, your experience is not the universal benchmark. Such is the ubiquity of whiteness that is this might be easy to forget. Not to worry; we’re here, there’s lots of us, and we’re going to remind you.

Emma Dabiri is an academic and blogger. She tweets: @thediasporadiva

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The decline of the north's sporting powerhouse

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Now, things are different.

On a drive between Sheffield and Barnsley, I spotted a striking painting of the Kes poster. Billy Casper’s two-fingered salute covered the wall of a once-popular pub that is now boarded up.

It is almost 50 years since the late Barry Hines wrote A Kestrel for a Knave, the novel that inspired Ken Loach’s 1969 film, and it seems that the defiant, us-against-the-world, stick-it-to-the-man Yorkshireness he commemorated still resonates here. Almost two-thirds of the people of south Yorkshire voted to leave the EU, flicking two fingers up at what they saw as a London-based establishment, detached from life beyond the capital.

But whatever happened to Billy the unlikely lad, and the myriad other northern characters who were once the stars of stage and screen? Like the pitheads that dominated Casper’s tightly knit neighbourhood, they have disappeared from the landscape. The rot set in during the 1980s, when industries were destroyed and communities collapsed, a point eloquently made in Melvyn Bragg’s excellent radio series The Matter of the North.

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Yet today, we rarely get to hear the voices of Barnsley, Sheffield, Doncaster and Rotherham. And the Yorkshire sporting powerhouse is no more – at least, not as we once knew it.

This should be a matter of national concern. The White Rose county is, after all, the home of the world’s oldest registered football club – Sheffield FC, formed in 1857 – and the first English team to win three successive League titles, Huddersfield Town, in the mid-1920s. Hull City are now Yorkshire’s lone representative in the Premier League.

Howard Wilkinson, the manager of Leeds United when they were crowned champions in 1992, the season before the Premier League was founded, lamented the passing of a less money-obsessed era. “My dad worked at Orgreave,” he said, “the scene of Mrs Thatcher’s greatest hour, bless her. You paid for putting an axe through what is a very strong culture of community and joint responsibility.”

The best-known scene in Loach’s film shows a football match in which Mr Sugden, the PE teacher, played by Brian Glover, comically assumes the role of Bobby Charlton. It was played out on the muddy school fields of Barnsley’s run-down Athersley estate. On a visit to his alma mater a few years ago, David Bradley, who played the scrawny 15-year-old Billy, showed me the goalposts that he had swung from as a reluctant goalkeeper. “You can still see the dint in the crossbar,” he said. When I spoke to him recently, Bradley enthused about his lifelong support for Barnsley FC. “But I’ve not been to the ground over the last season and a half,” he said. “I can’t afford it.”

Bradley is not alone. Many long-standing fans have been priced out. Barnsley is only a Championship side, but for their home encounter with Newcastle last October, their fans had to pay £30 for a ticket.

The English game is rooted in the northern, working-class communities that have borne the brunt of austerity over the past six years. The top leagues – like the EU – are perceived to be out of touch and skewed in favour of the moneyed elites.

Bradley, an ardent Remainer, despaired after the Brexit vote. “They did not know what they were doing. But I can understand why. There’s still a lot of neglect, a lot of deprivation in parts of Barnsley. They feel left behind because they have been left behind.”

It is true that there has been a feel-good factor in Yorkshire following the Rio Olympics; if the county were a country, it would have finished 17th in the international medals table. Yet while millions have been invested in “podium-level athletes”, in the team games that are most relevant to the lives of most Yorkshire folk – football, cricket and rugby league – there is a clear division between sport’s elites and its grass roots. While lucrative TV deals have enriched ruling bodies and top clubs, there has been a large decrease in the number of adults playing any sport in the four years since London staged the Games.

According to figures from Sport England, there are now 67,000 fewer people in Yorkshire involved in sport than there were in 2012. In Doncaster, to take a typical post-industrial White Rose town, there has been a 13 per cent drop in participation – compared with a 0.4 per cent decline nationally.

Attendances at rugby league, the region’s “national sport”, are falling. But cricket, in theory, is thriving, with Yorkshire winning the County Championship in 2014 and 2015. Yet Joe Root, the batsman and poster boy for this renaissance, plays far more games for his country than for his county and was rested from Yorkshire’s 2016 title decider against Middlesex.

“Root’s almost not a Yorkshire player nowadays,” said Stuart Rayner, whose book The War of the White Roses chronicles the club’s fortunes between 1968 and 1986. As a fan back then, I frequently watched Geoffrey Boycott and other local stars at Headingley. My favourite was the England bowler Chris Old, a gritty, defiant, unsung anti-hero in the Billy Casper mould.

When Old made his debut, 13 of the 17-strong Yorkshire squad were registered as working-class professionals. Half a century later, three of the five Yorkshiremen selec­ted for the last Ashes series – Root, Jonny Bairstow and Gary Ballance – were privately educated. “The game of cricket now is played in public schools,” Old told me. “Top players are getting huge amounts of money, but the grass-roots game doesn’t seem to have benefited in any way.”

“In ten years’ time you won’t get a Joe Root,” Rayner said. “If you haven’t seen these top Yorkshire cricketers playing in your backyard and you haven’t got Sky, it will be difficult to get the whole cricket bug. So where is the next generation of Roots going to come from?” Or the next generation of Jessica Ennis-Hills? Three years ago, the Sheffield stadium where she trained and first discovered athletics was closed after cuts to local services.

This article first appeared in the 19 January 2017 issue of the New Statesman, The Trump era