Trent Mays and Ma'lik Richmond in court.
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Laurie Penny on Steubenville: this is rape culture's Abu Ghraib moment

The pictures from Steubenville don’t just show a girl being raped. They show that rape being condoned, encouraged, celebrated. What type of culture could possibly produce such pictures?

Trigger warning: graphic descriptions of rape, and pixellated images from the night in question.

It lasted for hours. The pictures circulated online show the unconscious teenage girl hung like a shot steer between two laughing young men, Trent Mays and Ma'lik Richmond, who were convicted this week of driving her from party to party, raping her, assaulting her, and filming themselves doing so. Videos from the night include an extended tape of a friend of the attackers in drunken spasms of joy about just how ‘dead’ the girl looked as she was handed around. “She’s deader than OJ’s wife!” he giggles to himself as his mates film him. It was sadistic young men like this with whom the mainstream media expressed immediate sympathy following the guilty verdict

Here, there was no question that Mays and Richmond are guilty: there is enough film, photographic and text message evidence to make the case clear. The arguments in their defence, instead, revolve around the notion that these boys, beloved athletes in a town where football is everything, did nothing wrong when they assaulted their helpless victim. They are tragic heroes who were just having fun, like young men do, and the pictures prove it. Everyone looks so happy. High-profile rape cases have happened in American football towns many times before - remember the cheerleader who was forced to cheer for her rapist? - but Steubenville is different. The pictures make it different. What the Steubenville footage recalls most chillingly is the torture photographs from Abu Ghraib prison almost a decade earlier, showing American soldiers in Iraq smiling chummily around the prone bodies of political prisoners. 

Steubenville is rape culture's Abu Ghraib moment. It’s the moment when America and the world are being forced, despite ourselves, to confront the real human horror of the rapes and sexual assaults that take place in their thousands every day in our communities.

Susan Sontag observed of the Abu Ghraib atrocities that "the horror of what is shown in the photographs cannot be separated from the horror that the photographs were taken - with the perpetrators posing, gloating, over their helpless captives. If there is something comparable to what these pictures show it would be some of the photographs of black victims of lynching taken between the 1880's and 1930's, which show Americans grinning beneath the naked mutilated body of a black man or woman hanging behind them from a tree. The lynching photographs were souvenirs of a collective action whose participants felt perfectly justified in what they had done. So are the pictures from Abu Ghraib."

The pictures from Steubenville don’t just show a girl being raped. They show that rape being condoned, encouraged, celebrated. What type of culture could possibly produce such pictures? Only one in which women's autonomy and right to safety counts for so little that these rapists, and those who held the cameras, felt themselves 'perfectly justified'. Only one in which rape and sexual humiliation of women and girls is so normalised that it does not register as a crime in the minds of the assailants. Only one in which victims are powerless, silenced, dismissed. It is impossible to imagine that in such a culture, assault and humiliation of this kind would not be routine - and indeed, the most conservative estimates suggest that ninety thousand women and ten thousand men are raped in the United States alone every year. That’s what makes the Steubenville case so very uncomfortable - and so important.

Here we have incontrovertible evidence of happy young people not only hurting and humiliating others, but taking pleasure in it, posing with their victims. The Abu Ghraib torture pictures were trophies. The Steubenville rape photos are trophies. They're mementoes of what must have felt, at the time, like everyone was having the sort of fun they'd want to remember, the sort of fun they'd want to prove to themselves and others later. The Steubenville rapists had fun, and they broadcast that fun to the world. They were confident that nothing could touch them, so baffled by the idea of punishment that they wept like children in court.

Pictures don't just record reality. They change it. They change us as we take them and consume them. It matters not just that we have photographic evidence of a girl being raped, but that someone took pictures of the assault happening to send to their friends as memories of a jolly night gone a bit hairy. The Ohio teenager who is now receiving death threats for reporting her rape is far from the only young woman to have her assault recorded for posterity. In the past five years, rapes and sexual assaults involving one or more attacker or involved bystander stepping back to pull out a smartphone have proliferated. What makes these men so sure of their inviolable right to stick their fingers and cocks into any part of any female they can hold down that they actually make and distribute images of each other doing so? Rape culture. That’s what rape culture is. The cultural acceptance of rape.

This image of "Jane Doe" was shared over social media. 

The Steubenville rapists claim that, when they drove a passed-out girl from party to party, slinging her into and out-of cars like a deflated sex-dolly and sticking their fingers inside her, they didn't know they were doing anything wrong. That's plausible, although it's no defence. It's a plausible if, and only if, you have internalised the assumption that women are not real human beings, just bodies to be manipulated with or without consent, pieces of wet and willing meat there for you to use for your pleasure. There's a word for what happens when one group of people sees another as less than human and insists on its right to hurt and humiliate them for fun. It’s an everyday word that is often misused to refer to something outside of ourselves. The word is ‘evil’.

This particular evil has been rotting at the fractious heart of Western culture for so long that it barely registers as abnormal, and the initial emotion when it is challenged is rage. Rage that anyone dare question the notion that men's 'bright futures' matter more than women's right not to be attacked and degraded. It's an evil that believes that men work and play sports and make an impact on the world and women are there to get fucked. America has been raised on that belief, and like any dogma it can turn ugly when challenged. Jane Doe, whose real name was revealed on Fox news yesterday, has been receiving death threats, and so have her family. After the verdict was handed down, the internet lit up with ugly messages of slut-shaming and solidarity with her attackers: “Remember, kids, if you’re drunk/slutty at a party and embarrassed later, just say you got raped!” wrote @jimmyontheradio. Another, @zJosiah, said: “I feel bad for the two young guys, Mays and Richmond, they did what most people in their situation would have done.”

Yes, it is possible to feel a sick spasm of pity for these young men whose tears in the courtroom were described at such melodramatic length by major news outlets. It is possible to feel pity for those who do violent acts, who hurt and shame others simply because they know nobody’s going to stop them and it seems like fun. Young people can get carried away in times of war, and here I include what we must surely think of in these circumstances as a gender war, especially when they’re on the winning team - and these boys were used to winning. Young people get carried away. But not always. And that ‘not always’ is where pity stops like bile in the throat.

In every situation where atrocity is normalised, in every death-camp and gulag and apartheid city, there are those who refuse to participate. The soldier who ignores the kill order. The prison guard who walks away. The families who risk their safety to shelter refugees. The men and boys who see rape and violence occurring and have the courage to say 'stop'.

We have sympathy for those who lack that sort of courage only because we worry, even the best of us worry, that there might be circumstances in which we, too, would overlook evil. That’s the question facing every man and not a few women in America right now as the enormity of rape culture begins to dawn. It’s a question of cowardice, and of character. Something is going on - the casual rape and abuse and dehumanisation of women and girls, and some men -  that’s so monstrous that to take its magnitude seriously would implicate a great many of us. The question is whether we have the courage to face it - this time.

Those attacking the Steubenville Jane Doe online, defending her rapists, lamenting the destruction of their ‘bright futures’, are cowards. They are cowards who are afraid of what will happen if systematic injustice is acknowledged, and human history is crawling with their kind. Right now that cowardice is being weaponised and used against women and girls, used to shame us into silence, to stop us from speaking out about rape culture as we have just begun to do in an organised fashion. So many of us wonder whether we would be brave enough to stand up in the face of evil. Whether we would allow it to continue or join in the rage. Well, this is the moment. This is our test. Anyone can be outspoken about Steubenville after the fact. The question is: who will stand up when the next Jane Doe is attacked, without expectation of thanks or acclaim, at risk of derision and ostracism or worse, and speak out about all the other Steubenvilles that are still taking place, and will continue to until enough people say ‘stop’?

Well, this is the moment. This is our test. Before another Jane Doe gets hurt, before more young rapists can tearfully claim they "didn't know", it's on us all - men and boys and everyone who loves them - to stand and be counted.

 

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

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Why is Labour surging in Wales?

A new poll suggests Labour will not be going gently into that good night. 

Well where did that come from? The first two Welsh opinion polls of the general election campaign had given the Conservatives all-time high levels of support, and suggested that they were on course for an historic breakthrough in Wales. For Labour, in its strongest of all heartlands where it has won every general election from 1922 onwards, this year had looked like a desperate rear-guard action to defend as much of what they held as possible.

But today’s new Welsh Political Barometer poll has shaken things up a bit. It shows Labour support up nine percentage points in a fortnight, to 44 percent. The Conservatives are down seven points, to 34 per cent. Having been apparently on course for major losses, the new poll suggests that Labour may even be able to make ground in Wales: on a uniform swing these figures would project Labour to regain the Gower seat they narrowly lost two years ago.

There has been a clear trend towards Labour in the Britain-wide polls in recent days, while the upwards spike in Conservative support at the start of the campaign has also eroded. Nonetheless, the turnaround in fortunes in Wales appears particularly dramatic. After we had begun to consider the prospect of a genuinely historic election, this latest reading of the public mood suggests something much more in line with the last century of Welsh electoral politics.

What has happened to change things so dramatically? One possibility is always that this is simply an outlier – the "rogue poll" that basic sampling theory suggests will happen every now and then. As us psephologists are often required to say, "it’s just one poll". It may also be, as has been suggested by former party pollster James Morris, that Labour gains across Britain are more apparent than real: a function of a rise in the propensity of Labour supporters to respond to polls.

But if we assume that the direction of change shown by this poll is correct, even if the exact magnitude may not be, what might lie behind this resurgence in Labour’s fortunes in Wales?

One factor may simply be Rhodri Morgan. Sampling for the poll started on Thursday last week – less than a day after the announcement of the death of the much-loved former First Minister. Much of Welsh media coverage of politics in the days since has, understandably, focused on sympathetic accounts of Mr Morgan’s record and legacy. It would hardly be surprising if that had had some positive impact on the poll ratings of Rhodri Morgan’s party – which, we should note, are up significantly in this new poll not only for the general election but also in voting intentions for the Welsh Assembly. If this has played a role, such a sympathy factor is likely to be short-lived: by polling day, people’s minds will probably have refocussed on the electoral choice ahead of them.

But it could also be that Labour’s campaign in Wales is working. While Labour have been making modest ground across Britain, in Wales there has been a determined effort by the party to run a separate campaign from that of the UK-wide party, under the "Welsh Labour" brand that carried them to victory in last year’s devolved election and this year’s local council contests. Today saw the launch of the Welsh Labour manifesto. Unlike two years ago, when the party’s Welsh manifesto was only a modestly Welshed-up version of the UK-wide document, the 2017 Welsh Labour manifesto is a completely separate document. At the launch, First Minister Carwyn Jones – who, despite not being a candidate in this election is fronting the Welsh Labour campaign – did not even mention Jeremy Corbyn.

Carwyn Jones also represented Labour at last week’s ITV-Wales debate – in contrast to 2015, when Labour’s spokesperson was then Shadow Welsh Secretary Owen Smith. Jones gave an effective performance, being probably the best performer alongside Plaid Cymru’s Leanne Wood. In fact, Wood was also a participant in the peculiar, May-less and Corbyn-less, ITV debate in Manchester last Thursday, where she again performed capably. But her party have as yet been wholly unable to turn this public platform into support. The new Welsh poll shows Plaid Cymru down to merely nine percent. Nor are there any signs yet that the election campaign is helping the Liberal Democrats - their six percent support in the new Welsh poll puts them, almost unbelievably, at an even lower level than they secured in the disastrous election of two year ago.

This is only one poll. And the more general narrowing of the polls across Britain will likely lead to further intensification, by the Conservatives and their supporters in the press, of the idea of the election as a choice between Theresa May and Jeremy Corbyn as potential Prime Ministers. Even in Wales, this contrast does not play well for Labour. But parties do not dominate the politics of a nation for nearly a century, as Labour has done in Wales, just by accident. Under a strong Conservative challenge they certainly are, but Welsh Labour is not about to go gently into that good night.

Roger Scully is Professor of Political Science in the Wales Governance Centre at Cardiff University.

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