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Death of a dictator

How Caesar’s murder set the template for political assassination.

The assassination of Julius Caesar on 15 March 44BC (“the ides of March” by the Roman system of dating) is the most famous political murder in history. Caesar had recently been made “dictator for life”, and he was killed in the name of “liberty” by a group of men he counted as friends and colleagues. In the aftermath, the assassins issued coins with a design specially chosen to celebrate the deed and press home the message: it featured the memorable date (“EID MAR”), a pair of daggers and the image of the small hat, “the cap of liberty”, regularly presented to Roman slaves when they were granted their freedom. This was liberation on a grander scale, freeing the Roman people from tyranny.

Several of the characters whose biographies feature in Plutarch’s Lives – Caesar, Brutus, Cicero, Antony, Pompey – had a role in the story of the murder. Julius Caesar was the victim, his dying moments vividly described by Plutarch. In this account, there were no famous last words, “Et tu Brute?” or whatever; after a futile attempt to fight back, Caesar pulled his toga over his head and took the 23 dagger blows that killed him. Brutus was the leading figure behind the assassination, a frankly messy business, as Plutarch makes clear (with several of the assassins “caught in friendly fire”, accidentally wounded by blows from their own side), and he was soon more or less forced to leave the city.

Cicero, the Roman politician, philosopher, poet, wit and orator, was not party to the plot but was very likely an eyewitness of the murder, and was straight away consulted by the assassins about what on Earth to do next (one of their main problems was that they had not thought ahead). Antony was Caesar’s right-hand man, gave the address at his funeral, and tried to take on the role of Caesar’s defender and successor – though he soon found an even more powerful rival for that position.

Pompey was already dead by 44BC. He had been killed four years earlier in a civil war, leading those Romans who had then been prepared to resort to pitched battles to resist the growing power of Caesar. But his shadow hung over the assassination. Caesar was murdered in an expensive new meeting hall whose building Pompey had funded, and he fell in front of a statue of Pompey, splattering it with his blood. It was as if Pompey was finally getting his revenge.

 

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The death of Caesar has provided the template for assassination ever since and has been the focus of debate on the rights and wrongs of political violence. In 1865, John Wilkes Booth used the word “ides” as the code word for the planned date of the assassination of President Lincoln. Shakespeare in Julius Caesar, largely drawing on an early translation of Plutarch’s biography, used the events of 44BC to reflect on the nature of political power, ideology and moral conscience. Others have seen the assassination as a useful reminder of the futility of such attempts at direct action. For what did it achieve? If the assassins had really wanted to quash the rise of one-man rule in Rome, if they had wanted to kill the tyranny as well as the tyrant, they were strikingly unsuccessful. More than a decade of civil war followed (a major theme in Plutarch’s biographies of Brutus and Antony), but the end result was that Caesar’s great-nephew – “Augustus”, as he was later known, and the man who rivalled Antony as Caesar’s heir – became the first Roman emperor. He established autocratic rule on a permanent basis. So much for the return of “liberty”.

In the long history of Rome – founded, as the Romans calculated it, around 750BC – the murder of Caesar, for all its later notoriety, was just one of many political crises, which became particularly intense and violent in the 2nd and 1st centuries BC. This was a period of expansion, political change, even revolution. There were vast Roman conquests overseas and, as a consequence, an enormous influx of wealth into the city. Gleaming marble from Greece, rather than local brick and stone, began to be used for temples and other public buildings in the city; slaves started to make up the majority of the workforce; and so many people flocked to Rome that its population topped a million, the only Western city of that size until London in the early 19th century.

But this age also saw repeated outbreaks of civil war at home, political disintegration, mass pogroms of citizens and the final fracture of what had once been a more or less democratic system of government. As a leading politician, Caesar was almost typical in coming to a violent end. None of the men I have mentioned died in their beds, nor fighting some “barbarian enemy”. They were killed in conflict with other Romans, by Roman hands, or on Roman orders. Pompey, for example, after losing in battle to Caesar, was decapitated by an Egyptian eunuch, ably assisted by a couple of Roman veteran soldiers; Cicero was put to death in 43BC in one of the pogroms, on Antony’s instructions, his head and hands later pinned up in the centre of Rome as macabre trophies for the crowds to leer and jeer at. A little over a decade later, Antony ended up killing himself after he lost in battle to Caesar’s great-nephew and successor.

The Romans described and fiercely debated the stresses and breakdown of their political system, trailing all kinds of explanations and possible solutions. For this period was also one of intellectual revolution in Rome, when the rich tradition of Roman literature began. Starting in the early 2nd century BC, Roman writers for the first time tried to tell the history of their city, to reflect on its problems and on how they thought it should be governed; and they used writing, too, for political attacks, insults in verse, self-advertisement in public, and personal letters in which they shared their aspirations, fears and suspicions.

When Plutarch in the early 2nd century AD was writing these biographies, he could base his narrative on plenty of contemporary material from the age of Caesar. Some of this we can still read, including Caesar’s one-sided account of his campaigns against the tribes of Gaul and later against Pompey (one of the very few eyewitness descriptions of ancient warfare to have come down to us) and volumes of Cicero’s political speeches, philosophical treatises and hundreds of his private letters, made public after his death by his loyal heirs. This writing helps us to understand what lay beneath all that chaos.

The rapid growth of the Roman empire was a crucial and destabilising factor. For us, why Rome grew in a few centuries from a small, moderately successful town in central Italy to one with control over more of Europe and the Mediterranean world than any state before or since is one of history’s big puzzles. Most modern observers put it down to some unfathomable combination of greed, a highly militaristic ideology, a dose of good luck and a happy knack of converting those they conquered into Roman citizens, and so into new soldiers for the Roman cause. The Romans were less puzzled on this score, pointing to the support of the gods, their piety and a succession of defensive rather than aggressive wars, in which they intervened to protect allies under threat. They were more troubled by the consequences of overseas growth for society and politics back home.

Despite their popular modern image, the Romans were not simply thoughtless and jingoistic imperialists. Some worried that the wealth and luxury that came with conquest overseas undermined what they saw as old-fashioned Roman austerity, a few about the cruelty of conquest (there was even
one, perhaps not entirely serious, proposal to put Caesar on trial for genocide during his conquest of Gaul). Others faced the question of how to adapt the traditional structures of Roman government to cope with new imperial demands. For how could you control and defend a vast empire, stretching from Spain to Syria, with a power structure and a system of military command developed to run nothing more than a small town?

That was one of the big issues behind the revolutionary changes of this period, and one of the factors that promoted the rise of dynasts such as Caesar. The political traditions of Rome, going at least as far back as the end of the 6th century BC, had been based on the principle that power was only ever held on a temporary basis and was always shared. The citizens as a whole elected the city’s officials, who combined both military and civilian duties, held office for just one year at a time, ideally not to be repeated, and never had fully independent decision-making power.

That there had always been not one but two consuls (the most senior of these annual officials) is a clear sign of that long-established commitment to power-sharing. But it was a principle ill suited to governing a far-flung empire and to fighting wars that might take place several months’ distance from Italy; you could hardly travel there and back in the regular year of office.

The Romans improvised various solutions to that problem: sending men out to the provinces, for example, after their year of office in Rome. But increasingly the Roman people voted more and more power into the hands of ambitious individual politicians on an almost permanent basis, even though those votes were often ­controversial and sometimes violently resisted.

 

 

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Caesar was not the first to challenge the traditional model of power-sharing. Despite leading the traditionalists against Caesar in 49BC, Pompey had, only 15 years or so earlier, been granted unlimited power for years on end across the whole of the eastern Mediterranean, first to deal with the pirates and human traffickers operating on the sea, then to deal with one of Rome’s remaining enemies in the East, King Mithridates of Pontus (in modern Turkey). Cicero was one of those who successfully spoke up, in a speech whose text we can still read, to quell the opposition to this grant, which was regarded as a dangerous step in the direction of one-man rule.

Even Brutus, despite his fine slogans on the subject of “liberty”, seems not to have been entirely immune from similar dreams of personal power. The coin celebrating Caesar’s assassination may have displayed the daggers and cap of liberty on one side. But on the other was an image of the head of Brutus. In Roman eyes, heads of living people on coins smacked of autocratic ambitions: Caesar was the first to risk such a display at Rome, Brutus the second.

So one side of the age of Caesar, richly documented in Plutarch’s Lives, was a series of “big men”, bankrolled by the vast profits that followed imperial conquests, competing for personal power. And that competition often came down to open fighting – whether in the streets of Rome, where there was no police force or any form of peacekeepers to maintain order, or across the empire more widely (the final battle in the Roman Civil War between Caesar and Pompey was fought in northern Greece, and Pompey was brutally finished off on the coast of Egypt). As the coin of Brutus hints, Caesar’s murder came too late to put the clock back to old-fashioned power-sharing. If Augustus had not established permanent one-man rule, Antony or some other rival would surely have done so.

Another important side of the period was the increasingly intense debates about what we would call “civil liberties”. How was it possible to protect the rights of the individual Roman citizen in this violent turmoil? How were the rights of citizenship to be balanced against the safety of the state? This came to a head almost 20 years before Caesar’s assassination, in 63BC. As Plutarch and others described it, Cicero was consul and believed that he had uncovered a terrorist plot, masterminded by a bankrupt and desperate aristocrat named Catiline, to eliminate some of the leading politicians, Cicero included, and to burn down much of the city. Once he had frightened Catiline out of Rome, Cicero rounded up those he believed were his accomplices and had them all executed without trial, even though they were Roman citizens and, as such, had a right to due legal process. “Vixere” (“They have lived” – that is, “They are dead”), he said in a particularly chilling euphemism, as he left the jail after super­vising their execution.

Not everyone at the time approved. Caesar was among those who stood up and objected. He was what we can still recognise as a classic populist, combining – as many have since – aspirations for dictatorship with a knack for popular rhetoric and an ability to appeal to the interests of the people (though, unlike some more recent examples of his kind, he also had a strong sense of popular justice). But in general Cicero was hailed as a hero who had saved the state from destruction.

The approval did not, however, last for long. Despite claiming the protection of an ancient equivalent of the Prevention of Terrorism Act, Cicero was banished into exile, on the charge of executing citizens without trial. He was recalled within a few months but, during his absence, his house had been demolished and a shrine to the goddess Liberty had pointedly been erected on the site.

The rights and wrongs of this case were debated ever after. How far, the Romans wondered, were elected officials allowed, or obliged, to transcend the law to save the state? We now debate very similar issues; how far the interests of homeland security make it legitimate to suspend the rights and protection that citizenship ought to ­offer, or how far we can stomach the idea of detention without trial, or summary deportation, if it prevents the “bad dudes” from doing us harm. That is why this is one of the Roman causes célèbres that speak to us most directly.

 

***

 

The age of Caesar, then, was one of political murder, street violence, constant warfare both inside and outside Rome and fundamental disagreements about how the state should be run, how democracy and liberty might be preserved, while the demands of empire and security were met. It is impossible not to wonder what it was actually like to live through – and not just for the elite, rich and male political leaders who were the leading characters and celebrity victims in the conflicts and the focus of all ancient writers. What of the ordinary men and women who were not in the limelight? Did life for them go on much as before, while the big men and their armies fought it out? Or did the violence and bloodshed touch almost everyone?

It is hard to know and wrong to generalise. Just occasionally, Plutarch does take his eyes off those at the top of the pile and throw a fleeting glance at ordinary people carrying on with their lives more or less as usual in the chaos around them. We meet in passing Cicero’s wives and his daughter, Tullia who, like so many women in the Roman world, died from complications of childbirth, along with her infant son. We have a glimpse of an enterprising trader from northern Italy, a man called Peticius, who in 48BC just happened to be travelling in his ship along the coast of Greece when he spotted Pompey, on the run after his defeat by Caesar – and gave him a lift south.

Most engagingly of all, thanks to information he had picked up from his grandfather, Plutarch gives us a tiny but vivid insight into the practices “below stairs” in the kitchens of the palace in Alexandria that – to the horror of many Romans – Antony eventually came to share with Queen Cleopatra. Apparently, the cooks were so concerned about preparing the wild boar to perfection, whenever the company upstairs decided to eat, that they had eight boars roasting, each put on to cook at a different time, so that one would be sure to be just right when dinner was summoned (do the cooks at Mar-a-Lago or, for that matter, Balmoral have the same problem?). It is a nice image of ordinary people living in their own world and dealing in their own way with (and maybe laughing at) the capricious demands of the world leaders they served.

But not all were so lucky. One memorable story told by Plutarch, repeated and made even more famous by Shakespeare in Julius Caesar, tells the fate of an unfortunate poet called Cinna. This man was not quite as ordinary as Peticius or the cooks in Alexandria; he was a friend of Caesar but he was not in the political mainstream. A couple of days after the assassination, he went to the Forum to see his friend laid out for his funeral and fell in with a crowd of Caesar’s mourning and angry supporters. These men mistook the poet for a different Cinna, who had been one of the assassins, and so tore the poor man limb from limb.

The message of the story is clear. Assassinations have innocent victims, too. Simple cases of mistaken identity (and there must have been many of those at Rome, in the absence of any form of official ID) can leave a blameless bystander dead. Shakespeare’s plaintive line “I am Cinna the poet, I am Cinna the poet” is a haunting reminder of the many who must have been caught in the crossfire when the leaders of the Roman world clashed.

“The Age of Caesar: Five Roman Lives” by Plutarch, translated by Pamela Mensch and edited by James Romm, is newly published by W W Norton

This article first appeared in the 06 April 2017 issue of the New Statesman, Spring Double Issue

Mike Lombardo via @moreMiLo
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“I was almost brainwashed by him”: How male YouTubers get away with preying on young fans

A multitude of YouTube stars have been accused of taking advantage of young fans, but little is being done to tackle the problem.

In June, a 24-year-old YouTuber named Austin Jones was charged with two counts of producing images of child abuse. Court documents allege that the internet personality – who has more than half a million subscribers to his YouTube channel – solicited explicit videos from two of his young female fans. According to the criminal complaint, Jones asked one of the teenage girls – known only as Victim B – to dance for him, and said: “Bounce again and smile at the camera while you bounce. And while you bounce, say ‘I’m only 14’ 3 times throughout the video.” Jones has been released on bail and is awaiting trial. Jones’ attorney Gerardo Solon Gutierrez points out that the singer is “innocent until proven guilty”.

A few weeks later, a YouTuber known as Durte Dom was accused of filming a 15-year-old girl from behind while she danced at a party, without her consent. “He filmed my ass dancing,” the girl wrote anonymously on Twitter. Dom responded to the allegations via the social network, writing: “the party was 18+, the girl snuck in. don't fool yourself.” He says he will now “start having people sign release forms” before he films them.

These allegations are not isolated. In 2014, a Tumblr user called Olga accused the YouTuber Tom Milsom of coercing her into sexual activities when she was 15 and he was 21. Milsom did not comment publicly on the accusations and was never charged. Only a month earlier, a YouTube musician, Mike Lombardo, was jailed for five years on child pornography charges after soliciting explicit photographs and videos from 11 of his underage fans. 

These events set off a series of other allegations. Vlogger Alex Day admitted to having “manipulative relationships with women” after 14 women and teenage girls accused him of manipulation and abuse. One anonymous 15-year-old wrote on Tumblr that Day had sex with her knowing she was underage and “didn’t listen to me when I asked to stop”. Day denied any sexual relations with underage girls, and none of his alleged victims pressed charges. Another YouTuber, Ed Blann, admitted in a now-deleted Tumblr post that he “manipulated” an of-age fan into sex even after he was “repeatedly told to stop”. Like Day, Blann never faced any charges, but, also like Day, he apologised for his actions.  

 In September 2014, a 19-year-old woman accused the YouTube prankster Sam Pepper of raping her, and another woman filed a police report accusing him of rape. Pepper denied the accusations, was never arrested and charges were never filed. He did, however, apologise for YouTube pranks that included pinching women’s behinds while wearing a fake hand.

A Tumblr post set up to track emotional and sexual abuse in the YouTube community to date features allegations against 43 YouTubers.

***

Social media revolutionised the concept of celebrity – and celebrity-fan interactions. YouTubers are both incredibly adored and incredibly accessible. Products they design sell out overnight and their live events fill arenas. At the same time, fans are often just a few clicks away from engaging in private, one-on-one conversations with their heroes.

“I feel like I was kind of blinded to the whole situation, like I was almost brainwashed by him,” says Ashley LaPrade, a 16-year-old who claims that when she was 15, Austin Jones coerced her into creating sexualised videos on the messaging app Kik. She posted screenshots of their conversations on social media after the news of Jones’s arrest broke.

“It was kind of casual at first and he asked me to model his merchandise for him... so I did. I took a couple pictures and I’m a gymnast so I was trying to like impress him and I did like splits and stuff,” she says. She alleges that Jones asked her to film herself from behind while bending down or dancing. “I didn't want to upset him and make him not like me,” she says.

LaPrade explains that as a young 15-year-old fan she “looked up” to Jones and was initially excited by his interest in her. After she began to feel uncomfortable with his requests, they stopped talking, but she continued to listen to his music and go to his concerts. She says that she only realised the severity of his actions after his arrest.

Many young fans like Ashley are initially unable to comprehend that anything wrong – legally or morally – has happened to them. Neesey Pathan is a 20-year-old student and YouTuber who claims she was sexually harassed by Sam Pepper when she was 15. In 2014, she posted a YouTube video of her allegations, showing screenshots of alleged conversations with Pepper in which he asks her to “do a naked a dance” and show him her cleavage.

“As a young naïve 15-year old girl, I just wanted to keep talking to him because I was a huge fan,” Neesey tells me. “When he started to get inappropriate with me, at the time that made me feel uncomfortable but I didn’t understand how serious that was, because of how young I was.

“I wanted him to stop being inappropriate with me but I didn't want him to stop speaking to me.”

***

Since the concept of celebrity was invented, nefarious individuals have used their fame to manipulate and take sexual advantage of young fans. In the 1970s, Lori Mattix was a “baby groupie” to musicians – alleging in a Thrillist article that she lost her virginity to David Bowie aged just 14. When the guitarist Ted Nugent couldn’t legally marry 17-year-old Pele Massa, he became her guardian instead. Anna Garcia met Prince aged 15 and began a relationship with him aged 17. “I guess it’s kind of a dream to a young girl of 17,” she said in the Nineties. “You can be influenced very easily and stuff like that because he’s 12-13 years older than me.”

It now seems as though a slew of YouTubers have taken advantage of this imbalanced fan-creator relationship, and have deliberately exploited the naivety of their young fans. Ashley and Neesey both claim they were emotionally manipulated.

“I think I put him on this pedestal, which put him in a position to very easily manipulate me and get what he wanted,” says Neesey. “I was just so excited to get to speak to someone who I had looked up to for a long time.”

Ashley claims that when she wouldn’t film increasingly explicit videos for Jones, he treated her coldly. “He went on about how he was in a bad mood now and he didn’t want to talk any more,” she says. “If I did something wrong to him, like if I didn’t blow a kiss or something, then he would make me redo [the video].”

In 2015, Jones was first accused of asking his underage fans to film themselves twerking. In a video entitled “Setting The Record Straight”, he admitted to asking for the twerking videos and said he became suicidal after this news became public. “I’m a pretty insecure person... I began researching different suicide methods. I started planning my suicide. It’s something I was very, very serious about,” he says in the video. 

“A lot of times when we were talking he was talking about how he was going to therapy so I kind of felt bad for him and that’s why I didn't really say anything [to the authorities],” says Ashley.

The American National Domestic Violence Hotline outlines on its website that threatening suicide can be a form of emotional abuse. “If your partner regularly threatens suicide, particularly whenever you’re not doing something he or she wants you to do, or when you’re trying to leave the relationship... this is a form of emotional abuse.”

According to Neesey’s screenshots, Pepper flippantly mentioned he was “suicidal” when she refused to show him her breasts. In Olga’s blogpost about Tom Milsom, she alleges: “he’d like sob and cut himself in front of me he threatened weird suicidal shit a lot”.

“Obviously, if someone is saying to you that they're suicidal, you want to help them, because obviously they don't mean it but as a young person you think they do,” explains Neesey. “And you don't want to be held responsible for them hurting themselves and you maybe care about this person because you’ve been watching them for so long. So you’re manipulated into carrying on contact with them because if you don’t, what will happen...” 

***

To date, Lombardo is the only YouTuber who has ever been jailed for sexually abusing his fans. There are a multitude of reasons for this. Some victims are too afraid to press charges, fearing backlash from a YouTuber’s fandom. Many victims are unable to see the severity of their abuse until they are older. More still are manipulated into silence. Parents can’t comprehend YouTube stardom, and fail to understand what is happening in their children’s lives. Some victims simply don’t know which authorities to turn to.

“I'm kind of steaming about this whole issue,” says Michelle LaPrade, Ashley’s mother. “I can’t even look at a picture of the guy. It makes me want to punch him.”

At the time, Ashley never told her mother about Jones’s behaviour, but Michelle overheard conversations about it between her daughter and her friends. “I feel like a bad mother. I never even really investigated it. Because I know girls and their drama and you know, [they] overreact sometimes.”

After Jones’s arrest, Michelle wanted to report his interactions with Ashley to the authorities, but she found her local police department unhelpful. “I don't know who to turn to,” she says.

Many more victims are unaware that a crime has even occurred. “When I was 15 I didn't see how problematic it was,” says Neesey. “I knew it was a bit strange, and I did feel uncomfortable, but I didn't realise that he was actually sort of committing a crime in terms of asking a minor, as an adult, to do these things...

“It wouldn't even have crossed my mind to go to the police.”

While the UK has the large-scale Operation Yewtree into sexual abuse by celebrities, there is no equivalent for YouTube. Despite the multitude of allegations spanning half a decade, there is no single helpline or dedicated investigation into YouTube abuse. When questioned on this, a Home Office spokesperson said:

“We cannot allow social media platforms to be looked upon as a safe space for predators to target our children and share indecent images. It is vital that communication service providers have easily identifiable reporting systems for people to flag inappropriate or illegal content – and that they are clear about what is and isn’t allowed on their sites.”

A YouTube spokesperson said: “We have clear policies against harassment and we enforce these policies by removing both flagged content and comments that break our rules as well as terminating the accounts of repeat offenders.”

Sam Pepper is still on YouTube, where his channel has over two million subscribers. Alex Day returned to YouTube in December 2015, and now has over 80,000 subscribers. Austin Jones’s YouTube channel remains live, though he is not allowed to use social media before his trial.

***

“I feel like it is really hard to be taken seriously,” says Ashley. On social media, people are prone to victim-blaming Ashley and other alleged victims, saying that they should have stopped replying to the YouTubers harassing them. “Yeah, we did send stuff back but it was... we were being pressured into it and we didn't want to upset him or anything like that,” Ashley says. Her mother tells me she is glad Ashley “took the high ground” in not sending overtly sexual videos to Jones.

Unsure which authorities to speak to, many victims turn to social media to discuss their abuse. Accusations play out on Tumblr, Twitter and YouTube itself. Ashley tweeted screenshots of her interactions with Jones, while Neesey created two videos about her conversations with Pepper. Although this is an effective, and unprecedented, way for victims to get their voices heard, many online are distrustful of complaints that didn’t go through the authorities. Many more leave misogynistic and hateful comments.

“People will just be absolutely horrible to you and call you demeaning things... I got called a flirt, I got told it was all my fault because I continued speaking to him...” says Neesey, of the reaction to her videos. “I think that's a lot of the reason why people sometimes don’t come forward, because they don't want to go through all that stress again. They’ve already dealt with the situation; why would they want to deal with the stress of people being horrible to them about it?”

Some commenters criticise Neesey and other victims who have made YouTube videos and claim they were doing so for attention. “No one in their right mind would do it for attention because the attention you get is negative,” Neesey says. “I honestly don’t believe that someone would sit down and accuse someone of doing something if they didn’t mean it. So I really think it should be taken seriously.”

Whether it makes sense to those outside of the community or not, many victims' first recourse is social media, not the police or authorities. The accusations about Durte Dom – the YouTuber who allegedly filmed a 15-year-old dancing – were publicised by another YouTuber, Elijah Daniel, on his Twitter page.

Damon Fizzy is a YouTuber who called out Austin Jones after the initial accusations in 2015, and continues to do so on Twitter now. Although he agreed to speak with me, he was unable to find time to do so over a series of weeks.

For many YouTubers and their victims, social media is more important that the traditional media. Perhaps this makes sense – when the Mail Online covered the arrest of Lombardo, the YouTuber who solicited child abuse images from 11 underage fans, they added inverted commas around the word “star” in their headline. If the media and the authorities can’t take YouTube seriously, how seriously will they take accusations of YouTuber abuse?

***

In the past, YouTubers have often been good at self-policing. Hank and John Green are American brothers who run the YouTube channel Vlogbrothers, which has over three million subscribers. They own a record label, DFTBA, and run the annual YouTube convention VidCon. Lombardo and Day were DFTBA artists, and were dropped from the label after the accusations emerged. The Green brothers also banned Pepper from VidCon.

After the storm of accusations in 2014, an enormous number of popular YouTubers made videos in response. Hank Green explained consent to his audience, while the comedy YouTuber TomSka created a guide to YouTube gatherings. The popular YouTube duo Jack and Dean even made a music video about consent. The community came together to exile those who weren’t being punished in other ways. The subscriber numbers on the accused’s channels dropped dramatically.

Yet within a few months, many disgraced YouTubers can return to the platform to harness a new generation of fans, many of whom might not be aware of the accusations.

“YouTube still allows them to create content and make money off it, and that to me is just communicating that the behaviour is just not that bad. It’s sort of equivalent to a slap on the wrist and it doesn't convey the extremity of the situation of what they’ve done,” says Neesey. “I think they should be completely ostracised from the community, and have their status stripped from them, and I think YouTube should support that. Because they’re criminals.”

On Twitter, YouTuber Damon Fizzy claims he received backlash from Jones’s fans when trying to speak out years ago. “It’s crazy the backlash I received versus now. I was literally treated worse than the person who uses his underage fans for sexual gain,” he wrote.

And it’s true that YouTubers’ leagues of adoring fans can make it difficult to speak out about abuse. It is hard for many adults to understand how consuming being a young fan can be, particularly when manipulation is involved. When I ask both Ashley and Neesey what they would say to young female fans who start talking to YouTubers, they both say this is fine. Neesey warns that when a youngster becomes uncomfortable, they should end communication, but both she and Ashley feel that safe, normal fan-creator interaction is fine, indeed desirable.  

Sapphire Putt is a 20-year-old who claims a YouTuber coerced her into filming videos of herself dancing when she was 16. When I ask if she thinks it would be OK for the YouTuber to return to YouTube, she says she would be “cautious” but “wouldn’t throw the possibility of maybe giving him a chance again”.

“If he actually shows that he’s learned, you know, I would give it a chance and if he would mess it up again then that’s it, you know.”

When I ask Ashley what she would say to people who remain fans of Austin Jones she says: “I’d say that I probably understand... but they also need to understand that what he’s doing isn’t right and no one should be treated the way he is treating people.”

***

The NSPCC is currently calling for an independent regulator to scrutinise internet companies and fine them if they fail to keep children safe.

“We want the government to draw up a list of minimum standards that internet companies must observe to protect children, and children should be automatically offered safer accounts that protect them from grooming and harmful content,” an NSPCC spokesperson says.

“We know from our Childline service that online sexual exploitation is increasing so it’s vital that more is done to protect young people from abusers who use social media to target and manipulate them.”

For now, Ashley is simply glad things didn’t go further. “It's scary not knowing what could've happened, knowing that I was brainwashed like to believe it was OK, and I'm just happy he's not able to message other girls at this point,” she says.

Neesey hopes that schools will get better at teaching consent. “As a young person, I knew I felt a bit uncomfortable but I just thought that I was being dramatic... so I think people need to be educated, for sure.”  She says education needs to be improved not just in schools, but in the media.

“Unfortunately, people are sort of used to it now, after quite a few YouTubers, so it’s sort of like, ‘Oh another one.' People aren’t talking about it as much – not that it’s old news, but it’s not as shocking. People aren’t giving it as much attention as it needs.”

The NSPCC advises that if a child is worried about an online situation they should talk to a trusted adult or contact Childline on 0800 1111. Parents can find out more about talking to their child about staying safe online by searching Share Aware or visiting www.nspcc.org.uk

Amelia Tait is a technology and digital culture writer at the New Statesman.

This article first appeared in the 06 April 2017 issue of the New Statesman, Spring Double Issue