Vinyl for sale at a record fair. Photo: Peter Macdiarmid/Getty Images
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In music today, it’s all or nothing – rich at the top or languishing forlornly at the bottom

Would I want my children to go into music? I do have to wonder, just as my parents wondered.

When he was little, our youngest asked me one day, “Mum, how much do you have to pay to be a fireman?” He was astonished to discover that it was the other way round – that when you’re a grown-up, people would pay you to do things like drive around on a bright-red fire engine, all flashing lights and clanging alarm bells.

Even after he’d grasped the basic principle, he would still check up on it from time to time, referring to different jobs. “Do they pay you to do THAT, as well? ...And that?” Adulthood seemed to him some brilliant dreamworld where you spent all day in a uniform being allowed to do fun things and then were given money for sweets.

I worry, of course, that the real world will disappoint him horribly, not only because most jobs aren’t as much fun as he thought but because by the time he comes to do one, his original assumption – that you have to pay to work – will be true. According to a recent article in the Guardian, “On average, people completed seven placements before getting a job”; another feature described existing internships in the US that do actually cost money. In the world of creative work, it has almost become the norm to be asked to work for nothing. Or, sorry, not for nothing, but for profile, the idea being that you will appear here, or write this, or sing that for nothing, on a path to some mythical destination where your work once again has monetary value.

It’s commonplace to state that in the music business no one can earn a living any more because of piracy, Spotify and cheap digital downloads. However many cheerful pieces we read about the vinyl revival, it seems unlikely that it’s going to make anyone rich any time soon. These complaints must puzzle those who note the continuing presence of pop stars who seem to be doing very nicely, thank you – the Kanyes and the Coldplays, the Sheerans and the Adeles, who all seem to sell plenty and earn plenty. To anyone on a minimum-wage or zero-hours contract, it must grate to keep hearing pop celebs bemoaning their income stream.

The point is that while music is as lucrative as ever for those at the top, what’s diminished, as in so many jobs, is the comfortable middle, where once upon a time musicians who never quite hit the big time could nonetheless make their living: not super-rich, but doing fine and enjoying a certain stability. In essence, the middle class, with long careers, funded by record companies to make numerous albums even if none were million-sellers. What we are left with now is a kind of all or nothing, in which you either scale the dizzy heights or languish forlornly at the bottom.

So when people ask me, “Do you want your children to go into music?” I do have to wonder, just as my own parents wondered. I’d been the first ever in our family to go to university and when instead of heading for a respectable job in teaching or journalism I formed a band, they were understandably anxious. It looked like I was throwing away the kind of security they could only have dreamed of and passing up opportunities that seemed golden to those who had left school at 15 with not much in the way of qualifications or prospects.

It turned out better than OK and so Ben and I will at least be able to help our kids while they find their own way. We’ll encourage them whatever they choose and discourage too rose-tinted a view of creative work. For Take Your Kids To Work Day, so far we’ve arranged for them a stint at Ben’s Buzzin’ Fly Records offices, putting CDs in Jiffy bags and taking 12-inch dance records down to the post office, a spell behind the counter at a Rough Trade shop and a morning learning how to mike up a drum kit.

But who knows where they’ll end up? One has already veered off into science, doing a week’s work experience in a lab, as thrilled and inspired by test tubes as I was at her age by seven-inch singles. What we wish most for them, like all parents, is to find something they would pay to do and then be fortunate enough to be paid for it.

Tracey Thorn is a musician and writer, best known as one half of Everything but the Girl. She writes the fortnightly “Off the Record” column for the New Statesman. Her latest book is Naked at the Albert Hall.

This article first appeared in the 01 May 2015 issue of the New Statesman, The Scots are coming!

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Who is the EU's chief Brexit negotiator Michel Barnier?

The former French foreign minister has shown signs that he will play hardball in negotiations.

The European Commission’s chief Brexit negotiator today set an October 2018 deadline for the terms of Britain’s divorce from the European Union to be agreed. Michel Barnier gave his first press conference since being appointed to head up what will be tough talks between the EU and UK.

Speaking in Brussels, he warned that UK-EU relations had entered “uncharted waters”. He used the conference to effectively shorten the time period for negotiations under Article 50 of the Lisbon Treaty, the legal process to take Britain out of the EU. The article sets out a two year period for a country to leave the bloc.

But Barnier, 65, warned that the period of actual negotiations would be shorter than two years and there would be less than 18 months to agree Brexit.  If the terms were set in October 2018, there would be five months for the European Parliament, European Council and UK Parliament to approve the deal before a March 2019 Brexit.

But who is the urbane Frenchman who was handpicked by Commission President Jean-Claude Juncker to steer the talks?

A centre-right career politician, Barnier is a member of the pan-EU European People’s Party, like Juncker and German Chancellor Angela Merkel.

A committed European and architect of closer eurozone banking integration, Barnier rose to prominence after being elected aged just 27 to the French National Assembly.  He is notorious in Brussels for his repeated references to the 1992 Winter Olympics he organised in Albertville with triple Olympic ski champion Jean-Claude Killy.

He first joined the French cabinet in 1993 as minister of the environment. In 1995, Jacques Chirac made him Secretary of State for European Affairs, teeing up a long and close relationship with Brussels.

Barnier has twice served as France’s European Commissioner, under the administrations of Romano Prodi and José Manuel BarrosoMost recently he was serving as an unpaid special advisor on European Defence Policy to Juncker until the former prime minister of Luxembourg made him Brexit boss.“I wanted an experienced politician for this difficult job,” Juncker said at the time of Barnier, who has supported moves towards an EU army.

 

Barnier and the Brits

Barnier’s appointment was controversial. Under Barroso, he was Internal Market commissioner. Responsible for financial services legislation at the height of the crisis, he clashed with the City of London.

During this period he was memorably described as a man who, in a hall of mirrors, would stop and check his reflection in every one.

Although his battles with London’s bankers were often exaggerated, the choice of Barnier was described as an “act of war” by some British journalists and was greeted with undisguised glee by Brussels europhiles.

Barnier moved to calm those fears today. At the press conference, he said, “I was 20 years old, a very long time ago, when I voted for the first time and it was in the French referendum on the accession of the UK to the EU.

“That time I campaigned for a yes vote. And I still think today that I made right choice.”

But Barnier, seen by some as aloof and arrogant, also showed a mischievous side.  It was reported during Theresa May’s first visit to Brussels as prime minister that he was demanding that all the Brexit talks be conducted in French.

While Barnier does speak English, he is far more comfortable talking in his native French. But the story, since denied, was seen as a snub to the notoriously monolingual Brits.

The long lens photo of a British Brexit strategy note that warned the EU team was “very French” may also have been on his mind as he took the podium in Brussels today.

Barnier asked, “In French or in English?” to laughter from the press.

He switched between English and French in his opening remarks but only answered questions in French, using translation to ensure he understood the questions.

Since his appointment Barnier has posted a series of tweets which could be seen as poking fun at Brexit. On a tour of Croatia to discuss the negotiations, he posed outside Zagreb’s Museum of Broken Relationships asking, “Guess where we are today?”

 

 

He also tweeted a picture of himself drinking prosecco after Boris Johnson sparked ridicule by telling an Italian economics minister his country would have to offer the UK tariff-free trade to sell the drink in Britain.

But Barnier can also be tough. He forced through laws to regulate every financial sector, 40 pieces of legislation in four years, when he was internal market commissioner, in the face of sustained opposition from industry and some governments.

He warned today, "Being a member of the EU comes with rights and benefits. Third countries [the UK] can never have the same rights and benefits since they are not subject to same obligations.”

On the possibility of Britain curbing free movement of EU citizens and keeping access to the single market, he was unequivocal.

“The single market and four freedoms are indivisible. Cherry-picking is not an option,” he said.

He stressed that his priority in the Brexit negotiations would be the interests of the remaining 27 member states of the European Union, not Britain.

“Unity is the strength of the EU and President Juncker and I are determined to preserve the unity and interest of the EU-27 in the Brexit negotiations.”

In a thinly veiled swipe at the British, again greeted with laughter in the press room, he told reporters, “It is much better to show solidarity than stand alone. I repeat, it is much better to show solidarity than stand alone”.

Referring to the iconic British poster that urged Brits to "Keep Calm and Carry On” during World War Two, he today told reporters, “We are ready. Keep calm and negotiate.”

But Barnier’s calm in the face of the unprecedented challenge to the EU posed by Brexit masks a cold determination to defend the European project at any cost.

James Crisp is the news editor at EurActiv, an online EU news service.