Like B*Witched and the SDP, I am far greater than the sum of my parts

Playing Top Trumps inside your own head.

Susan Calman: she's much greater than the sum of her parts. Photograph: Getty Images

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I love Twitter. I really do. Little fills my heart with joy more than disseminating pictures of cats dressed in funny costumes. I think it’s what the inventor of the internet would’ve wanted. It’s also easy to get used to the concept of “less is more” with Twitter. A mere 140 characters to discuss important political issues? No problem. It’s simple to vacuum-pack your life philosophy into one tweet. What could possibly go wrong? The obsession with reducing complex issues to a bite-sized morsel hasn’t been all fun. Disappointingly, some seem to believe that social media have led to a reduction in the capacity of the public to understand more than one idea at a time. Suddenly simplicity is the key to explanation.

I have personal experience of this particular trend. I’m often asked in interviews what it’s like to be a Scottish, female, comedian, ex-lawyer lesbian. I always answer that I’d find it more difficult to be an English, male, comedian, ex-lawyer lesbian and then I wait for the laugh from the journalist asking the question. Sadly, like summer in Scotland, it never comes. Of course, I’m being flippant, after being asked what is, in essence, a stupid question.

What I’m really being asked to do is play a game of top trumps with my own head, to simplify myself into one banner headline. Sort of what you’d have to do at the world’s least exciting speed-dating evening. But how do you start defining what you are? Is my being Scottish more important than the fact that I’m a feminist? Is being gay more influential within my own psyche than being a comedian? Does the fact that I’m an ex-lawyer with a degree in constitutional law mean that I have more sympathy with politicians? Usually I give a long and involved answer to the journalist who’s dissecting my political make-up with the sharpness of a scalpel made from marshmallow, only to read the final article, where my analysis is summarised with the sentence: “Calman likes cats.”

Whenever it seems that I’m required to create a Venn diagram of my mind, I remember the greats. The Nolans, the Jackson Five, B*Witched, the SDP. All examples of people who, when they worked together, were greater than the sum of their parts. And that’s what I am. A girl band comprising one short woman who can neither dance nor sing. I should enter Eurovision.

But back to the problem. Can I really say I’m more Scottish than gay? Is that even possible? I can’t discuss my queer politics without remembering I grew up in Glasgow in the 1980s where being gay was as easy as being a vegan in an abattoir.

What about being a woman in comedy? I’m often described as a “female” comedian, as if that adjective is required in order to prepare the audience for what might occur. It’s not really required in other jobs. Oh look there’s a “lady teacher” or a “woman accountant”. It’s a subtle way of introducing to an audience the notion that I don’t deserve the full title. Like giving someone beans on toast and then, when presenting them, whispering, “Sorry, they’re own-brand.” My gender obviously influences what I say. I can’t, for example, bemoan how difficult it is to be a white, straight, middle-class man in today’s society. (Apparently it’s really tough – at least, that’s what I keep hearing.)

If I say I’m Scottish first and foremost then I’m accused of being parochial. If I’m gay first (or a premier gay, as I like to call it) then I’m angry and man-hating. If I say that my legal background is most important then I’m dull. And if I say that the comedy is the most important thing, then why would anyone listen to a foul-mouthed clown?

It’s not possible to dissect myself, like an attention-seeking Mr Potato Head, into the sum of my own parts. The obsession with the 140-character Twitter summary of one’s identity just leads to descriptions sounding like a personal ad. “Late 30s gay scots lady, interest in law, GSOH”. The complexity of the human mind can’t be reduced to a one-word description. If we allowed ourselves to breathe, then perhaps we wouldn’t be so disappointed about other people we meet or vote for. We don’t live in the world of Mr Men, where I can wear a badge that says “Little Ms Scottish” or “Little Ms Lady Gay Comic”. I wish I could. But it’d have to be a really big badge.

Susan Calman is a comedian, and more

This article first appeared in the 12 April 2013 issue of the New Statesman, Centenary Special Issue

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Is there such a thing as responsible betting?

Punters are encouraged to bet responsibly. What a laugh that is. It’s like encouraging drunks to get drunk responsibly, to crash our cars responsibly, murder each other responsibly.

I try not to watch the commercials between matches, or the studio discussions, or anything really, before or after, except for the match itself. And yet there is one person I never manage to escape properly – Ray Winstone. His cracked face, his mesmerising voice, his endlessly repeated spiel follow me across the room as I escape for the lav, the kitchen, the drinks cupboard.

I’m not sure which betting company he is shouting about, there are just so many of them, offering incredible odds and supposedly free bets. In the past six years, since the laws changed, TV betting adverts have increased by 600 per cent, all offering amazingly simple ways to lose money with just one tap on a smartphone.

The one I hate is the ad for BetVictor. The man who has been fronting it, appearing at windows or on roofs, who I assume is Victor, is just so slimy and horrible.

Betting firms are the ultimate football parasites, second in wealth only to kit manufacturers. They have perfected the capitalist’s art of using OPM (Other People’s Money). They’re not directly involved in football – say, in training or managing – yet they make millions off the back of its popularity. Many of the firms are based offshore in Gibraltar.

Football betting is not new. In the Fifties, my job every week at five o’clock was to sit beside my father’s bed, where he lay paralysed with MS, and write down the football results as they were read out on Sports Report. I had not to breathe, make silly remarks or guess the score. By the inflection in the announcer’s voice you could tell if it was an away win.

Earlier in the week I had filled in his Treble Chance on the Littlewoods pools. The “treble” part was because you had three chances: three points if the game you picked was a score draw, two for a goalless draw and one point for a home or away win. You chose eight games and had to reach 24 points, or as near as possible, then you were in the money.

“Not a damn sausage,” my father would say every week, once I’d marked and handed him back his predictions. He never did win a sausage.

Football pools began in the 1920s, the main ones being Littlewoods and Vernons, both based in Liverpool. They gave employment to thousands of bright young women who checked the results and sang in company choirs in their spare time. Each firm spent millions on advertising. In 1935, Littlewoods flew an aeroplane over London with a banner saying: Littlewoods Above All!

Postwar, they blossomed again, taking in £50m a year. The nation stopped at five on a Saturday to hear the scores, whether they were interested in football or not, hoping to get rich. BBC Sports Report began in 1948 with John Webster reading the results. James Alexander Gordon took over in 1974 – a voice soon familiar throughout the land.

These past few decades, football pools have been left behind, old-fashioned, low-tech, replaced by online betting using smartphones. The betting industry has totally rebooted itself. You can bet while the match is still on, trying to predict who will get the next goal, the next corner, the next throw-in. I made the last one up, but in theory you can bet instantly, on anything, at any time.

The soft sell is interesting. With the old football pools, we knew it was a remote flutter, hoping to make some money. Today the ads imply that betting on football somehow enhances the experience, adds to the enjoyment, involves you in the game itself, hence they show lads all together, drinking and laughing and putting on bets.

At the same time, punters are encouraged to do it responsibly. What a laugh that is. It’s like encouraging drunks to get drunk responsibly, to crash our cars responsibly, murder each other responsibly. Responsibly and respect are now two of the most meaningless words in the football language. People have been gambling, in some form, since the beginning, watching two raindrops drip down inside the cave, lying around in Roman bathhouses playing games. All they’ve done is to change the technology. You have to respect that.

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 05 February 2015 issue of the New Statesman, Putin's war