"She's my person": what are the best female friendships on TV?

From Buffy and Willow to Tina Fey and Amy Poehler, relationships between women are no longer depicted only as bloodletting exercises in one-upmanship.

There’s a scene in the third season of medical drama Grey’s Anatomy in which Cristina Yang (Sandra Oh) explains to her boyfriend Preston Burke (Isaiah Washington) that she has to tell her best friend Meredith Grey (Ellen Pompeo) about their recent engagement before informing the world at large. “This is about Meredith?” her new fiancé asks incredulously. “She’s my person!” Yang snaps back.

The ‘my person’ theme is one that the series always comes back to when exploring the Yang/Grey dynamic: trotted out for season-length arcs that cover parenthood, divorce, pregnancy, abortion, bereavement and emigration. It sounds cheesy as hell. More importantly, it should be cheesy as hell. Instead, it is life-affirming and largely realistic, as fine a depiction of female friendship as you are ever to find on the small screen. As often as I wish Grey’s Anatomy would die a gentle, network-assisted death, I never, ever want to see the end of Cristina and Meredith – they are the Platonic Ideal. 

I was reminded of their near-mythical status when watching clips of the Golden Globes ceremony earlier this week. It was hosted by Amy Poehler and Tina Fey, a well-established double act from even before their famous Saturday Night Live partnership (they met at the famous imrov troupe, Second City, which boasts alumni such as Dan Aykroyd and Stephen Colbert). Poehler and Fey’s time on the Weekend Update segment – the first ever all-female hosts – was a (highly successful) joy and their noticeable ease with one another when performing owes as much to their improv training as to their friendship. 

Female friendships in popular culture come in all shapes and guises. For the longest time, they were portrayed almost exclusively as bloodletting exercises in one-upmanship – women seemed to exist purely to vie for existing resources, be they men, that aspirational high-flying job or calorie-light nutrition. The trope of the competitive and jealous female friendship abounds in culture, encouraged by tales of celebrity ‘catfights’ (never just a regular disagreement when it’s two or more women) or terse riders designed to showcase a rival’s (like ‘infernos’ and ‘love rats’, it’s always a ‘rival’!) inferiority.

To an extent, these ideas are still around: observe the breathless ‘sources’ who claim that Beyoncé has no time for Kim Kardashian, a woman who (probably) exists only on the periphery of her social circle...  Thankfully though, from Girls (Sky Atlantic) and Some Girls (BBC3) to Scott and Bailey (ITV1) and Getting On (BBC Four) realistically portrayed female friendships are in fine form on the telly at the moment. 

Around the same time as the much-vaunted Sex and the City, Joss Whedon was putting out some equally superior content for the female friendship canon with Buffy Summers and Willow Rosenberg in Buffy the Vampire Slayer. Theirs was far less glamorous than Carrie-and the-other-three, what with hellmouths and burgeoning evil behind every door. But peel back the layers of demonic activity and teenage worries and you find a great relationship, one that weathers high school where petty jealousies are the order of the day, a love triangle between the girls and their male friend Xander (Willow and Xander’s friendship is worthy of its own essay, to be frank), a discovery of a new sexuality, love lost and found and lost again tragically and even the death of one protagonist.

Even less explored is the friendship between Joan Clayton (Tracee Ellis Ross) and Toni Childs (Jill Marie Jones) in Girlfriends, a rare sitcom with four black female leads, which ran from 2000 to 2008, and received the not entirely welcome subtitle ‘Sex and the City for black people’. Joan and Toni had a remarkable, life-defining friendship: long-term and rife with the very real, very damaging problems that come with knowing someone so comprehensively. It was easily the most important relationship in each woman’s life, more so than any fleeting heterosexual romances. Long before Cristina and Meredith, Joan and Toni were each other’s ‘person’, and they were bloody marvellous.

More recently, the friendship between Ann Perkins (Rashida Jones) and Leslie Knope (Amy Poehler) in Parks And Recreation has been a heart-warming thing in a show with no shortage of heart-warming moments. Their seeming incompatibility is acknowledged sweetly and knowingly (“Oh, Ann. You beautiful, naive, sophisticated newborn baby,” Leslie sighs early in Season 3), but it never feels like a sitcom machination.

Just like in real life, the show demonstrates that our friends don’t always look obvious – but that does not negate their importance. This is also done beautifully in The Vicar of Dibley, with Geraldine and Alice,; in Birds of a Feather, with Dorian and the Rackham sisters; and very recently, Fresh Meat – Vod and Oregon’s Odd Couple friendship is superb. My favourite friendship of the many web series suddenly out there on YouTube remains that between J and Cece (The Misadventures of Awkward Black Girl), two socially inept women of colour navigating a world that usually doesn’t have time for their brand of quirk.

Of course, we don’t necessarily watch female protagonists for their friendships, and it is often not even the most compelling parts of their character arcs: Birgitte Nyborg is doing fine sans obvious gal pals in Borgen (BBC Four), as is Olivia Pope in More4’s Scandal. But I watch a lot of television and it seems to me that these ‘good’ friendships are on the up.

‘Good’ here does not necessarily denote ‘exclusively positive’ – whatever that may mean. No, these friendships often show undesirable qualities in otherwise excellent heroines. But that’s the beauty of them. We recognise – and telly continues to confirm – that women and their relationships have the capacity to be rich and multifarious. I may not have the Kalinda Sharma/Alicia Florrick dynamic on The Good Wife going on in my daily life (my God, imagine!), but I can appreciate its complexity and nuance all the same.  

I think it’s great that somehow, in between all the layers of low- and high-level misogyny we internalise via the many screens in our lives, each new generation of viewers is still managing to find popular cultures reference points around which to frame their friendships.

Meredith and Cristina in Grey's Anatomy

Bim Adewunmi writes about race, feminism and popular culture. Her blog is  yorubagirldancing.com and you can find her on Twitter as @bimadew.

Photo: Getty
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Something is missing from the Brexit debate

Inside Westminster, few seem to have noticed or care about the biggest question mark in the Brexit talks. 

What do we know about the government’s Brexit strategy that we didn’t before? Not much, to be honest.

Theresa May has now said explicitly what her red lines on European law and free movement of labour said implicitly: that Britain is leaving the single market. She hasn’t ruled out continuing payments from Britain to Brussels, but she has said that they won’t be “vast”. (Much of the detail of Britain’s final arrangement is going to depend on what exactly “vast” means.)  We know that security co-operation will, as expected, continue after Brexit.

What is new? It’s Theresa May’s threat to the EU27 that Britain will walk away from a bad deal and exit without one that dominates the British newspapers.

“It's May Way or the Highway” quips City AM“No deal is better than a bad deal” is the Telegraph’s splash, “Give us a deal… or we walk” is the Mirror’s. The Guardian opts for “May’s Brexit threat to Europe”,  and “May to EU: give us fair deal or you’ll be crushed” is the Times’ splash.

The Mail decides to turn the jingoism up to 11 with “Steel of the new Iron Lady” and a cartoon of Theresa May on the white cliffs of Dover stamping on an EU flag. No, really.  The FT goes for the more sedate approach: “May eases Brexit fears but warns UK will walk away from 'bad deal’” is their splash.

There’s a lot to unpack here. The government is coming under fire for David Davis’ remark that even if Parliament rejects the Brexit deal, we will leave anyway. But as far as the Article 50 process is concerned, that is how it works. You either take the deal that emerges from the Article 50 process or have a disorderly exit. There is no process within exiting the European Union for a do-over.  

The government’s threat to Brussels makes sense from a negotiating perspective. It helps the United Kingdom get a better deal if the EU is convinced that the government is willing to suffer damage if the deal isn’t to its liking. But the risk is that the damage is seen as so asymmetric – and while the direct risk for the EU27 is bad, the knock-on effects for the UK are worse – that the threat looks like a bad bluff. Although European leaders have welcomed the greater clarity, Michel Barnier, the lead negotiator, has reiterated that their order of priority is to settle the terms of divorce first, agree a transition and move to a wider deal after that, rather than the trade deal with a phased transition that May favours.

That the frontpage of the Irish edition of the Daily Mail says “May is wrong, any deal is better than no deal” should give you an idea of how far the “do what I want or I shoot myself” approach is going to take the UK with the EU27. Even a centre-right newspaper in Britain's closest ally isn't buying that Britain will really walk away from a bad deal. 

Speaking of the Irish papers, there’s a big element to yesterday’s speech that has eluded the British ones: May’s de facto abandonment of the customs union and what that means for the border between the North and the South. “May’s speech indicates Border customs controls likely to return” is the Irish Times’ splash, “Brexit open border plan “an illusion”” is the Irish Independent’s, while “Fears for jobs as ‘hard Brexit’ looms” is the Irish Examiner’s.

There is widespread agreement in Westminster, on both sides of the Irish border and in the European Union that no-one wants a return to the borders of the past. The appetite to find a solution is high on all sides. But as one diplomat reflected to me recently, just because everyone wants to find a solution, doesn’t mean there is one to be found. 

Stephen Bush is special correspondent at the New Statesman. His daily briefing, Morning Call, provides a quick and essential guide to British politics.