Terry Pratchett: My daughter Rhianna will take over the Discworld when I'm gone

In an interview for this week's New Statesman magazine, the fantasy author tells Laurie Penny, "the Discworld is safe in my daughter's hands".

Terry Pratchett plans to hand over the Discworld series to his daughter Rhianna, he reveals in this week's New Statesman.

In an interview with Laurie Penny - who has returned to the NS as a contributing editor - the author, campaigner and "professional morbid bastard" talks about his life and work. They discuss his diagnosis with posterior cortical atrophy, a rare form of Alzheimer's, in 2007. Since then, his health has declined markedly:

He has lost the ability to use a keyboard altogether and can do very little with a pen. His most recent four books have been written entirely by dictation, and with the help of his assistant of 12 years, Rob Wilkins.

"I can no longer type, so I use TalkingPoint and Dragon Dictate," Pratchett says, as Rob drives us to the café in a rather unexpected large gold Jaguar. "It's a speech-to-text program," he explains, "and there's an add-on for talking which some guys came up with."

So, how does that differ from using his hands to write?

"Actually, it's much, much better," he says.

I hesitate, and he senses scepticism.

"Think about it! We are monkeys," says Prat­chett. "We talk. We like talking. We are not born to go . . ." He turns and makes click-clack motions, like somebody's fusty grandfather disapproving of the internet.

Pratchett's assistant of 12 years, Rob Wilkins, also reveals that earlier this month, the author suffered an atrial fibrillation in the back seat of a New York taxi. Were it not for emergency CPR, he would have died.

What happened next is that Pratchett collapsed. “I had to kneel on the back seat of the taxi and give him CPR,” Rob says. “It was fingers down throat stuff. He nearly died.”

The author was rushed to hospital, but recovered swiftly. Doctors told him that he had suffered an atrial fibrillation, caused by the cumulative effect of drugs he had been prescribed for high blood pressure and made worse by his busy touring schedule. He now downplays the incident. “I once heard it mentioned that signing tours can kill you quicker than drugs, booze and fast women,” he tells the New Statesman. “Some of which I haven’t tried.” It’s made him wonder if he should slow down and devote more time to writing and his family, but he enjoys life on the road too much to give it up.
 
Nonetheless, it has focused attention on the future of his work, as well as on his only child, Rhianna Pratchett (herself an accomplished writer). Penny writes:

[Rhianna] will be a co-writer on the BBC Discworld series The Watch, news of which has had fans like me chewing their cheeks in excitement. Mine may never recover after hearing some particularly exciting casting details that I'm absolutely not allowed to tell you about.

Run by Pratchett's new production company, Narrativia, The Watch will continue the well-loved City Watch saga where the books left off, and Rhianna will be an important member of the writing team. The author tells me that he will be happy for her to continue writing the Discworld books when he is no longer able to do so. "The Discworld is safe in my daughter's hands," Pratchett assures me.

Rhianna has grown up immersed in her father's universe and knows it inside out. Listening to him talking about his daughter, I realise it is the first time I've heard him acknowledge the possibility of not being able to write any more.

Pratchett says that his reaction to this fact is mostly to be "incredibly angry".

“Anger is wonderful. It keeps you going. I’m angry about bankers. About the government. They’re fecking useless.” He really does say “fecking”. “I know what Granny Weatherwax [a no-nonsense witch who crops up in several Discworld novels] would say to David Cameron. . ."

And what is that? Buy this week's New Statesman to find out. 

The NS will be available from newsagents on Thursday, 15 November. Single copies can be purchased here.

Terry Pratchett, who is interviewed by Laurie Penny in this week's magazine. Pal Hansen/Contour
Coders for Corbyn
Show Hide image

Can emojis win elections?

Jeremy Corbyn has claimed his campaign's use of technology would be the "path to victory" in 2020. But can emojis play a meaningful part? 

When photographic campaign badges were first unleashed in 1860, a Facebook commenter posted on Abraham Lincoln’s wall: “What is this? Today’s youth are doomed” and then, a moment later, “You call this news?”*

It might be tempting to react in a similar way to the fact that Jeremy Corbyn emoji – or rather, Jeremoji – are now a thing. Small digital stickers of the flat-capped Labour leader expressing joy and sadness might seem like the End Of Serious Political Campaigning As We Know It, but are they really that different from the multitude of deft and daft political campaign buttons throughout history?

Well, yes. Because there will be a marrow.

Beyond the marrow, however, Jeremoji aren’t actually that revolutionary. Before Kim Kardashian crashed the App Store with the 9,000 downloads a second of her Kimoji in December 2015, we here at the New Statesman created a much-needed Yvette Cooper emoji. Around the same time, Bernie Sanders supporters released BerniemojiThe slightly-less pleasing to the ear Hillarymoji were also unveiled by Hillary Clinton campaigners two months ago, though none of these apps were officially endorsed by their respective candidates.

“We’re not affiliated, we’re totally independent,” says Gregory Dash from Coders for Corbyn, the group behind Jeremoji, and a wider online volunteer toolkit for Corbyn supporters. “A lot of us have social links with the campaign and we ran ideas past them and got feedback but as an organisation we’re totally independent and all volunteers.”

Dash reveals that a variety of professional and amateur artists contributed to the emoji and that unfortunately, as the marrow design is currently being finalised, it won’t be in the first version of the app. Once the app has been approved by Google Play and the App Store, it should be available to the public in the coming weeks.

“Mainly they’re just fun but we’re also hoping we’ll be able to communicate some of the main message of Jeremy’s campaign,” says Dash.

But are Dash and other developers misguided in their attempts to promote sexagenarian politicians via a communication tool favoured by teens? Hillary Clinton has already been mocked for her attempts to capture the youth vote via memes, and has proven on multiple occasions that trying to be “down with the kids” can backfire. Corbyn’s own digital manifesto was met with scorn by some yesterday.

“To be very honest, the emojis are pretty cringy,” says Max Rutter, a 17-year-old from Oxford. “I know that they are targeted towards teens but politics isn't something most teens talk about on social media, and these emojis could only be used in a political conversation. Corbyn doesn't need emojis to get teens on his side, he just needs to stick to his guns and keep telling it like it is.”

A 2013 London School of Economics study on Youth Participation In Democratic Life supports Max’s assertions. The final report found that although in theory young people wanted politicians to use social media more, in practice it led to more negative perceptions of politicians and “an increased perception of the gap between political elites and the young.” Moreover, teens exposed to a social media campaign were less likely to vote than those who only received political flyers.

Jeremoji, then, may not ultimately capture the youth vote, and nor are they likely to make lifelong Conservatives pause and say, “On second thoughts, yes. This Corbyn chap is the man for me.” So what will they achieve?

“We’re hoping to do some emojis around Corbyn’s ten pledges and allow people to share them that way,” says Dash. The app already contains emojis affiliated with the Orgreave Truth and Justice Campaign, a society seeking justice for miners after the Battle of Orgreave in June 1984. Dash also hopes to get emojis supporting the No More Blacklisting campaign and Save Our Steel.

“We want to have it so you go to the Orgreave campaign and you click the emoji and it will give you a little bit of information about the campaign as well,” Dash says. “Emojis then become a tool to communicate all these different campaigns that are going on. There are amazing things going on that the wider Labour membership may not know about.”

Coders for Corbyn seek the approval of each of these campaigns before creating the emoji, as they don’t want to seem as if they’re exploiting campaigns to make themselves look better “like Owen Smith did”. But despite their current affiliation with Corbyn, the group plan to rebrand as Coders for Labour after the leadership election.

“I’m not sure there would be the same demand for Owen Smith emojis, but we'd definitely still be producing Labour themed emojis for people to use,” says Dash, when I ask what he’d do if Smith won.

Dash tells me when iOS10 launches in the autumn, emojis will be available at three times their current size, and will be more like stickers. This means they can communicate complicated messages from various campaigns, and may also lose any potential stigma associated with the word “emoji”. In the late 20th century, campaign buttons like Lincoln’s were replaced by cheaper disposable label stickers. It makes sense for these in turn to be replaced by digital stickers. Even if emoji can’t win elections, they may still prove powerful in raising awareness.

The UK’s currently most used emoji is the despairing crying face. Personally, I see no problem with it becoming a marrow.

*May not strictly be true 

Amelia Tait is a technology and digital culture writer at the New Statesman.