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More dynamite: Naomi Klein photographed for the New Statesman, October 2014. Photo: Kalpesh Lathigra
Naomi Klein: “I view free-market ideology as a cover story for greed”
By Sophie McBain - 24 October 17:39

The Canadian author and social activist on parenthood, people power and why climate change could be the ultimate opportunity for the left.

Lovecraft peopled his mythical realms with slippery, palpitating cretaures to escape a worse prospect – a human world. Illustration by Sean Phillips
John Gray on the moral universe of H P Lovecraft
By John Gray - 24 October 17:01

John Gray explores the philosophy of horror created by American writer H P Lovecraft.

Chloe Grace Moretz and Keira Knightley in action.
Introducing the Woman-Child: the continuing death of adulthood in American culture
By Lisa Schwarzbaum - 24 October 14:58

The cinema of amusing male arrested development has been a familiar subgenre for some time, but recent releases demonstrate that there’s gold to be found in femme floundering.

Photo: James Cridland/Flickr
The Berries
By Kathleen Jamie - 24 October 11:55

A new poem by Kathleen Jamie. 

Only in dreams: a panel from Charles Burns's dazzling graphic novel Sugar Skull
Fevers and mirrors: the surreal graphic novels of Charles Burns
By Neel Mukherjee - 24 October 11:44

Green, one-eyed men, a chubby, disfigured dwarf, writhing worms with humanoid faces, aborted foetuses and vast, white eggs with red jigsaw patterns on them.

"Lonely House, Fetherd". Photo: Anna & Michal/Flickr
Sweet nothings: Colm Tóibín’s study of domestic grief
By Frances Wilson - 24 October 11:42

Nora Webster is the tale of a woman inside a house. It’s a small house in a small town in Ireland, in the late 1960s and Nora, recently widowed, lives here with her two teenage sons and her daughters who, like the house, are semi-detached.

Into the woods: branches piled up on a hide in Hesse, one of Germany's most heavily forested regions. Photo: Jan Stradtmann
Peace to the forest, a place of ways unknown
By John Burnside - 24 October 11:27

The forest was where a traveller could become lost for ever and lose his rational bearings, as in the Arthurian tale of the Forest of Beguilement, a place, as Spenser puts it, full of “wayes unknowne”.

He's a lumberjack... A man in Ukraine goes to chop wood. Photo: Getty
I used to chop logs like a man. Now I stay in bed and it’s exhausting
By Nicholas Lezard - 24 October 11:16

Nicholas Lezard’s Down and Out column. 

Storm of swords: detail of Rego's unsettling pastel drawing Our Lady of Sorrows (2013). Courtesy Marlborough Fine Art. Photography by Prudence Cumming Associates
Beautiful grotesque: the “dark play” of Paula Rego
By Michael Prodger - 24 October 11:11

Rego’s latest fairy-tale visions give terror a face – but their deepest secrets remain hidden from view  

In the Frame: Hallowe’en Costume Ideas
By Tom Humberstone - 24 October 10:42

Tom Humberstone’s weekly comic.

A woman in China sews protective suits for those handling ebola patients. Photo: Getty
Status update: the World Service’s reports on ebola
By Antonia Quirke - 24 October 10:16

Having listened to the show for three weeks, I am repeatedly struck by its unusually fluctuating tone.

Children play on a Carsten Holler playground installation at Frieze Art Fair, 14 October. Photo: Getty
Primary politics: parenting advice from Toby Young and Michael Rosen
By Melissa Benn - 23 October 16:58

Two publications ostensibly designed to provide reassurance and wisdom to parents of primary-age children and perhaps to tap in to the ever-growing “pushy parenting” market.

Tracy Emin sits in front of her 1998 piece “My Bed” on display at Christie's in June 2014. Photo: Rob Stothard/Getty
Tracey Emin and Steve McQueen: still paid-up members of the awkward art squad
By Mark Lawson - 23 October 15:49

I suspect that if the Turner Prize clash were rerun now, Mad Tracey might beat Hollywood Steve.

Novel Gothic: George Gilbert Scott's St Pancras Station seen in 1905. Photo: Getty
Strawberry Hill forever: Two presenters with a distinctly Gothic side
By Rachel Cooke - 23 October 15:46

Cruickshank seems unable to speak in anything other than an urgent whisper while Graham-Dixon has the kind of face that looks particularly good rounding the top of a stone spiral staircase on a cold March morning.

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