Revelation without contemplation: the problem with Navel Gazing

Anne H Putnam's memoir about obesity reviewed.

Navel Gazing: One Woman’s Quest for a Size Normal
Anne H Putnam
Faber & Faber, 256pp, £12.99

The naturally svelte among you – for example, people of the New Statesman culture desk, with whom I would at some point like to have a quiet word about why I was given this book to review – will not know the fundamental truth about dieting. It is very, very boring. You wake up hungry, and instead of grabbing whatever’s to hand, you begin to have a long, bitter, endless internal argument about the difference between what you want to eat and what you should eat. This continues all day, as you alternately applaud yourself for eating only an apple at lunch and berate yourself for giving in to a mid-afternoon chocolate bar.

What you never have, as a dieter, is a casual relationship to food. Hey, it’s there. I might eat it. I might not. Every mouthful is conflicted: a source of immense pleasure and immense shame all at once.

If you have never experienced the boredom of dieting, Anne Putnam’s Navel Gazing can help, by re-creating that boredom in a handy portable “book” format. I understand that the title is supposed to be a cute reference to the author’s struggle with body image, but it’s also taken extremely literally. There are barely any characters other than the author and her stomach: Putnam’s dad and boyfriend occasionally poke their heads around the door, but otherwise it’s a one-woman-and-her-body show.

And what a body it is. At the start of the story, our heroine is a pudgy child struggling in a family of thin people. Only her father understands her, and together they go to cheap restaurants for FaDaBoTi – father-daughter bonding time – over enormous plates of Philly cheesesteaks and Häagen-Dazs ice cream. (Incidentally, the American slang is enough to make British readers feel nauseous all on its own. I just can’t respect someone who refers to farts as “boops” or writes: “I’m more than a little obsessed with asparagus, despite the fact I have the smelly pee gene like whoa.”)

Eventually, by the age of 17, Putnam is pushing 20 stone and her father has the perfect solution: they should both have gastric bypass surgery. This is dropped into the narrative like it’s no big deal, but – to me, at least – it was jaw-dropping. Dangerous major surgery that means you can never eat more than a few tablespoons of solids at a time, on pain of immediate expulsion of that food from whichever orifice is nearest? At 17?

To the surprise of precisely no one, Putnam’s surgery doesn’t immediately solve all of her personal esteem problems, as she becomes fixated instead on the loose folds of flesh left by losing seven stone in a year. So she decides to have a series of “tucks”, taking four inches of skin from her arms and ten from her abdomen. “I had also wanted the full body lift – a belt incision around the entire midsection, which pulls up the ass as well as tightening the tummy – but [the doctor] didn’t think I needed it.” The doctor did, however, chuck in a bit of liposuction.

After all this, Putnam at last begins to feel like a “normal” person, and even manages a relationship with some guy called Guy. Guy is introduced to the story as a sexually inept schmuck – a terrible kisser who gives her oral sex in a park in Rome on their first date. She describes the encounter to her friend Courtney thus: “It was . . . terrible. Courtney, seriously, it was so painful. I don’t know what he was doing but I’m, like, crippled. Maybe he used his teeth? I don’t know, but I was faking it so hard just to get him to stop.” I must pause here to note that Guy then becomes her long-term boyfriend. I find this incredible.

The bad-park-sex incident is indicative of this book’s dominant mode – revelation without contemplation. The experiences Putnam undergoes will be recognisable enough to any reader who has felt the judgemental eyes of the McDonald’s staff as she ostentatiously opts for the Diet Coke with that McNugget meal, like it makes a difference. But there is never any attempt to put them in a wider context.

Being fat is now a mundane experience – and in the west, within a few decades, it could be the default one. There are myriad political, feminist, social, cultural and biological implications of the obesity epidemic, all of which are entirely absent from Navel Gazing. Putnam’s conclusion is that she shouldn’t have assumed the surgery would solve all her problems. She is now “thinking about working on something else: changing my mind”. Bleurgh.

If you’re going to ignore everything outside your own story, then the story has to be exceptional, or exceptionally told. Sadly, Navel Gazing is neither.

An ice-cream van. Photo: Getty

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

This article first appeared in the 14 January 2013 issue of the New Statesman, Dinosaurs vs modernisers

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The decline of the north's sporting powerhouse

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Now, things are different.

On a drive between Sheffield and Barnsley, I spotted a striking painting of the Kes poster. Billy Casper’s two-fingered salute covered the wall of a once-popular pub that is now boarded up.

It is almost 50 years since the late Barry Hines wrote A Kestrel for a Knave, the novel that inspired Ken Loach’s 1969 film, and it seems that the defiant, us-against-the-world, stick-it-to-the-man Yorkshireness he commemorated still resonates here. Almost two-thirds of the people of south Yorkshire voted to leave the EU, flicking two fingers up at what they saw as a London-based establishment, detached from life beyond the capital.

But whatever happened to Billy the unlikely lad, and the myriad other northern characters who were once the stars of stage and screen? Like the pitheads that dominated Casper’s tightly knit neighbourhood, they have disappeared from the landscape. The rot set in during the 1980s, when industries were destroyed and communities collapsed, a point eloquently made in Melvyn Bragg’s excellent radio series The Matter of the North.

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Yet today, we rarely get to hear the voices of Barnsley, Sheffield, Doncaster and Rotherham. And the Yorkshire sporting powerhouse is no more – at least, not as we once knew it.

This should be a matter of national concern. The White Rose county is, after all, the home of the world’s oldest registered football club – Sheffield FC, formed in 1857 – and the first English team to win three successive League titles, Huddersfield Town, in the mid-1920s. Hull City are now Yorkshire’s lone representative in the Premier League.

Howard Wilkinson, the manager of Leeds United when they were crowned champions in 1992, the season before the Premier League was founded, lamented the passing of a less money-obsessed era. “My dad worked at Orgreave,” he said, “the scene of Mrs Thatcher’s greatest hour, bless her. You paid for putting an axe through what is a very strong culture of community and joint responsibility.”

The best-known scene in Loach’s film shows a football match in which Mr Sugden, the PE teacher, played by Brian Glover, comically assumes the role of Bobby Charlton. It was played out on the muddy school fields of Barnsley’s run-down Athersley estate. On a visit to his alma mater a few years ago, David Bradley, who played the scrawny 15-year-old Billy, showed me the goalposts that he had swung from as a reluctant goalkeeper. “You can still see the dint in the crossbar,” he said. When I spoke to him recently, Bradley enthused about his lifelong support for Barnsley FC. “But I’ve not been to the ground over the last season and a half,” he said. “I can’t afford it.”

Bradley is not alone. Many long-standing fans have been priced out. Barnsley is only a Championship side, but for their home encounter with Newcastle last October, their fans had to pay £30 for a ticket.

The English game is rooted in the northern, working-class communities that have borne the brunt of austerity over the past six years. The top leagues – like the EU – are perceived to be out of touch and skewed in favour of the moneyed elites.

Bradley, an ardent Remainer, despaired after the Brexit vote. “They did not know what they were doing. But I can understand why. There’s still a lot of neglect, a lot of deprivation in parts of Barnsley. They feel left behind because they have been left behind.”

It is true that there has been a feel-good factor in Yorkshire following the Rio Olympics; if the county were a country, it would have finished 17th in the international medals table. Yet while millions have been invested in “podium-level athletes”, in the team games that are most relevant to the lives of most Yorkshire folk – football, cricket and rugby league – there is a clear division between sport’s elites and its grass roots. While lucrative TV deals have enriched ruling bodies and top clubs, there has been a large decrease in the number of adults playing any sport in the four years since London staged the Games.

According to figures from Sport England, there are now 67,000 fewer people in Yorkshire involved in sport than there were in 2012. In Doncaster, to take a typical post-industrial White Rose town, there has been a 13 per cent drop in participation – compared with a 0.4 per cent decline nationally.

Attendances at rugby league, the region’s “national sport”, are falling. But cricket, in theory, is thriving, with Yorkshire winning the County Championship in 2014 and 2015. Yet Joe Root, the batsman and poster boy for this renaissance, plays far more games for his country than for his county and was rested from Yorkshire’s 2016 title decider against Middlesex.

“Root’s almost not a Yorkshire player nowadays,” said Stuart Rayner, whose book The War of the White Roses chronicles the club’s fortunes between 1968 and 1986. As a fan back then, I frequently watched Geoffrey Boycott and other local stars at Headingley. My favourite was the England bowler Chris Old, a gritty, defiant, unsung anti-hero in the Billy Casper mould.

When Old made his debut, 13 of the 17-strong Yorkshire squad were registered as working-class professionals. Half a century later, three of the five Yorkshiremen selec­ted for the last Ashes series – Root, Jonny Bairstow and Gary Ballance – were privately educated. “The game of cricket now is played in public schools,” Old told me. “Top players are getting huge amounts of money, but the grass-roots game doesn’t seem to have benefited in any way.”

“In ten years’ time you won’t get a Joe Root,” Rayner said. “If you haven’t seen these top Yorkshire cricketers playing in your backyard and you haven’t got Sky, it will be difficult to get the whole cricket bug. So where is the next generation of Roots going to come from?” Or the next generation of Jessica Ennis-Hills? Three years ago, the Sheffield stadium where she trained and first discovered athletics was closed after cuts to local services.

This article first appeared in the 19 January 2017 issue of the New Statesman, The Trump era