The Second Sexism: don't judge a book by its press

David Benatar's book has valid comments to make about the position of men.

Anyone who has ever debated male-specific gender issues will probably have experienced an encounter like this:

Bloke: “Yeah, but men can also be victims of violence and injustice, why aren’t we talking about that too?”

Feminist: “Of course they can, and if you guys want to campaign on those issues, I’ll applaud you.”

In practice, it doesn’t always work out like that. This month, moral philosopher David Benatar published his book The Second Sexism to an excitable flurry of comment. Before discussing what Benatar says, let’s be quite clear about what he does not.

Despite what you’ve probably read in the Observer, the Guardian, the Independent or even here in the New Statesman, Benatar is not a Backlash merchant. He does not argue that men have a worse time than women; that feminism has gone too far; that men are now the oppressed sex; or that sexism against women does not exist. On the contrary, he repeatedly details the many forms of injustice faced by women across the world, and applauds efforts to address them. Indeed the clue is in the title: not “The New Sexism” or “The True Sexism” but “The Second Sexism.” Second, meaning in addition or secondary to the first sexism which is, of course, against women. Benatar does not blame feminism for anti-male discrimination, rightly noting that most such injustices long predate the women’s movement.

He certainly doesn’t suggest positive discrimination, instead devoting an entire chapter to arguing that such policies are unethical and ineffective as a response to any form of sexism. Perhaps the chapter title “Affirmative Action” may have confused any critics who only read as far as the contents page.  

Nor, BBC Online readers, is Benatar a champion of the Men’s Rights Movement. In the book he notes astutely that men’s groups can become “fora for self-pity and for ventilating hyperbolic views that are not checked or moderated by alternative opinions.”  

Benatar’s actual argument is that, in most societies, men and boys face several specific and serious forms of wrongful discrimination, and that these are not only injustices in their own right, but also contribute to discrimination against women. The issues he highlights include military conscription and combat exclusions; male circumcision; corporal punishment, victimisation in violence and sexual assault, and discrimination in family and relationship disputes.

I do not intend to list the various ways in which I think Benatar’s analysis is correct, incorrect or inadequate, although there are plenty of each. Instead I want to focus on how the feminist consensus has reacted to the release of his book. While it would be a stretch to describe it as a feminist work, there is much in The Second Sexism that should be music to the ears of the sisterhood. He largely rejects biological gender determinism; argues strongly against social conservatism, and makes clear that the value of challenging the second sexism includes the benefits to women. Here I might go further than Benatar, and make arguments from which he rather shies away.

Benatar details numerous ways in which society betrays relative indifference to and indulgence of violence towards men and boys. It begins in childhood, where both institutional and domestic corporal punishment and physical abuse are deployed much more commonly against boys. It continues into adulthood, through the traditional male role as wartime cannon fodder, through our greater willingness to imprison men than women – an expensive way of making bad people worse, and through social norms which decree that all forms of violence against men are more acceptable, less harmful, more worthy of laughter than equivalent forms of violence against women. If violence is thus normalised in men’s lives, could some knowledge of basic psychology not partly explain why men seem more likely to commit most forms of violence, including assaults on women?

Similarly, wouldn’t those who campaign against ritual FGM find their argument easier to make if society expressed unequivocal condemnation of ritual genital mutilation of any infant? Wouldn’t the battle for equality in domestic and professional fields be enhanced by challenging courts which decree that women are more natural carers, or that it is less harmful for a child to lose a father than a mother to custodial punishment?  Reciting that patriarchy hurts men too and these problems will be solved by more feminism won’t cut it. How can feminism address these problems if it barely acknowledges their existence?

Benatar’s book is mostly complimentary and complementary to feminist objectives. It’s disappointing, but not surprising, that it met a hostile response from the likes of Suzanne Moore and Julie “It’s bollocks” Bindel. There is often resistance from some feminists to the suggestion that male-specific gender issues even exist. I’ve written elsewhere about the overt hostility of some feminists to International Men’s Day. Male victims of domestic violence, and academics who research that issue, have faced angry and violent feminist attempts to silence them. 

This kneejerk defensiveness is not one of modern feminism’s more constructive traits. Perhaps it is understandable, given the constant drone of anti-feminism and misogyny that hums beneath much men’s activism, but that doesn’t make it right. Feminists are not obliged to agree with Benatar’s arguments, but it might help their cause to seriously engage with them. If, in de Beauvoir’s phrase, men and women are to “unequivocally affirm their brotherhood” then empathy and compassion must travel in two directions, not one.

Photograph: LLUIS GENE/AFP/GettyImages
Photo: Will Ireland
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Rock solid-arity: how fans and bands helped save Team Rock's music magazines

“It was purely helping out friends in a time of need.”

A little over 25 years ago, a journalist friend let me in on the secret of publishing success. He cut his teeth in the Sixties as an editor in the Yippie underground press, wrote for Rolling Stone, Associated Press and the Chicago Sun-Times, then went on to teach at one of America’s most prestigious journalism schools.

The big secret, he had concluded, was community. No more, no less. Get to know your community and serve it well.

A quarter of a century on, it’s sometimes hard to remember what community looks like in newspapers and magazines. Carefully crafted pages have been obscured by a haze of clickbait, engineered to sucker everyone and anyone into donating a drive-by page view for ads. Community has given way to commodity.

But occasionally, there are glimpses of hope. Six months ago, TeamRock.com, built around a group of specialist music magazines including Classic Rock, Metal Hammer and Prog, went into administration.

The Christmas closure came brutally quickly. The Scottish Sun reported that stunned staff in the company’s Lanarkshire headquarters were told they had been made redundant “as a joiner changed the locks on their offices”. In total, 73 staff were laid off; nearly 30 in Scotland and more than 40 in London.

At the close of 2016, the future for the Team Rock brand and its stable of magazine titles was bleaker than a Black Sabbath album. But last month, in an extraordinary reversal of fortunes, TeamRock.com was named the most influential rock music website in the world.

Bargain-basement buy back

Just a fortnight after its shock closure, the brand was bought by former owners Future Plc. In a no-brainer deal, the Bath-based publisher re-acquired the three magazines it had sold to Team Rock’s founders in 2013. It bought back assets sold for £10m at the knockdown price of £800,000 with the bonus of TeamRock.com and Team Rock Radio. The deal rescued large parts of the Team Rock operation – but its soul was saved by the rock and metal community.

Oblivious to any discussions going on to rescue the magazines, readers, music fans and bands came together in a stunning display of loyalty. Hearing that Team Rock staff wouldn’t be getting paid their Christmas wage they took to social media to pledge their support and raised almost £90,000 for redundant staff.

Ben Ward, the organiser of the crowdfunding campaign and frontman for heavy metal band Orange Goblin said he started the appeal with no thought for the business. “It was purely helping out friends in a time of need,” he explained.

He had read all three Team Rock magazines for years, socialised with their staff and promoted his own and other bands in their pages. “To think of a world without any of those magazines – it was devastating,” he said.

The response to the campaign brought him some cheer, with members of bands such as Queen, Rush and Avenged Sevenfold all posting about it on their social media pages. He added: “The whole Christmas period, my phone just wouldn't stop beeping with notifications for another donation.”

Show of solidarity

Though the fundraiser blew up all Ward's expectations, beating his initial target by more than 400 per cent, he didn't seem completely surprised by the scale of the response.

“Heavy metal and hard rock, people that are into that sort of music, we've always been sort of looked down upon. We know it's not commercially the done thing, we know it's not the norm to walk around with long hair and tattoos and dirty leather jackets. But when you see a fellow metal head in the supermarket, you always give them an approving nod. There's a kind of solidarity.”

While favourable capitalist arithmetic has kept the presses rolling – and the online servers going – for Team Rock, it was the music community – empowered by social media – who delivered the real resurrection. With a combined Facebook following of more than 3.5million and a total social media audience of almost five million, it was no surprise TeamRock.com was soon number one in its field.

“What's brilliant about this is that it's based on what music fans share with each other,” explains editor-in-chief Scott Rowley.

TeamRock.com became the most influential rock site based on social media sharing, and came fifth in the top 100 sites across all music genres. The site above it is a hip-hop title, again featured for the strength of its community, according to Rowley. “Those people really know what they're talking about, they want very specific content, and they're not getting served it elsewhere,” he said. “When they get it, they love it and they share it and talk about it and that's their world.”

Responsiblity

Following the outpouring of support for the rock magazines, Rowley now feels a heightened sense of responsibility to do “the right thing” and steer clear of cynical decisions to get clicks or put certain bands on the cover just to sell copies. He believes future success will come down to trust. “Sometimes that feels precarious, but equally I think we're in good hands,” he explains. “We're a business, we've got to make money, but we know what smells fake and where the limits are.”

Zillah Byng-Thorne, CEO of owner Future, recognises the need to balance the realities of running a listed company with the authenticity needed to maintain trust. “What Future is interested in is the passion that underpins specialist media,” she says. “I don't really mind what your passion is, what's important is that it's a passion.”

“No one is sitting around thinking, 'I wonder what bands sound like Thin Lizzy?',” says Rowley. “We're much more a part of their lifestyle, interrupting their day to tell them someone’s just released an album or announced a tour.”

“But it doesn't have to always be about fishing for clicks,” he adds. “I remember [Classic Rock online editor] Fraser Lewry saying, 'Sometimes on social we should just be being social'.”

Being social. Listening. Contributing to the conversation. Sharing the passion. That old-fashioned notion of serving the community. It seems Ward would agree, as he offers the new owners of the magazines he helped to save some advice: “Don't make the same mistakes, investing in things that weren't really necessary from the magazine’s point of view. I'm in no position to tell anyone how to run their business, but on behalf of the rock and metal community…keep it interesting, keep it relevant.”