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Laurie Penny on Nadine Dorries, abortion and newspeak on the right

Dorries's propaganda reveals ugly truths about the coalition's version of "choice".

On the Guardian's Comment Is Free today, Nadine Dorries attempts to justify proposals she is spearheading to restrict women's access to legal abortion and deny proper sex education to young girls.

I have already written about the venal, illiberal campaign in Westmister to force women who wish to terminate pregnancies to go through counselling with an "independent provider" -- likely, in practice, to mean "biased and illiberal" religious counsellors, according to a spokesperson for Abortion Rights UK.

I have also written about how Dorries and some lobbyists are seeking to force these changes through without a vote,and the further hurdles that this will place on the already demeaning and unecessary process of accessing legal abortion in this country. However, one sentence in particular jumps out in Dorries' article, which we will assume was written by Dorries herself and not drafted on her behalf by Christian lobbyists:

At present, the only place a woman can receive pre- or post-abortion counselling paid for by the state is from an abortion provider - who has a clear financial interest in the ultimate decision the woman makes.

Two thoughts immediately occur:

1. If profit is an unacceptable vested interest when private companies are involved in abortion provision, why is it acceptable when it comes to the provision of any other healthcare service?

2. Why does it never, ever occur to Conservatives and other free-market fundamentalists that doctors and other public servants might have other reasons for offering the services they provide besides financial gain? In fact, of all the private companies who currently offer healthcare services in this country, abortion providers are perhaps the most necessary and humane, as their independence offers a crucial lifeline for women too desperate or traumatised by an NHS service in which doctors are allowed to withhold treatment for "moral" reasons.

The government's determination to increase competition in public services automatically assumes that profit is the overriding motive for anyone who works in healthcare, social care or education. It assumes that human beings are naturally selfish, and must be threatened and goaded into doing their jobs properly. That is no way to run a country.

In her article, Dorries speaks of "increasing choice" for women -- by giving them no choice but to go through counselling if they need an abortion. This, too, points to something really venal in coalition newspeak that should worry all of us, whether or not we support a woman's right to safe, legal abortion.

Whether they are discussing cutting public services or obstructing abortion access, the language of "choice" is always employed when confiscating people's most basic rights. We're not restricting access to higher education -- we're letting you choose whether you want to pay £8,000 or £18,000 a year!

The left, too, is guilty of equivocating, of parroting the neo-liberal language of "choice" when we really mean to speak of "rights".

The language of rights and freedoms has corroded over the past three decades, in part because centre-left governments have been quick to adopt managerial rhetoric, to speak of "outcomes" and "choices" whenever it seemed that social justice and human dignity might not play well to the Murdoch press. (Adam Curtis' excellent documentary The Trap is a great explanation of the history and ideology behind this managerial discourse of 'choice'.)

The "pro-choice" campaign is as good a flashpoint as any. Speaking of protecting women's "choices" is a mitigated way, toothless way of discussing what's really at stake -- every woman's right to have control over what happens to her body, every woman's right not to be forced to undergo pregnancy and labour against her will when there are medical alternatives.

Speaking of the "right to choose" is a reasonable and decent compromise, but a compromise nonetheless.

Across the left, we must not allow ourselves to capitulate to the managerial language of the right, because they will always be better at it than us, by virtue of really meaning it. We need to stop talking about choice, and start talking about rights -- whether that's the right to healthcare, housing and a decent standard of living, or the right to access abortion services without being forced to undergo counselling, as if we were unable to cope with the responsibility of freedom.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

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Britain has built a national myth on winning the Second World War, but it’s distorting our politics

The impending humiliation of Brexit is going to have a lot more in common with Suez.

The Crown, Peter Morgan’s epic drama covering the reign of Elizabeth II, ended its first series with a nemesis waiting just off-stage to shake up its court politics. In the final episode, Egyptian president Gamal Nasser gives a rip-roaringly anti-imperialist – and anti-British – speech. The scene is set for the Suez Crisis to be a big plot point in Season 2.

Suez has gone down in history as the great foreign policy debacle of postwar Britain. The 1956 crisis – which saw Israel, France and Britain jointly invade Egypt to take control of the Suez Canal, only to slink off again, nine days later, once it became clear the US wasn’t having any of it – is seen as the point at which it became clear that even the bigger states of Europe were no longer great powers in the world. “President Eisenhower’s humiliation of Britain,” Jack Straw wrote in his 2012 memoir, “had been total.”

This was, though, a fairly limited sort of humiliation. Britain was not invaded or occupied; there was no sudden collapse in living standards, let alone a significant body count. Our greatest national debacle is nothing more than the realisation that Britain could no longer do whatever it wanted without fear of reprisal. As humiliations go, this one’s up there with the loss of status men have faced from the rise of feminism: suddenly, Britain could do what it wanted a mere 80 per cent of the time.

The Crown begins in 1947, when Prince Philip gives up his Greek and Danish royal titles and becomes a British subject, so that he can marry Princess Elizabeth. That year saw another British foreign policy debacle, one on which the show remains oddly silent. In the partition which followed India’s independence from the British Empire, 70 years ago this week, upwards of a million people died; in the decades since, the borders drawn up at that time have been the site of numerous wars, and Kashmir remains a flashpoint.

All this, one might think, might count as a far bigger regret than Suez – yet it doesn’t feature in the national narrative in the same way. Perhaps because partition was about the withdrawal of British forces, rather than their deployment; perhaps it’s simply that it all happened a very long way away. Or perhaps we just care less about a body count than we do about looking bad in front of the Americans.

I think, though, there’s another reason we don’t talk about this stuff: the end of empire is hidden behind a much bigger part of our national myth. In the Second World War, Britain is undeniably one of the good guys; for 12 months, indeed, Britain was the only good guy. Never mind that it still had the largest empire the world had ever seen to fall back on: Britain stood alone.

The centrality of the Second World War to the national myth warps our view of history and our place in the world in all sorts of ways. For starters, it means we’ve never had to take an honest account of the consequences of empire. In a tale about British heroes defeating Nazi villains, British mistakes or British atrocities just don’t fit. (Winston Churchill’s role in the 1943 Bengal famine – death toll: three million – by ordering the export of Indian grain to Britain rarely comes up in biopics.) In this dominant version of the national story, the end of empire is just the price we pay to defeat fascism.

More than that, our obsession with the Second World War creates the bizarre impression that failure is not just heroic, but a necessary precursor to success. Two of the most discussed elements of Britain’s war – the evacuation of Dunkirk, and the Blitz – are not about victory at all, but about survival against the odds. The lesson we take is that, with a touch of British grit and an ability to improvise, we can accomplish anything. It’s hard not to see this reflected in Brexit secretary David Davis’s lack of notes, but it’s nonsense: had the Russians and Americans not arrived to bail us out, Britain would have been stuffed.

Most obviously, being one of the winners of the Second World War infects our attitude to Europe. It’s probably not a coincidence that Britain has always been both one of the most eurosceptic EU countries, and one of the tiny number not to have been trampled by a foreign army at some point in recent history: we don’t instinctively grasp why European unity matters.

Once again, Suez is instructive. The lesson postwar France took from the discovery that the imperial age was over was that it should lead a strong and unified Europe. The lesson Britain took was that, so long as we cosied up to the US – Athens to their Rome, to quote Harold Macmillan – we could still bask in reflected superpower.

Until recently, Britain’s Second World War obsession and national ignorance about empire didn’t really seem to affect contemporary politics. They were embarrassing; but they were also irrelevant, so we could cope. Brexit, though, means that hubris is about to run headlong into nemesis, and the widespread assumption that Britain is a rich, powerful and much-loved country is unlikely to survive contact with reality. India will not offer a trade deal for sentimental reasons; Ireland is not a junior partner that will meekly follow us out of the door or police its borders on our behalf. The discovery that Britain is now a mid-ranking power that – excepting the over-heated south-east of England – isn’t even that rich is likely to mean a loss of status to rival Suez.

Morgan says he has planned six seasons of The Crown. (This looks entertainingly like a bet the Queen will be dead by 2021; if not, like Game of Thrones before it, he might well run out of text to adapt.) It’ll be interesting to see how the show handles Brexit. It began with the royal family facing up to a vertiginous decline in British power. As things stand, it may have to end the same way. 

Jonn Elledge edits the New Statesman's sister site CityMetric, and writes for the NS about subjects including politics, history and Brexit. You can find him on Twitter or Facebook.

This article first appeared in the 17 August 2017 issue of the New Statesman, Trump goes nuclear