Autism should never be used as a political insult

We condemned George Osborne; we should condemn France's Europe minister, too

When George Osborne suggested that Gordon Brown could be "faintly autistic" there was justified outrage. The shadow chancellor was rebuked by Labour and Lib Dem politicians and other public figures, including Nick Hornby, who memorably remarked: "George Osborne doesn't seem to have noticed that most people over the age of eight no longer use serious and distressing disabilities as a way of taunting people."

Osborne wasn't the first. The Tory MP Peter Viggers, now best known for his duck house, was forced to apologise when he described Brown as "financially autistic".

Now the French minister for Europe, Pierre Lellouche, speaking to the Guardian, has accused William Hague of a "bizarre autism" in their discussions. The increasing use of autism as a political pejorative is disturbing. If we allow conditions such as this to be used as synonyms for social and political ills, we create a new layer of prejudice against sufferers.

The same applies to other mental or physical conditions. I won't use "sclerotic" to refer to a stagnant economy. I won't use "schizophrenic" to describe variable weather.

It is essential for the liberal left to condemn Lellouche (however reasonable his other remarks) as strongly as it condemned Osborne. Anything else, and past complaints will just look like political opportunism.

George Eaton is political editor of the New Statesman.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.