Better porn with de Botton
There is scope to re-think the porn industry.
By Nichi Hodgson Published 21 May 2012 10:19
Not content with ruminating on work, happiness, or airport queues, philosopher Alain de Botton has now turned his restless attentions to the promotion of an ethical porn movement, as reported here on Friday by the New Statesman’s Helen Lewis. De Botton plans to launch the "Better Porn" campaign and website promoting "pornography in which sexual desire would be invited to support, rather than permitted to undermine, our higher values." Sex-positive feminists and ethical sex enthusiasts, particularly within the kink community, have of course been espousing this for a while. Yet even if he is late to the party, de Botton’s campaign is ripe for the championing. Contrary to popular myth, the sex industry is not entirely recession-proof and while commercial porn will never run dry so long as there’s money in circulation, the faltering flow of finance makes it a good time to dump quantity for quality.
As idealistic as de Botton’s project may sound, even in the face of the internet’s daemonic libertarianism, there is nothing inevitable about the ethical paucity of our porn. 30 years ago, before the internet had tempted adult fantasy over to the crass side, Angela Carter encapsulated the sentiment in the opening line to The Sadeian Woman: “Pornographers are the enemies of women only because our contemporary ideology of pornography does not encompass the possibility of change, as if we were the slaves of history and not its makers”. Replace "women" with "21st century humans" and there is De Botton’s campaign. Right now, we may have the porn we deserve but we can make better. Mass production of anything, food, furniture, fashion, may serve a market but usually at the price of ethics. Porn is no different. Blaming poor porn on atavistic urges is lazy and historically inaccurate. Better porn just requires letting our brains, rather than consideration for our bank balances, lead our late-night Google searches.
Following the murder of Bristol architect Joanna Yeates, in which it was revealed that her murderer Vincent Tabak had a taste for strangulation porn, the reactionary cry from the left and right, feminists and conservatives alike, was that such porn needed banning. I suggested we produce an ethical stamp for porn, something which has always been particularly resonant for the BDSM/kink kind, where social and legal prejudice, and the complications of the pleasure/pain-driven dynamic has heightened the need to prove harmless production. The responsibility of companies like kink.com in stepping up to the ethical mark proves it can be done, and De Botton should look to such models as he builds his Better Porn campaign.
Imagining that De Botton is successful, such is the relationship between need and want, between desire, its permissions and possession, a subculture of unethically produced porn would be bound to persist. But it would be cowardly to reject an ethical model on that basis, and what price the reduction of the populace’s guilt if we knew most porn stars were genuinely and consensually performing?
The most difficult challenge for de Botton won’t be persuading people that his kind of porn is better, but that it’s sexy. As Camille Paglia observed wryly, if somewhat unfairly, about feminism, "leaving sex to the feminists is like letting your dog vacation at the taxidermist’s". The personal is political has rarely made for hot interracial or doctor/nurse tableaux. So while ethical porn will always face the taxidermist test, the last thing we need is an obsession with cleaning up our desirous taboos until what’s an offer is a dry as an Equalities Commission guide to getting it on. De Botton claims to recogise that what makes porn unethical isn’t its fantasies or explicitness, but the means of its production. He could do a lot worse than take an Arts and Crafts-style approach to his project. Avoid elitism, invoke passion, and society will be better off for its production. (Stuffed animals probably need not apply).
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15 comments
Nice, but do you think too much, it can be said that mere wishful thinking. not too sweeping is [...] Read More
If you read Orwell's vision of the future where viewing habits are quite similar to the present day then you might not be so sarcastic. All censorship is political...
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My target was de Botton who's 'philosophising' is not about censorship.
Graphic violence & extreme close-up gore is the new porn- get with it people...
http://www.amazon.com/Michael-J.-Freeman/e/B001K8WIMY
I made over 21 films in the 1980s supplying the public with films that had a storyline with a beginning middle and an end. I supplied an eager public by mail order and became highly successful going to Mipcom in Cannes and obtaining Thatcher's gold.
At the time there was no law against video.
My company Videx Ltd paid all its taxes and actresses answered adverts in the Stage. At the time David Sullivan of Private and who was ripping off the public started to feel the strength of my competion especially after Pat Codd of the Star ran a double page spread for two days in which he compared the Private Productions with Videx.
I was full of my own importance as a pioneer and when one of my actresses Paula Meadows (RADA) suggested that I make a gay film in support of the Gay Liberation Front I stepped in where angels fear to tread and made two films: What a Gay Day and Dial a Guy.
I took a small ad in Gay News and I was surprised that my turnover increased by 40% overnight! However I soon got a phone call from David Offenbach whom I had on retainer. He told me bluntly that I should take the two gay films off the market. He was in contact with someone in the Home Office whom he spoke to on the phone.
"I have Michael here" he said smiling at me then put the phone down. Then he said "Michael you are a very rich young man and all they want you to do is to take the two gay films off the market and you can carry on as usual."
"What if I don't?" I asked.
"You will be prosecuted" he replied.
To cut a long story short (It's all in my books). Sullivan paid "a member of the public" to make a complaint about one of my films which he described as "shocking and disgusting." This anonymous person had answered one of my ads which guaranteed money back if the Videx film was not hardcore or censored.
The law was changed when a Mr Sheridan, a Sullivan associate, was interviewed outside a West End magistrate court "I got off didn't I. It's stupid innit, I mean if this film was on film instead of video I woulda been found guilty, wouldn't I?" he said.
Soon after that the law was changed making video an article under the Obscene Publications Act, my house was raided by the OPS who asked me to pay them (like I was forced to do in the Sixties)
I refused to pay and in the end the Videx offices were raided and I went to prison...
None of my films were misogynistic and I always showed the actors enjoying themselves. Incidentalli I was named "Erotic Film Director of the Year" by Tuppy Owens.
If the governments wants to encourage the making of erotic films instead of the ubiquitios recordings of live sex shows then the BBFC fees for up and coming erotic filmmakers should be scrapped and a special government film committee set up to examine scripts and champion the erotic to award public funding.
Filmmakers who dare to feature expicit sexual imagery are at the moment cast into a den of iniquity called the R18 Classification which means one's film is unviable. Consequently all filmmakers who are conversant with the BBFC "laundry list" pre-censor in order to get an 18 certificate.
In the meantime pseodo snuff films featuring most gross violence against women are awarded 18 certificates in this upside down world.
Now I write books!
Please forgive my typos
The most popular porn on the internet nowadays is amateur: shot by lovers, for lovers. This is the very definition of sex-positive, life-affirming, nonviolent porn (as long as you disregard the occasional booty smack). De Botton--and the "professional" porn industry-- is a day late and a dollar short. The internet has moved on while they weren't looking. That is what has really hurt the porn industry's bottom line.
Nichi Hodgson:
'...what price the reduction of the populace’s guilt if we knew most porn stars were genuinely and consensually performing?'
It may be badly shot, certainly, but one finds it difficult to imagine that a great deal of the amateur footage, to be found on the web, of people who have filmed themselves having sex - either solo or with their friends - is non-consensual. Given the sheer volume of the stuff, the problem would appear to be not so much getting them to do it, as stopping them. The expression 'having to beat them off with oars' springs to mind.
There is quite a bit of amateur stuff but the majority of the stars are full tme professional models most of whom enjoy their work and much of the "amateur" productions are filmmed by professionals.
Nichi Hodgson:
'De Botton claims to recogise that what makes porn unethical isn’t its fantasies or explicitness, but the means of its production.'
De Bottom is right. So much pornography is so badly shot. How many times has one seen a stunning-looking model, and a promising situation, ruined by the most appalling camerwork? Far too many times. To my sensibility, it is deeply offensive to waste a rare and precious resource, such as beauty, in this unthinking, unfeeling and insensible way. The fact that so much pornography is shot by amateurs is no excuse. I am an amateur, and I have never filmed pornography, but I know how to compose a decent picture. It's not rocket science.
I cannot escape the feeling that I might have missed my vocation.
Most contemporary porngraphy is made by professionals and this is apparent by the "models" who appear in their productions. They are booked, sign contracts and are required to have HIV negative certificates
You are right that there are many beautiful girls in the Adult Entertainment business. I think that the camerawork is appaling too with wide angle lenses adjacent to penises to make them appear larger which also distorts the performer's faces and limbs.
These filmmakers imagine that they are producing "reality" videos. They do not use a tripod or have a script and usually specialise in a certain niche. They simply book "models" and shout action and just keep shooting explicit sex scenarios, getting what they call footage! They usually shoot in real time and it is quantity not quality on low budgets.
The actresses know what they are going to do because the videomaker does the same scene over and over again just changing the performers. This is why many girls just go through a predictable routine making ooh ah sounds al the way through the scene. Predictably there is only one scene as models demand payment per scene.
I find most films unwatchable and unerotic with the performers sporting huge tattoos, spitting and gagging and so on. This is not because the public want these productions but because the producers think that their productions are not selling because they are not hard enough when the opposite is true!
The average customers is a curious teenager who sees a few of these "reality" vids and quickly tires of them.
Producers with the rare exception make the mistake of thinking that more hard sex action and less storyline is more profitable wheras true eroticism would be. Eroticism lies in developing a believeable character. It is when the viewer enters a trance like state by "cooperating" with the imagery and that they experiences a sense of reality and feel sexual emotions.
Producers today ought to take a step back to the future because this is what their customers really want even though many of them don't realise it!
I appreciate that this "philosopher" has obviously been living under a rock, but when he has an idea he should really check that nobody's already doing it when he bursts into the media proclaiming "OMG I have the greatest idea ever".
And what was exactly was wrong with the strangulation porn used by the murderer of Joanna Yeates? Do we know that it was not produced ethically, or were you just being judgemental?
I just reread that paragraph about strangulation porn. I apologise - I misread.
Good to see that some people are turning their minds to the most important issues of our times.
If you read Orwell's vision of the future where viewing habits are quite similar to the present day then you might not be so sarcastic. All censorship is political...