It's all over Mao, baby blue

China cancels Bob Dylan's Beijing shows.

It seems that China can't get enough of turfing out American institutions: first Google, and now Bob Dylan. The singer-songwriter had planned to tour east Asia this month, but his shows in Beijing were abruptly cancelled by the Chinese authorities, who were anxious, no doubt, that his very presence would lead to the utter collapse of the Communist Party, the liberation of Tibet and revolution on a scale not seen since Jesus of Nazareth walked on water, saying: "Hey, check this."

After a 2008 Björk concert that ended with the Icelandic singer shouting "Tibet, Tibet", China imposed explicit new rules for foreign musicians interested in performing in the country. "Those who used to take part in activities that harm the nation's sovereignty," the government announced, "are firmly not allowed to perform in China."

It's interesting that Dylan, at 68, is still perceived as a threat at all -- even in his politicised youth, his attitudes to socialism were ambivalent, bordering on sympathetic. In songs such as "Talkin' John Birch Paranoid Blues", he was more likely to poke fun at American "patriots" obsessed with rooting out Russian spies than at the card-carrying party members themselves:

I wus lookin' high an' low for them Reds everywhere
I wus lookin' in the sink an' underneath the chair
I looked way up my chimney hole
I even looked deep down inside my toilet bowl
They got away . . .

Besides which, Dylan's post-millennial career has hardly been politically inflammatory. His most recent release was a homely Christmas album; and, true to the sentiment of his towering 1997 blues "Highlands", he has reportedly upped sticks to Scotland to play golf with his brother.

The Guardian suggests that the Chinese ban could restore Dylan's credibility as "the prophet from Desolation Row". Such a mantle, however, never did suit an artist more interested in eternal truths and American mythology than the act of predicting the future.

When Leonard Cohen tried to play Ramallah on the West Bank in 2009, his concert, too, was cancelled, but for very different reasons. His Palestinian bookers pulled the plug amid claims that the show would be a concessionary gesture, with the sole purpose of "balancing" his performance in Tel Aviv.

The accusation was cruel -- the proceeds of Cohen's tour in the region, after all, were intended for a Palestinian-Israeli reconciliation fund started by the singer -- yet the arguments of his detractors raise an interesting point with regard to Dylan's later snub.

Shir Hever, an economist and activist with the Alternative Information Centre, said that Cohen had "missed the point", and that his Tel Aviv gig served as "a kind of validation" of Israel's conduct in the West Bank. Israelis "point out the willingness of people like Madonna and Leonard Cohen to give shows as a sign that Israel is normal, like a European country".

If this logic applies to China, the country's reluctance to send the message of normalcy through its cultural interactions provides a curious insight into its sense of exceptionalism. Keen to assert its independence from the world's major powers (as its growing tensions with the US demonstrate), China seems happy to announce its abnormality, its special place in the changing global hegemony -- which could be bad news for music fans in Beijing.

Yo Zushi is a contributing writer for the New Statesman. His latest album, It Never Entered My Mind, is out now on Eidola Records and is on Spotify here.

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How power shifted dramatically in this week’s Game of Thrones

The best-laid plans of Mothers and men often go awry.

Last week’s Game of Thrones was absolutely full of maps. It had more maps than a Paper Towns/Moonrise Kingdom crossover. More maps than an Ordnance Survey walking tour of a cartographer’s convention. More maps than your average week on CityMetric.

So imagine the cheers of delight when this week’s episode, “Stormborn”, opened with – yes, a map! Enter Daenerys, casting her eyes over her carved table map (Ikea’s Västeross range, I believe), deciding whether to take King’s Landing and the iron throne from Cersei or a different path. After some sassy debates with Varys over loyalty, more members of her court enter to point angrily at different grooves in the table as Dany and Tyrion move their minature armies around the board.

In fact, this whole episode had a sense of model parts slotting pleasingly into place. Melisandre finally moved down the board from Winterfell to Dragonstone to initiate the series’ most inevitable meeting, between The King of the North and the Mother of Dragons. Jon is hot on her heels. Arya crossed paths with old friends Hot Pie and Nymeria, and the right word spoken at the right time saw her readjust her course to at last head home to the North. Tyrion seamlessly anticipated a move from Cersei and changed Dany’s tack accordingly. There was less exposition than last week, but the episode was starting to feel like an elegant opening to a long game of chess.

All this made the episode’s action-filled denouement all the more shocking. As Yara, Theon and Ellaria dutifully took their place in Dany’s carefully mapped out plans, they were ambushed by their mad uncle Euron (a character increasingly resembling Blackbeard-as-played-by-Jared-Leto). We should have known: just minutes before, Yara and Ellaria started to get it on, and as TV law dictates, things can never end well for lesbians. As the Sand Snakes were mown down one by one, Euron captured Yara and dared poor Theon to try to save her. As Theon stared at Yara’s desperate face and tried to build up the courage to save her, we saw the old ghost of Reek quiver across his face, and he threw himself overboard. It’s an interesting decision from a show that has recently so enjoyed showing its most abused characters (particularly women) delight in showy, violent acts of revenge. Theon reminds us that the sad reality of trauma is that it can make people behave in ways that are not brave, or redemptive, or even kind.

So Euron’s surprise attack on the rest of the Greyjoy fleet essentially knocked all the pieces off the board, to remind us that the best-laid plans of Mothers and men often go awry. Even when you’ve laid them on a map.

But now for the real question. Who WAS the baddest bitch of this week’s Game of Thrones?

Bad bitch points are awarded as follows:

  • Varys delivering an extremely sassy speech about serving the people. +19.
  • Missandei correcting Dany’s High Valerian was Extremely Bold, and I, for one, applaud her. +7.
  • The prophecy that hinges on a gender-based misinterpretation of the word “man” or “prince” has been old since Macbeth, but we will give Dany, like, two points for her “I am not a prince” chat purely out of feminist obligation. +2.
  • Cersei having to resort to racist rhetoric to try and persuade her own soldiers to fight for her. This is a weak look, Cersei. -13.
  • Samwell just casually chatting back to his Maester on ancient medicine even though he’s been there for like, a week, and has read a total of one (1) book on greyscale. +5. He seems pretty wrong, but we’re giving points for sheer audacity.
  • Cersei thinking she can destroy Dany’s dragon army with one (1) big crossbow. -15. Harold, they’re dragons.
  • “I’ve known a great many clever men. I’ve outlived them all. You know why? I ignored them.” Olenna is the queen of my LIFE. +71 for this one (1) comment.
  • Grey Worm taking a risk and being (literally) naked around someone he loves. +33. He’s cool with rabid dogs, dizzying heights and tumultuous oceans, but clearly this was really scary for him. It’s important and good to be vulnerable!! All the pats on the back for Grey Worm. He really did that.
  • Sam just fully going for it and chopping off all of Jorah’s skin (even though he literally… just read a book that said dragonglass can cure greyscale??). +14. What is this bold motherfucker doing.
  • Jorah letting him. +11.
  • “You’ve been making pies?” “One or two.” Blatant fan service from psycho killer Arya, but I fully loved it. +25.
  • Jon making Sansa temporary Queen in the North. +7.
  • Sansa – queen of my heart and now Queen in the North!!! +17.
  • Jon choking Littlefinger for perving over Sansa. +19. This would just be weird and patriarchal, but Littlefinger is an unholy cunt and Sansa has been horrifically abused by 60 per cent of the men who have ever touched her.
  • Nymeria staring down the woman who once possessed her in a delicious reversal of fortune. +13. Yes, she’s a wolf but she did not consent to being owned by a strangely aggressive child.
  • Euron had a big win. So, regrettably, +10.

​That means this week’s bad bitch is Olenna Tyrell, because who even comes close? This week’s loser is Cersei. But, as always, with the caveat that when Cersei is really losing – she strikes hard. Plus, Qyburn’s comment about the dragon skeletons under King’s Landing, “Curious that King Robert did not have them destroyed”, coupled with his previous penchant for re-animated dead bodies, makes me nervous, and worry that – in light of Cersei’s lack of heir – we’re moving towards a Cersei-Qyburn-White Walkers alliance. So do watch out.

Anna Leszkiewicz is a pop culture writer at the New Statesman.