The half-hearted return of Bergerac
This reboot of the classic detective series has lost all its drollness and sense of fun. C’est dommage!
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and culture since 1913
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This reboot of the classic detective series has lost all its drollness and sense of fun. C’est dommage!
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This series, based on a real-life fraud peddling diets to cure cancer, explores how social media makes fools of us…
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Thanks to our sharp-eyed puppetmaster Mike White, this third series is an intensely satisfying slow burn.
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The Motherland spin-off’s star returns diminished but undimmed.
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This Apple TV+ thriller is derivative and extremely silly. And yet no producer seemed to think: is this too much?
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The second season of Dan Erickson’s drama is just as bewildering and magnificent as the first.
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This series is yet more messy human drama set in an immaculate, expensive interiors; a superior cast in ridiculous material.
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The show’s teasing, abrupt credit rolls just make me feel cheated. In the age of streaming, the TV cliffhanger should…
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This final (or is it?) Christmas special episode of the sitcom suggests that our world may not be as awful…
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Our choice of the year’s essential small-screen entertainment.
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This festive spy thriller is farcical and freewheeling –and like a decent cracker it packs a certain bang.
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The last thing Jacob Rees-Mogg needs is to be coddled by reality TV.
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Watching the BBC’s The Making of Do They Know It’s Christmas?, what was once such a big deal dematerialised in…
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Blood stains, Battenberg cakes and a brilliant older woman – what a treat this series is.
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In this second series, based on the final novel in Hilary Mantel’s trilogy, the mood is hushed. What volumes are…
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Rivals makes the 1980s look like sunlit uplands.
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In this slick adaptation of Freddie Forsyth’s novel, Eddie Redmayne’s cheekbones shine.
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How did this series, in which dastardly pensioner zombies feast on teenagers, get made?
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This film from Hope Not Hate – pulled from the London Film Festival on safety grounds – has a lot…
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Richard E Grant is glorious in this Rolls-Royce production from Armando Iannucci and Sam Mendes.
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