
Sam Smith’s Gloria is a bland, contrived pop record
The brilliance of “Unholy” shows up how little originality is to be found on this autotuned, cliché-ridden and inauthentic album.
ByThe brilliance of “Unholy” shows up how little originality is to be found on this autotuned, cliché-ridden and inauthentic album.
ByJohanna and Klara Söderberg on making music as sisters, the side effects of ambition, and taking a break from live…
ByWhether or not you believe the band “saved rock music”, it’s difficult to imagine what the 2000s would have looked…
ByJoined by a special guest at the O2, Matty Healy mused on masculinity as his band paraded their irresistible brand…
ByNew Statesman staff choose their favourite records of the year.
ByThe keyboard works of The Well-Tempered Clavier sound more novel and luminous 300 years later than in their composer’s day.
ByThe Nashville-born musician on trauma, getting older and taking nine years away from music.
ByAt a circus venue in Paris the next evolution in the musician’s theatrical pop shows how real life seeps into…
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