The year that made Jane Austen sexy again
Thirty years ago, a flood of new adaptations gave the novelist a second bloom
ByReviewing politics
and culture since 1913
Thirty years ago, a flood of new adaptations gave the novelist a second bloom
By
On the 250th anniversary of her birth, the great Regency era novelist still offers perceptive lessons in life
By
The lack of domestic detail in the author’s worlds leaves much to chew on.
By
Jane Austen Wrecked My Life is too saccharine to reverse the slow death of the romcom.
By
No, I haven’t read Jane Austen’s novel. Must that disqualify me from enjoying this joyful and self-aware parody?
By
This adaptation slaps a sassy millennial tone on Austen’s most mature work, in an embarrassing attempt to force the brashest…
By
Do we really need the new Netflix version of Persuasion, which has seemingly confused Anne Elliot with Fleabag?
By
The psychotherapist on admiring Mhairi Black, Chopin and why her Mastermind subject would be Jane Austen.
By
On the pop culture podcast this week: Caroline and Anna examine the major adaptations of Jane Austen’s iconic novel, Emma.
By
Planting trees in the yard is a poor subsitute for reducing the prison population.
By
A zombie author for a zombie government.
By
Austen’s work has already been a launch-pad for literary spin-offs, but Stillman’s film – and accompanying novel – do something intriguingly new.
By
Ryan Gilbey talks to the actor James Fleet, who stars in Whit Stillman’s Love & Friendship – his third Austen film adaptation…
By
Based on Jane Austen’s little-known early novella Lady Susan, Whit Stillman’s new film Love & Friendship is anything but a straightforward adaptation.
By
Twenty years on from Austen’s cinematic rise, her influence shows no sign of waning.
By
The internet would be a much nicer place if everyone spoke like a Jane Austen character. Here’s how you go…
By
In the next instalment of the “Austen Project”, the Scottish crime writer gives her modern-day take on the novel formerly…
ByUsing science to explain art is a good way to butcher both, and is intellectually bankrupt to boot.
ByPretension remains the greatest social crime – and authenticity the greatest virtue.
ByWho decides what is of "outstanding national importance"?
By